Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents. Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Michelle Henning, "A Dirty History of Photography: Chemistry, Fog, and Empire" (U Chicago Press, 2026)

Michelle Henning, "A Dirty History of Photography: Chemistry, Fog, and Empire" (U Chicago Press, 2026)

In A Dirty History of Photography: Chemistry, Fog, and Empire (U Chicago Press, 2026), Professor Michelle Henning presents an environmental history of chemical photography through the lens of its deep...

22 Jan 57min

Robert Dorschel, "The Social Codes of Tech Workers: Class Identity in Digital Capitalism" (MIT Press, 2025)

Robert Dorschel, "The Social Codes of Tech Workers: Class Identity in Digital Capitalism" (MIT Press, 2025)

Who are the people staffing the digital economy? In The Social Codes of Tech Workers: Class Identity in Digital Capitalism (MIT Press, 2025) Robert Dorschel an Assistant Professor in Digital Sociolog...

20 Jan 40min

Laurie Parsons, "Carbon Colonialism: How Rich Countries Export Climate Breakdown" (Manchester UP, 2023)

Laurie Parsons, "Carbon Colonialism: How Rich Countries Export Climate Breakdown" (Manchester UP, 2023)

Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book Carbon Colonialism: How Rich Countries Export Climate Breakdown (Manchester UP, 2023) opens our eyes.  A...

18 Jan 44min

Ryan Donovan, "Broadway Bodies: A Critical History of Conformity" (Oxford UP, 2023)

Ryan Donovan, "Broadway Bodies: A Critical History of Conformity" (Oxford UP, 2023)

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadw...

18 Jan 1h 13min

Daniel Wyche, "The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation" (Columbia UP, 2025)

Daniel Wyche, "The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation" (Columbia UP, 2025)

In The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation (Columbia UP, 2025), Daniel Wyche examines the political implications of what he calls practices...

17 Jan 1h 16min

Mark Christian Thompson, "Phenomenal Blackness: Black Power, Philosophy, and Theory" (U Chicago Press, 2022)

Mark Christian Thompson, "Phenomenal Blackness: Black Power, Philosophy, and Theory" (U Chicago Press, 2022)

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century Afr...

17 Jan 1h 2min

Di Wu et. al, eds., "China As Context: Anthropology, Post-globalisation and the Neglect of China" (Manchester UP, 2025)

Di Wu et. al, eds., "China As Context: Anthropology, Post-globalisation and the Neglect of China" (Manchester UP, 2025)

A provocative collaborative project, China as Context challenges the marginalization of Chinese-grounded ideas in academia, arguing that neglecting China distorts our understanding of global complexit...

16 Jan 1h 19min

Helen Graham, "Deconstituting Museums: Participation’s Affective Work" (UCL Press, 2024)

Helen Graham, "Deconstituting Museums: Participation’s Affective Work" (UCL Press, 2024)

What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, History of Art and Cultural Studies at the Universi...

16 Jan 45min

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