Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)

Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)

For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Bill V. Mullen, “W.E.B. Du Bois: Revolutionary Across the Color Line,” (Pluto Press, 2016)

Bill V. Mullen, “W.E.B. Du Bois: Revolutionary Across the Color Line,” (Pluto Press, 2016)

Born just five years after the abolition of slavery, W. E. B. Du Bois died the night before Martin Luther King, Jr. delivered his I Have a Dream speech at the March on Washington in 1963. In the many ...

17 Dec 201652min

Paul Benneworth et al., “The Impact and Future of Arts and Humanities Research” (Palgrave, 2016)

Paul Benneworth et al., “The Impact and Future of Arts and Humanities Research” (Palgrave, 2016)

What is the future for Arts and Humanities in Europe? The podcast discusses these questions with Paul Benneworth, one of the authors, along with Magnus Gulbrandsen and Ellen Hazelkorn, of The Impact a...

13 Dec 201644min

Banu Bargu, “Starve and Immolate: The Politics of Human Weapons” (Columbia UP, 2016)

Banu Bargu, “Starve and Immolate: The Politics of Human Weapons” (Columbia UP, 2016)

What is the relationship between state power and self-destructive violence as a mode of political resistance? In her book Starve and Immolate: The Politics of Human Weapons (Columbia University Press,...

10 Dec 201655min

Sarah Jaffe, “Necessary Trouble: Americans in Revolt” (Nation Books, 2016)

Sarah Jaffe, “Necessary Trouble: Americans in Revolt” (Nation Books, 2016)

Sarah Jaffe has written Necessary Trouble: Americans in Revolt (Nation Books, 2016). Jaffe is a Nation Institute fellow and an independent journalist. Over the last few years, several authors on the p...

7 Dec 201622min

Tom Mills, “The BBC: Myth of a Public Service” (Verso, 2016)

Tom Mills, “The BBC: Myth of a Public Service” (Verso, 2016)

The BBC is often thought to be a great, impartial, defender of British values and society. In The BBC: Myth of a Public Service (Verso, 2016), Tom Mills, a lecturer in Sociology at Aston University, r...

2 Dec 201642min

Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)

Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, Briti...

19 Nov 201641min

Paul C. Taylor, “Black is Beautiful: A Philosophy of Black Aesthetics” (Wiley Blackwell, 2016)

Paul C. Taylor, “Black is Beautiful: A Philosophy of Black Aesthetics” (Wiley Blackwell, 2016)

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the b...

15 Nov 20161h 6min

Patrick Wolfe, “Traces of History: Elementary Structures of Race” (Verso, 2016)

Patrick Wolfe, “Traces of History: Elementary Structures of Race” (Verso, 2016)

Widely known for his pioneering work in the field of settler colonial studies, Patrick Wolfe advanced the theory that settler colonialism was, “a structure, not an event.” In early 2016, Wolfe deepene...

7 Nov 201650min

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