Cannes vs. Box Office: Film's Troubling Split Personality
At the Cannes Film Festival, the active buyers’ market and (largely) applauded indies had everyone in the market, from haute couture hangers-on to cinema’s swells, feeling festive says Claire Atkinson...
24 Maj 202440min
Scripted TV SOS!
Hollywood descended upon New York City this week for the Upfronts, the traditional TV showcase, to promote almost everything but as sports, live events and movies dominated the stage and star power. T...
17 Maj 202437min
WBD, Disney and the New Frenemy Era
Earnings season has been a rough go as Disney, Paramount, Fox and Warner Bros. Discovery deliver their Q1 results. And if you thought “Sports Hulu” was a surprise, just wait for the new bundle of Disn...
10 Maj 202441min
TV Deal Turmoil 2024
What to do in this moribund market? Elaine Low outlines TV writers’ post-strike challenges — including the rickety staffing ladder — while our new Dealmakers columnist Ashley Cullins dives into the de...
3 Maj 202452min
How Dad TV Muscled Into Hollywood
Reacher, The Terminal List and Jack Ryan may not win Emmys, but Dad TV has become a juggernaut for a TV business desperately needing one. Entertainment Strategy Guy joins Sean McNulty to break down th...
26 Apr 202449min
AI and Hollywood's 'Sophie's Choice'
Though the strikes ended, the fight around AI is far from over. Following the debut of her Dealmakers newsletter, new contributor Ashley Cullins joins to reveal her conversations with powerhouse enter...
19 Apr 202441min
The Paramount Soap Opera
There’s plenty of worry about AI writing scripts . . . but let’s see AI come up with a story about two billionaire families negotiating a complex sale of an iconic, troubled entertainment conglomerate...
12 Apr 202452min
How Ari & Iger Outfoxed Wall St.
When Endeavor went public in 2021, the agency pulled out all the stops to present itself as innovators and a disruptor — the kind of terminology Wall Street loves from tech companies. But, as it often...
5 Apr 202441min
