David Hesmondhalgh, “Why Music Matters” (Wiley Blackwell, 2014)

David Hesmondhalgh, “Why Music Matters” (Wiley Blackwell, 2014)

What is the value of music and why does it matter? These are the core questions in David Hesmondhalgh‘s new book Why Music Matters (Wiley Blackwell, 2014). The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global aspects of music’s role and position in society. The book seeks to argue against some common positions in music, reasserting the importance of embodied experiences, such as dancing, whilst taking issue with the idea of the rock star as hero. Moreover Hesmondhalgh shows the social position and social structures surrounding music, whilst remaining attentive to the aesthetic qualities of both genres and individual pieces of music. Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Ilana Gershon, “Down and Out in the New Economy: How People Find (or Don’t Find) Work Today” (U. Chicago Press, 2017)

Ilana Gershon, “Down and Out in the New Economy: How People Find (or Don’t Find) Work Today” (U. Chicago Press, 2017)

Labor markets are not what they used to be, as Ilana Gershon argues in Down and Out in the New Economy: How People Find (or Don’t Find) Work Today (University of Chicago Press, 2017). Job seekers are increasingly being taught that they need to sell themselves as if they were their own business, and what will set them apart from other applicants is not their skills or their experience, but the distinctiveness of their brand. Join us for a provocative discussion about how workers are being taught to position themselves to employers, and how modern labor markets, as a consequence, differ from those in the past — and why that matters. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

6 Aug 201744min

David Beer, “Metric Power” (Palgrave Macmillan, 2016)

David Beer, “Metric Power” (Palgrave Macmillan, 2016)

How do metrics rule the social world? In Metric Power (Palgrave Macmillan, 2016) David Beer, Reader in Sociology at the University of York, outlines the rise of the metric and the role of metrics in shaping everyday life. The book outlines the core theoretical concepts, such as neo-liberalism, bio-power, and bio-politics, alongside the characteristics themes of metric power, including practices of making (in)visible, the social life of methods and data, and questions of agency. These theoretical discussions are set against the broad backdrop of the rise of big data, corporate power, social media, and algorithm based decision making. Metric Power is located within the study of broader social inequalities, meaning the book makes important reading for anyone concerned with how our daily experiences of technologies, organisations, and social institutions, are shaped, unequally, by the power of metrics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

2 Aug 201734min

Tommy J. Curry, “The Man-Not: Race, Class, and the Dilemmas of Black Manhood” (Temple UP, 2017)

Tommy J. Curry, “The Man-Not: Race, Class, and the Dilemmas of Black Manhood” (Temple UP, 2017)

The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood (Temple University Press, 2017) is a book-length justification for the burgeoning field of Black Male Studies. The author posits that we should conceptualize the black male as a victim, oppressed by his sex. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. The Man-Not argues that black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of black males. Author Tommy J. Curry‘s work spans across the various fields of philosophy, jurisprudence, Africana Studies, and Gender Studies. He received his BA from Southern Illinois University in Carbondale, his masters from DePaul, and he returned to SIUC to earn his Ph.D. Though trained in American and Continental philosophical traditions, Curry’s primary research interests are in Critical Race Theory and Africana Philosophy. In addition to his work as Professor of Philosophy and Africana Studies at Texas A&M University, Dr. Curry is also the executive director of Philosophy Born of Struggle, a multimedia project billed as a community a conference, and a textbook. His next major research project will be a book-length follow up to The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, tentatively titled The Mismeasurement of Man: Phallicism and the Paradox of the Racially Subjugated Male.   James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

25 Juli 20171h 2min

Jacob Emery, “Alternative Kinships: Economy and Family in Russian Modernism” (Northern Illinois U. Press, 2017)

Jacob Emery, “Alternative Kinships: Economy and Family in Russian Modernism” (Northern Illinois U. Press, 2017)

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

25 Juli 201748min

Franck Cochoy, et al. eds., “Markets and the Arts of Attachment’ (Routledge, 2017)

Franck Cochoy, et al. eds., “Markets and the Arts of Attachment’ (Routledge, 2017)

