IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).

Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.

Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.

Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.

Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Avsnitt(969)

American Film Market 2022 Badge Giveaway Contest

American Film Market 2022 Badge Giveaway Contest

IFH - American Film Market 2022 Badge Giveaway Contest!! AFM Badge giveaway - Two Executive Plus Badges. It's a full 5-day badge with access to all the panels. https://americanfilmmarket.com/badges-prices/ that sell for $995 each. Below are rules: M𝘶𝘴𝘵 𝘣𝘦 18+ 𝘵𝘰 𝘦𝘯𝘵𝘦𝘳. 𝘖𝘱𝘦𝘯 𝘵𝘰 𝘜.𝘚. 𝘙𝘦𝘴𝘪𝘥𝘦𝘯𝘵𝘴 𝘰𝘯𝘭𝘺. E𝘢𝘤𝘩 𝘸𝘪𝘯𝘯𝘦𝘳 𝘸𝘪𝘭𝘭 𝘳𝘦𝘤𝘦𝘪𝘷𝘦 𝘰𝘯𝘦 𝘈𝘍𝘔 2022 𝘌𝘹𝘦𝘤𝘶𝘵𝘪𝘷𝘦 𝘗𝘭𝘶𝘴 𝘉𝘢𝘥𝘨𝘦 𝘵𝘰 𝘢𝘵𝘵𝘦𝘯𝘥 𝘢𝘵 𝘸𝘪𝘯𝘯𝘦𝘳’𝘴 𝘰𝘸𝘯 𝘦𝘹𝘱𝘦𝘯𝘴𝘦 𝘢𝘯𝘥 𝘱𝘦𝘳 𝘈𝘍𝘔 𝘎𝘶𝘪𝘥𝘦𝘭𝘪𝘯𝘦𝘴. 𝘕𝘰 𝘱𝘶𝘳𝘤𝘩𝘢𝘴𝘦 𝘯𝘦𝘤𝘦𝘴𝘴𝘢𝘳𝘺, 𝘷𝘰𝘪𝘥 𝘸𝘩𝘦𝘳𝘦 𝘱𝘳𝘰𝘩𝘪𝘣𝘪𝘵𝘦𝘥. Open to ALL IFH Tribe members. Submit to support@indiefilmhustle.com why you and your film deserves to get one of these coveted Badges that cost $995 each.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Okt 20223min

IFH 626: Creating Hocus Pocus: My Life in Horror and Nightmare Cinema with Mick Garris

IFH 626: Creating Hocus Pocus: My Life in Horror and Nightmare Cinema with Mick Garris

I am extremely excited to have on the show today a fellow podcaster, established producer, director, and writer, Mick Garris. Mick’s podcast, Post Mortem with Mick Garris, dives deep into the devious minds of the greatest filmmakers and creators of your worst nightmares to bring their distinctive visions to life in fascinating one-on-one conversations. He’s renowned for his classic screen adaptation of Stephen King’s books like Sleepwalkers (1992), The Shinning and The Stand. and creator of 2005, Masters of Horror series.The California native began his passion for storytelling as early as 12 years old - writing short stories. He launched his passion onto the journalism path at just 16 years old. Driven by curiosity, he freelanced as a film and music critic and landed interviews with the likes of Jimi Hendrix, Rod Serling, and Ray Bradbury in the 70s. It’s remarkable what Mick accomplished in a time where everyone needed to know someone to get a foot in the door, let alone that early in life and without the help of social media. I guess folks were intrigued by his talent and drive.While doing film criticism, Mick wrote specs, publications for magazines, and did some filming on 8mm. The guy lived the dream. The hard work began to pay off. His agent, Rick Jaffa read some of his specs, believed in him, and introduced Mick to Steven Spielberg. Mick ended up writing the first episode of the Spielberg sci-fi series, Amazing Stories, and seven other episodes.He's credited for writing screenplays like Psycho IV: The Beginning, Fly II, and the She-Wolf of London series. He was also was an editor on Spielberg’s other project, *Batteries Not Included, in which aliens help a feisty old New York couple in their battle against the ruthless land developer who's out to evict them.Garris has written and directed a lot of other horror classics such as Halloween comedy favorite, Hocus Pocus. The film follows a villainous comedic trio of witches who are inadvertently resurrected by a teenage boy in Salem, Massachusetts, on Halloween night.Garris and I talked about his incredibly difficult yet fun experience shooting his small budget directorial debut, feature sequel Critters 2. In the film, Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.The man's contribution to the horror genre has amazing. Can't wait for you to catch up on my conversation with Mick Garris.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Okt 20221h 16min

