Ives Three Places in New England

Ives Three Places in New England

In 1929, the conductor Nicolas Slonimsky contacted the American composer Charles Ives about performing one of his works. This was a bit of a surprise for Ives, since he had a checkered reputation among musicians and audience members, if they even were familiar with his name at all. In fact, he was much more famous during his lifetime as an extremely successful insurance executive! Ives mostly composed in his spare time, and his music was mostly ignored or ridiculed as that of a person suffering from a crisis of mental health. Most of his music was never performed during his lifetime, and even today, he is thought of as a great but extremely eccentric composer, and orchestras and chamber ensembles often struggle to sell tickets if his name appears on the program. But for those who love Ives, there is an almost evangelical desire to spread his music to the world. I'm one of those people who loves Ives, and it is one of my personal missions to bring his music to as many places as possible. The piece I chose to talk about today is Three Places in New England, or the New England Symphony, a piece that is a perfect amalgam of what makes Ives such a spectacular composer - his radical innovations, his ahead of his time experiments, his humor, his humanity, his warmth, and the staggering creativity that marked all of Ives' great works. We'll start with a little biography of Ives in case you're not familiar with him, and then we'll dive into Three Places in New England. By the end of the show, I hope, if you're not already, that I will have converted you into an Ives fan for life!

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A Conversation w/ Mezzo Soprano Sasha Cooke

A Conversation w/ Mezzo Soprano Sasha Cooke

Welcome to the Week of the Voice! Join conductor and host Joshua Weilerstein, back from a brief illness-inspired hiatus(!), as he welcomes in the amazing Mezzo-Soprano Sasha Cooke for a chat about Mahler, about singing opera versus recitals, preparation, text, traveling, contemporary music, and improv comedy! This is the first of TWO interviews this week, so please stay tuned for an interview with the incredible bass-baritone Eric Owens, coming out on Thursday! Thanks for listening!

17 Okt 201747min

How to Change the World w/ Yo-Yo Ma

How to Change the World w/ Yo-Yo Ma

Join conductor and host Joshua Weilerstein as he welcomes the legendary cellist and humanitarian Yo-Yo Ma for a full-length interview! In the interview, we discuss what it means to be a musical citizen, how to create change through music, why Yo-Yo went down this path, how he discovered so many different styles of music, and much much more. I really hope you enjoy this interview of such an amazing artist - thanks for listening!

20 Sep 201739min

Emanuel Ax Interview

Emanuel Ax Interview

Join conductor and host Joshua Weilerstein for a conversation with the world-renowned pianist Emanuel Ax! We cover crossword puzzles, growing up in the Soviet Union, moving to Canada, and then to New York, selling baloney sandwiches, his first big break, the value and the drawbacks of competitions, his reputation as the nicest guy in classical music, the evolution of conductors, his timpani debut(!), and a lightning round! I hope you enjoy it!

20 Juni 201755min

Eun Lee, Founder of The Dream Unfinished

Eun Lee, Founder of The Dream Unfinished

Concluding a week-long focus on Composers of Color, join host Joshua Weilerstein as he welcomes Eun Lee, the founder of The Dream Unfinished, an activist orchestra using classical music as a platform to address issues of racial and social justice. We talk about how that works, and how and why the project started. Their concert is this Sunday, June 11th at Cooper Union University, and it's an event you shouldn't miss!

8 Juni 201731min

10 things to change about classical concerts

10 things to change about classical concerts

Join your host, conductor Joshua Weilerstein, as he welcomes Aram Demirjian, the Music Director of the Knoxville Symphony, and Matt Szymanski, the Founder and Music Director of Phoenix, to discuss an article that roiled the classical music scene just a few years ago: Baldur Bronnimann's "10 things to change about classical concerts." The article caused a firestorm of criticism and comment when it was released, and we're here to discuss, mull over, turn inside out, and evaluate each idea, from whether the audience should be allowed to clap between movements, to whether you should be allowed to Tweet during performances. This was a fascinating discussion and I hope you enjoy it! Please consider going to Baldur's site to follow along as we discuss each idea: http://www.baldur.info/blog/10-things-that-we-should-change-in-classical-concerts/

23 Maj 20171h 4min

A Conversation w/ Itzhak Perlman (w/special guest Toby Perlman!)

A Conversation w/ Itzhak Perlman (w/special guest Toby Perlman!)

He needs no introduction - one of the greatest artists of our time, Itzhak Perlman joins Sticky Notes to talk about teaching, playing, conducting, keeping things fresh, vibrato, style, taste, food, childhood, and so much more. Then, at around 42:00, Toby Perlman joins us to talk about the Perlman Music Program, my introduction to the Perlmans, and an incredible place for musicians to learn and feel safe and supported. Thanks again for listening!

9 Maj 201756min

An Interview with Donald Weilerstein and Vivian Hornik Weilerstein

An Interview with Donald Weilerstein and Vivian Hornik Weilerstein

Join conductor Joshua Weilerstein and his parents(!), the esteemed performers and teachers, Donald and Vivian Weilerstein, as they discuss how they met, their first time playing music together, teaching philosophies, parenting philosophies, and much much more!

14 Mars 201740min

Shostakovich Symphony No. 10

Shostakovich Symphony No. 10

Join conductor Joshua Weilerstein as he takes a deep dive into Shostakovich's monumental 10th symphony. We'll analyze the music, the history behind the music, and much more, all in an easily digestible and accessible way. This podcast is for beginners all the way to experts.

14 Mars 201750min

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