How should we understand markets? In Markets and the Arts of Attachment (Routledge, 2017) Franck Cochoy, Liz McFall, and Joe Deville (from University Toulouse- Jean Jaures,Open University and Lancaster University respectively) bring together essays engaging with the contemporary economic sociology to better explain how markets function. The book is published as part of the Culture, Economy, and the Social (CRESC) book series, and contains a wide range of examples and case studies on how people become ‘attached’ to, and in, markets, and how markets are deeply intertwined with sentiments and emotions. Brands, consumer finance, classic cars, call centres, advertising, dating, watches, and social media are amongst the varied, yet complimentary, set of subjects for this important new collection. The book is essential reading for anyone seeking to better understand the sociology of markets, in particular seeking to move beyond both one dimensional critiques of consumerism and purely economic narratives of market attachments. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

19 Juli 201749min

Jon Dean, “Doing Reflexivity: An Introduction” (Policy Press, 2017)

Jon Dean, “Doing Reflexivity: An Introduction” (Policy Press, 2017)

Doing Reflexivity: An Introduction (Policy Press, 2017) by Jon Dean, a senior lecturer in politics and sociology at Sheffield Hallam University, explores and explains reflexivity as one of the essential concepts in modern social research. The book draws on the work of Pierre Bourdieu as its starting point, but broadens out the definition of reflexivity to include a range of critical perspectives, particularly those associated with feminist standpoint epistemologies. The book also engages with the practice of research, setting out examples from Dean’s own work, on culture and on non-profits, along with detailed case studies of different types of reflexivity in different social research settings. The book is essential reading for social researchers everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

6 Juli 201735min

Michael Youngblood, “Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization” (South Asian Studies Press, 2016)

Michael Youngblood, “Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization” (South Asian Studies Press, 2016)

Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization by Michael Youngblood, a cultural anthropologist based in San Francisco, was published in November, 2016 by the South Asian Studies Association Press. The book is a winner of the Joseph W. Elder Book Prize (conferred by the American Institute of Indian Studies), and has been very well received by reviewers. Cultivating Community is based on the author’s two and a half years of field research in 1996-1999 with the Shetkari Sanghatana, a massive and influential anti-statist movement in India’s Maharashtra state. The book explores the creation of political meaning and the construction of collective identity in a mass social movement. In it, the author address fundamental questions in making sense of mass movements anywhere: Where do movement ideologies come from and what makes them compelling? What motivates diverse groups of ordinary people to rise together in common cause? How can we make sense of individual participants in a movement when their participation sometimes appears irrational and against their own interests? The book argues for a participant-centric view of the Shetkari Sanghatana, digging beneath the movement’s fantastical mythological idiom and the overarching demands that we hear articulated by leadership to see how the Sanghatana is experienced and constructed by individual participants on the ground. An important part of the analysis focuses on ways that participants and leaders together deploy a pool of shared but highly ambiguous spiritual and political symbols in an ongoing competition to define what the movement stands for, whose interests it represents, and what the future should look like. This is an anthropological ethnography that delves into history, political science, economics, cultural geography, folklore, and religion. Mike Youngblood received his PhD in cultural anthropology from the University of Wisconsin-Madison. He has taught at the School for International Training, the Haas School of Business at the University of California-Berkeley, the Masters in Social Design program at the Maryland Institute College of Art, and the Hasso Plattner Institute of Design at Stanford University. Mike’s interests in social innovation, collaborative change, design thinking, and ethnographic methodology are central to his work both inside and outside of academe. His work has received a number of recognitions, including the Sardar Patel Award for Best American Dissertation on Modern India, the Percy H. Buchannan Prize for Writing on Asian Affairs, the Robert Miller Prize for Innovation in Anthropological Research, and the Joseph W. Elder Book Prize. He has been a Fulbright fellow, a Watson fellow, and an American Institute of Indian Studies fellow.     Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

30 Juni 201736min

Michelle D. Commander, “Afro-Atlantic Flight: Speculative Returns and the Black Fantastic” (Duke UP, 2017)

Michelle D. Commander, “Afro-Atlantic Flight: Speculative Returns and the Black Fantastic” (Duke UP, 2017)

In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive. Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Juni 20171h 21min

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