Jodi A. Byrd, “The Transit of Empire: Indigenous Critiques of Colonialism” (University of Minnesota Press, 2011)

Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality. In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture. Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Maj 201754min

Almost 10 years after the great financial crisis, how has the finance industry regained its preeminent social position? In Trust, Power and Public Relations in Financial Markets (Routledge, 2017) Clea Bourne, a Lecturer in PR, Advertising and Marketing at Goldsmiths, University of London, explores the relationship between PR and different types of trust in finance. The book offers a nuanced understanding of trust, looking at both transparency and obfuscation for states, banks, stock markets and individuals. Alongside a critical theory of the function of PR, there are numerous detailed case studies, across every aspect of modern financial markets, making the book both an in depth assessment as well as a useful introduction to trust, PR and finance. The book is clearly written and accessible, making it essential reading for anyone interested in this most important part of economy and society Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

2 Maj 201749min

Lizabeth Cohen‘s Making A New Deal: Industrial Workers in Chicago, 1919-1939 was originally published in 1990, and recently re-published in 2014. In this book, Cohen explores how it was that Chicago workers, who could not overcome ethnic and racial divisions during a wave of failed strikes in 1919, came together in the mid to late-1930s across ethnic and racial lines “to make a New Deal” for themselves and their fellow laborers. They made that “New Deal” as members of national labor unions and a national Democratic Party. These successes were possible because of community and cultural changes that took place in the 1920s, Cohen argues. During that decade, ethnic and race-based community organizations, new institutions of mass culture like chain stores and movie theaters, and employers’ “welfare capitalist” programs all vied for workers attention and loyalty. Paradoxically, the very programs employers hoped would prevent the growth of unions actually helped break down ethnic and racial barriers, building upon new experiences of shared consumerism. As the Great Depression unfolded, workers managed to form the cross-race and cross-ethnic alliances that had alluded them in 1919 and the early 1920s. Union organizers succeeded in building a new culture of unity and achieving new levels of organization and worker power. Industrial laborers and their unions challenged their employers to live up to the “welfare capitalism” they had promised in the years before the financial crisis. As their level of organization grew, Chicago workers also became New Deal Democrats invested in national politics. The new edition includes an updated preface by the author. Lizabeth Cohen serves as the Howard Mumford Jones Professor of American Studies at Harvard University, as well as the Dean of Harvard’s Radcliffe Institute for Advanced Study. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Apr 20171h 10min

Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible. Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled Existential Monday: Philosophical Essays edited and translated by Bruce Baugh and published by the New York Review of Books in 2016, aims to rectify this. Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existential thought and continental philosophy, and is the author of French Hegel: From Surrealism to Postmodernism (Routledge, 2003). Professor Baugh’s work on Fondane will be of interest to a wide variety of readers seeking a better understanding of a thinker whose work invites consideration alongside his better known contemporaries Walter Benjamin and the early Levinas, among others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

7 Apr 20171h 11min

How did gender relations change in the computing industry? And how did the UK go from leading the world to having an all but extinct computer industry by the 1970s? In Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing (MIT Press, 2017). Marie Hicks, an Assistant Professor of History at the Illinois Institute of Technology, offers a detailed and comprehensive overview of this radical social change. Based on rich and detailed archival and interview sources, packed with illustrations and individual narratives of the 1940s to the 1970s, the book demonstrates how the rigid class and gender hierarchies of British society were recreated and reproduced in attempts to modernise the state through technology. As the book’s conclusion notes, “all history of computing is gendered history,” meaning the book is essential reading for anyone interested in how we have the computing and technology industries we have today. The first chapter of the book can be read here, and you can learn more about the book and Dr. Hick’s work on her twitter and on the book’s twitter feed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

28 Mars 201730min

Todd McGowan‘s Capitalism and Desire: The Psychic Cost of Free Markets (Columbia University Press, 2016) elegantly employs psychoanalytic thinking to unpack the lure of capitalism. He argues that we are drawn to capitalism because, under an overt promise to bring us what we want, it gives us what we need: lack. Every commodity disappoints. And that’s the point. Satisfaction, that moment when all is well and good, flutters rapidly, blessedly away. What is so great, so crucial, about lack? Though we pine for relief, nothing kills desire like abundance. (Spoiler alert: should there be an equitable redistribution of wealth, we would still suffer a hunger for the lost object which, according to McGowan, not employing Kleinian thinking, was never attainable in the first place.) If we did not experience ourselves as missing something we might never get out of bed–and, as clinicians know, why it can be purely ruinous to gratify a depressive patient. You buy those boots, the ones you had to have, and within moments of wearing them, your heart sinks. That car you finally got your hands on? Driving it out of the lot you wonder, “should I have just leased it?” Desire is an engine best run on less than half a tank. The paradox of capitalism, the way it lets us down, gets a full treatment here. Capitalism reclines on McGowan’s couch and he offers it a few interpretations that shake loose its obsessional and hysterical tendencies. He works with capitalism effectively, not arousing its defenses, because he understands it as caught in a trap of its own making. Embracing Beyond The Pleasure Principle and Lacanian thinking, he asks capitalism how come the ends are more important than the means, and doesn’t it miss the sublime? He also treats the reader, reminding us that we need to not have what we want in order to get what we need. The interview sails along, if I say so myself, and, given the political surround, offers a good conversation to get into. The author would love to hear from us and has asked that I post his email right here, todd.mcgowan@uvm.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

19 Mars 201759min

In Lavender and Red: Liberation and Solidarity in the Gay and Lesbian Left (University of California Press, 2016), Emily K. Hobson challenges conceptions of LGBTQ activism as single-issue analogous to but separate from other activist initiatives. Instead, Hobson uncovers the gay and lesbian left, whose activists saw sexual liberation as intertwined with challenging racism, militarism, and imperialism. She focuses on the gay and lesbian left in the San Francisco Bay Area, tracing the movement from 1968 through 1991. This community of struggle was separate from both separatist and liberal LGBTQ organizing. It grew out of late-1960s and early-1970s gay liberation, but solidified in the mid to late 1970s, usually seen as a period when gay activism turned to more reformist and single-issue frameworks. Geography, space and place are important to Hobson’s analysis. The Bay Area generated a lesbian and gay left partly because of newly politicized white queers proximity to Black liberationists, women of color feminists, socialist feminists, and Central American anti-imperialist and anti-capitalist refugees. These activists encountered each other in neighborhoods, activist offices, and at marches and rallies, where they learned form and sharpened each others politics as well as changed the trajectory of each others actions. As the New Right gained ascendancy, lesbian and gay activists found common cause with others under attack within and outside the Unites States. Over the decades, gay and lesbian leftists supported the Black Panther Party and political prisoners, challenged U.S. intervention in Central America, built links with lesbian and gay Sandinistas in Nicaragua, and brought their direct action skills to bear on the AIDS epidemic. Their coalitions were not without tensions, particularly ones of race; many gay and lesbian left groups were primarily white, and gay and lesbians of color challenged these gaps to create their own left-leaning formations and solidarities with other oppressed groups. Hobson analyzes these tensions and recovers varying forms of political critique, strategy, and community. Through drawing on oral histories and archival documents, including striking photographs, flyers, and political artwork, Lavender and Red lifts up a strain of gay and lesbian activism that had been all but lost to memory for most activists and scholars of today. Emily Hobson serves as Assistant Professor of History and Gender, Race and Identity at University of Nevada, Reno. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Mars 20171h 10min

How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a twitter feed and website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Mars 201738min