Shakespeare in Black and White

Shakespeare in Black and White

"Our own voices with our own tongues" —CORIOLANUS (2.3.47) In one of two podcasts on Shakespeare and the African American experience, "Our Own Voices with Our Own Tongues" revisits the era when Jim Crow segregation was at its height, from a few years after the end of the Civil War to the 1940s and 1950s. Rebecca Sheir, host of the Shakespeare Unlimited series, talks about black Americans and Shakespeare in that time with two scholars of the period, Marvin MacAllister and Ayanna Thompson. The discussion ranges from landmark performances—Orson Welles's Depression-era all-black MACBETH and Paul Robeson's Othello— to powerful, though less familiar, stories from the Folger's hometown of Washington, DC. It also draws in later questions about African Americans and Shakespeare, including the role of race in casting choices to this day. Marvin MacAllister is an associate professor of African American Studies at the University of South Carolina. Ayanna Thompson is a professor of English at George Washington University and a trustee of the Shakespeare Association of America. ----------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is the associate producer. Edited by Gail Kern Paster and Esther Ferington. We also had help from Dr. James Hatch, co-author with the late Errol Hill of "A History of African American Theatre"; Connie Winston; Anthony Hill and Douglas Barnett, co-authors of "The Historical Dictionary of African American Theater"; and Jobie Sprinkle and Tena Simmons at radio station WFAE in Charlotte, North Carolina.

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Why Shakespeare's Stories Still Resonate

Why Shakespeare's Stories Still Resonate

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20 Mars 201516min

Shakespeare LOL: All Mirth and No Matter

Shakespeare LOL: All Mirth and No Matter

"I was born to speak all mirth and no matter." (Much Ado About Nothing, 2.1.323) Let's face it: Modern audiences sometimes go from roaring with laughter to scratching their heads when it comes to enj...

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Shakespeare in Translation

Shakespeare in Translation

"Bless thee, Bottom, bless thee! Thou art translated!" (A Midsummer Night's Dream, 3.1.120-121) What happens when Shakespeare’s work is translated into foreign languages? Is it still Shakespeare? Or ...

20 Mars 201524min

Punk Rock Shakespeare

Punk Rock Shakespeare

"Here will we sit and let the sounds of music / Creep in our ears" (The Merchant of Venice, 5.1.63-64) How can young people connect with Shakespeare? It's a question that confronts each generation. ...

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Shakespeare Outdoors

Shakespeare Outdoors

"Under the greenwood tree / Who loves to lie with me / And turn his merry note / Unto the sweet bird’s throat, / Come hither, come hither, come hither. / Here shall he see / No enemy / But winter and ...

20 Mars 201531min

In Search of the Real Richard III

In Search of the Real Richard III

"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the pol...

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Actresses on Shakespeare

Actresses on Shakespeare

"All the world’s a stage, And all the men and women merely players." (As You Like It, 2.7.146-147) In Shakespeare's time, only men appeared on stage, with teenage boys playing the women's parts. Tod...

20 Mars 201520min

The Robben Island Shakespeare

The Robben Island Shakespeare

While Nelson Mandela was incarcerated on South Africa's Robben Island, one of the other political prisoners managed to retain a copy of Shakespeare's complete works, which was secretly circulated thro...

20 Mars 201518min

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