BONUS EPISODE: Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez

BONUS EPISODE: Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez

Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo SanchezWho hasn't heard of the now legendary indie film rags to riches tale of  The Blair Witch Project? Every film student from Los Angeles to Mumbai heard the story of how two young film students spent $27,000 (mostly from friends, family and credit cards) to make a little indie horror film that ended up grossing $250 million worldwide.Directors Eduardo Sanchez and Daniel Myrick shot The Blair Witch Project in a new way which would later be called "found footage." Without The Blair Witch Project, there is no [easyazon_link identifier="B00304LF0W" locale="US" tag="whatisbroke-20"]Paranormal Activity[/easyazon_link], No [easyazon_link identifier="B00AEFXNGE" locale="US" tag="whatisbroke-20"]Cloverfield[/easyazon_link], No [easyazon_link identifier="B003L20IEW" locale="US" tag="whatisbroke-20"]The Last Exorcism[/easyazon_link].Today's guest Eduardo Sanchez goes back to the late 90's and shares his experience on what it was like to be in the center of The Blair Witch Project hurricane. What it was like being on the cover of Time Magazine and how did it feel to be the toast of Hollywood...for a period of time.We also discuss the aftermath, how his career grew post Blair Witch and crazy stories of Hollyweird.Enjoy my conversation with Eduardo Sanchez.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Okt 20221h 34min

IFH 625: Indie Film Hustle Success Story - American Murderer with Matthew Gentile

IFH 625: Indie Film Hustle Success Story - American Murderer with Matthew Gentile

Matthew Gentile is an award-winning filmmaker based in Los Angeles.He most recently wrote and directed his first feature, AMERICAN MURDERER: a true-crime drama about a charismatic conman who became the FBI’s most unlikely and elusive top ten fugitive. Photographed in Utah during the height of the pandemic, AMERICAN MURDERER stars Tom Pelphrey, Ryan Phillippe, Idina Menzel, Jacki Weaver, Shantel Vansanten, Paul Schneider, Moises Arias, and Kevin Corrigan. Traveling Picture Show Company produced the film with Gigi Films, Productivity Media Inc, and Radiant Films International.  A graduate of the directing program at the AFI Conservatory, Matthew’s thesis films FRONTMAN (which won 12 awards including the Student Emmy for Best Directing), and LAWMAN played over 100 festivals worldwide.A Brooklyn native, Matthew holds a BA in English & Film Studies from Connecticut College and an MFA in Directing from the American Film Institute.Please enjoy my conversation with Matthew Gentile.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Okt 20221h 2min

MONDAY MOTIVATION!: Blaze Your Own Filmmaking Trail

MONDAY MOTIVATION!: Blaze Your Own Filmmaking Trail

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Okt 20222min

IFH 624: How NOT to Lose Your Soul in Hollywood with Stephen Simon

IFH 624: How NOT to Lose Your Soul in Hollywood with Stephen Simon

In 1980, Stephen Simon produced the film Somewhere in Time with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced What Dreams May Come with Robin Williams, Annabella Sciorra, and Cuba Gooding, Jr.Stephen Simon graduated from UCLA and Loyola Law School, entered the movie business in 1976, ran the film companies of legendary producers Ray Stark and Dino de Laurentiis, produced such films as Somewhere in Time and What Dreams May Come, co-founded The Spiritual Cinema Circle in 2004, and wrote the books The Force is With You and Bringing Back the Old Hollywood.Please enjoy my conversation with Stephen Simon.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

13 Okt 20221h 24min

BONUS EPISODE: How to Build a Profitable Horror Film with Stephen Follows

BONUS EPISODE: How to Build a Profitable Horror Film with Stephen Follows

Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.Enjoy my eye-opening conversation with Stephen Follows.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Okt 20221h 52min

IFH 623: How to NOT to Quit on Your Filmmaking Dream with Pete Chatmon

IFH 623: How to NOT to Quit on Your Filmmaking Dream with Pete Chatmon

With a deft ability to balance both half-hour single camera comedies and one-hour dramas, Pete Chatmon has directed over 50 episodes of television including HBO Max’s The Flight Attendant, Insecure, Silicon Valley, and Love Life, Netflix’s You, ABC’s Grey’s Anatomy and Black-ish, Starz’ Blindspotting, FX’s It’s Always Sunny in Philadelphia, and the Apple TV+ series Mythic Quest. He is in development on The Education of Matt Barnes with Showtime, for which he will direct the pilot and serve as executive producer and is currently co-executive producer and producing director on Reasonable Doubt, the first project to be produced via Hulu’s Onyx Collective.His debut feature as writer/director, Premium, starred Dorian Missick, Zoe Saldana, and Hill Harper, and premiered on Showtime after a limited theatrical run. Chatmon also wrote, produced, and directed 761st, a documentary on the first Black tank battalion in WWII, narrated by Andre Braugher. Through TheDirector, his Digital Studio, he has directed, shot, and edited content for advertising agencies and Fortune 500 brands. Chatmon’s career began in 2001 with the Sundance selection of his NYU thesis film, 3D, starring Kerry Washington. His most recent short film, BlackCard, premiered on HBO, and his narrative podcast, Wednesday Morning, engaged voters around the 2020 election. His podcast, Let’s Shoot! with Pete Chatmon is available on YouTube, iTunes, and all podcast platforms. In January 2022 his book, Transitions: A Director’s Journey + Motivational Handbook was released by Michael Wiese ProductionsEnjoy my conversation with Pete Chatmon.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Okt 20221h 33min

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