BPS 181: Clerks, Sundance and Making $500 Million+ at the Box-Office with Scott Mosier

BPS 181: Clerks, Sundance and Making $500 Million+ at the Box-Office with Scott Mosier

You guys are in for a major treat. I'm always talking about those "lottery ticket" filmmaker stories that we all dream of happening to us one day. Well, today's guest's story is one of the mythological stories that come to life.

We have a 90’s independent film icon, Scott Mosier. Scott is an indie film producer, editor, writer, director, actor, and podcaster of Smodcast, which he co-hosts with his long-term filmmaking partner, Kevin Smith.

From Vancouver Film School to Hollywood, Scott's trajectory has been inspiring for many in the industry. He produced some of the best 90s classics like Clerks 1 & 2, Jersey Girl, the Oscar® Winning Good Will Hunting, Dogma, and many, many more.

Scott acted in, edited the movie, original sound, and contributed to Clerk’s budget. After the massive hit, they followed up with the embattled Mallrats. The film was not well received and did no money at the box office. Kevin and Scott were essentially discarded and called a one-hit-wonder. For most filmmakers that would be all she wrote but not for Kevin and Scott.

They decided to go back to their roots and make another low-budget indie and prove to Hollywood that they were here to stay. Their next film was the brilliant romantic comedy-drama, Chasing Amy. The tells the unfortunate twist of a male comic artist who falls in love with a lesbian woman, to the displeasure of his best friend.

After self-financing, the majority of their initial projects (Mosier & Smith), 2001, Jay and Silent Bob Strike Back was Mosier’s first big-budget ($20 million) production.

Based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.

If that wasn't enough Scott also co-executive produced the Oscar® Award-Winning Good Will Hunting in his spare time.

Wanting a change Scott decided to branch out and start directing himself. His 2018 directorial debut was a stand-out project! A box office hit, grossing about $512 million globally and the highest-grossing holiday film of all time. Dr. Seuss: The Grinch became the third screen adaptation of the 1957 Dr. Seuss book, How the Grinch Stole Christmas.

I had a ball talking shop with Scott. We discussed the genesis of the independent film movement as we know it today, dealing with studios, what was it like being in the Clerks hurricane, and much more.

Enjoy my conversation with Scott Mosier.

Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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BPS 449: From Setbacks to Festival Wins: The Filmmaking Path of Dawn Fields

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BPS 447: Turning a Script into a Movie: The Indie Filmmaking Story of Jamie Buckner

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BPS 445: What Every Indie Filmmaker Can Learn from a $5K Zombie Movie with Bojan Dulabic

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BPS 444: Phil Proctor: A Journey Through Comedy, Resilience, and the Art of Reality

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The landscape of existence can sometimes feel like a cosmic play—actors shifting between roles, creating stories that ripple through time. On today's episode, we welcome Phil Proctor, an artist whose ...

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BPS 443: Breaking the Mold: Lily Yasuda and Michael Wolfe’s Journey to Crafting the Anti-Rom-Com

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On today’s episode, we welcome the dynamic duo, Lily Yasuda and Michael Wolfe, two inspiring filmmakers who have decided to take the road less traveled by creating their own feature film, Like Love. T...

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BPS 442: The No-Excuses Filmmaking Philosophy of Len Kabasinski

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Len Kabasinski shares his journey from childhood dreams of monsters and martial arts to becoming a prolific force in the world of independent B-movie filmmaking. He recounts the origins of his first f...

23 Okt 202552min

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