Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged. By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives. In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives. In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational. Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – Arab Americans in Film traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes. Waleed Mahdi is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics. This interview is part of an NBN special series on "Mobilities and Methods". Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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C. Owens and S. Swales (Part 1), "Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch" (Routledge, 2019)

C. Owens and S. Swales (Part 1), "Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch" (Routledge, 2019)

This is part one of a two part interview with Carol Owens and Stephanie Swales about their book Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch  (Routledge, 2019) Taking a deep ...

23 Juni 202158min

Susan Crane, "Nothing Happened: A History" (Stanford UP, 2021)

Susan Crane, "Nothing Happened: A History" (Stanford UP, 2021)

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past...

23 Juni 202155min

Gemma Commane, "Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity" (Bloomsbury, 2020)

Gemma Commane, "Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity" (Bloomsbury, 2020)

What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. Bad Girls, Dirty Bodies: Sex, Performance and Safe Feminin...

22 Juni 202157min

Victoria Canning and Steve Tombs, "From Social Harm to Zemiology: A Critical Introduction" (Routledge, 2021)

Victoria Canning and Steve Tombs, "From Social Harm to Zemiology: A Critical Introduction" (Routledge, 2021)

Victoria Canning and Steve Tombs' book From Social Harm to Zemiology: A Critical Introduction (Routledge, 2021) outlines key developments in understanding social harm by setting out its historical fou...

18 Juni 202153min

David Arditi, "Getting Signed: Record Contracts, Musicians, and Power in Society" (Palgrave Macmillan, 2020)

David Arditi, "Getting Signed: Record Contracts, Musicians, and Power in Society" (Palgrave Macmillan, 2020)

How does the record industry work? In Getting Signed: Record Contracts, Musicians, and Power in Society (Palgrave Macmillan, 2020), David Arditi, Associate Professor in Sociology and Anthropology at U...

16 Juni 202143min

John B. Thompson, "Book Wars: The Digital Revolution in Publishing" (Polity, 2021)

John B. Thompson, "Book Wars: The Digital Revolution in Publishing" (Polity, 2021)

What is the future of the book? In Book Wars: The Digital Revolution in Publishing (Polity, 2021) John Thompson, Professor of Sociology at the University of Cambridge, examines the impact of digital t...

16 Juni 202146min

François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)

François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)

It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of ortho...

16 Juni 20211h 4min

Manon Garcia, "We Are Not Born Submissive: How Patriarchy Shapes Women's Lives" (Princeton UP, 2021)

Manon Garcia, "We Are Not Born Submissive: How Patriarchy Shapes Women's Lives" (Princeton UP, 2021)

We are here today with Manon Garcia, the author of We Are Not Born Submissive: How Patriarchy Shapes Women’s Lives, published this year, 2021, by Princeton University Press. The book was originally pu...

11 Juni 20211h 12min

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