Review: F., Riot Stage (Poppy Seed Festival)

F. is a theatre production by Riot Stage, a youth theatre company based in Melbourne. It is part of Poppy Seed Festival, Poppy Seed is in its second year, it aimed producing shows made by independent and emerging theatre companies.

F. followed a lives of a group of teenagers, it was composed of short scenes playing out different stories throughout the show, they sometimes became connected and it all ending in a huge stylised movement and piece.

These explored all sorts of themes around being in the world as a teenager in modern Australia. It focused a lot on mental health, queerness and sexuality, the internet and consent.

F. felt like a devised show, but it was written by Morgan Rose, the writing was very naturalistic, almost as if it was verbatim.

Stylistically it was very beautiful it had a strong and clear aesthetic and mood, the lighting design was very beautiful and precise, although I liked the sound design, I felt like I wanted a bit more, the space F. was performed in was pretty big, sometimes the space felt empty, I feel like it could have been filled up with a creative use of sound design.

The performances from the ensemble were fantastic; it’s great to see a youth theatre still going strong after the youth arts funding cuts. I was sad to see that only the names of the ensemble were listed in the program and they didn’t get a full bio, I can’t wait to see what these performers move onto next.

I felt very connected with many of the characters, the stories they told were very relatable and very realistic. F. was a delightful, dark and intelligent work by a fantastic ensemble of young people. It gave a great insight into what it is like growing up in Australia today in the age of the Internet.

F. has been the most diverse show in Poppy Seed, the lack of diversity within this festival has been disappointing, I hope to see more diversity in years to come, including cultural background, ability, and it would be great to see Poppy Seed giving space for theatre companies from a rural area. I also feel disappointed in the lack of accessibility to the festival venues, the butterfly club has no wheelchair access and I called the trades hall in Carlton and they said wheelchair access was very tricky. To me, being a theatre maker and artist should mean allowing access to people of all abilities to your shows, this may mean diverting funds from other places to book venues that are a bit more expensive but accessible, making sure there is Auslan interpretation and audio description, these things may be expensive but I think it is important, theatre and art should be for everyone.

These issues aside Poppy Seed is an excellent initiative, should and needs to be supported so that they can afford to make the changes they need to with accessibility and diversity, they give independent and emerging artists a great space to explore and put up work on at a main stage, which is exciting and a great addition to Melbourne’s theatre scene, so let’s keep supporting it and making sure future theatre makers get the same opportunity.

F. is showing at The Trades Hall in Carlton South until December 11th.

Written by Ebony Beaton.

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