Directing Shakespeare

Directing Shakespeare

No two theater directors approach Shakespeare’s plays in the same way. When it comes to setting, blocking, costuming, casting, and cutting, there are countless ways directors can shape Shakespeare to make his works their own. It’s with this sense of infinite possibility in mind that we invited two theater directors to join us for a conversation about how they approach Shakespeare. What goes in to directing one of Shakespeare’s plays? Where does a director start? What do directors think about as they kick off rehearsals? Laura Gordon is a Milwaukee-based freelance theater director. She has directed at theaters including Utah State University, the Utah Shakespeare Festival, Santa Cruz Shakespeare, the Notre Dame Shakespeare Festival, and the American Players Theatre. Vivienne Benesch is the Artistic Director of PlayMakers Rep at the University of North Carolina in Chapel Hill. She has directed at the Shakespeare Theatre of New Jersey, the Chautauqua Theater Company and Conservatory, The Juilliard School, and, in 2019, Folger Theatre, where she staged Love's Labor's Lost. Gordon and Benesch are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast. Published July 21, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “A Bill of Properties Such as Our Play Wants,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California.

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Why Shakespeare's Stories Still Resonate

Why Shakespeare's Stories Still Resonate

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Shakespeare LOL: All Mirth and No Matter

Shakespeare LOL: All Mirth and No Matter

"I was born to speak all mirth and no matter." (Much Ado About Nothing, 2.1.323) Let's face it: Modern audiences sometimes go from roaring with laughter to scratching their heads when it comes to enj...

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Shakespeare in Translation

Shakespeare in Translation

"Bless thee, Bottom, bless thee! Thou art translated!" (A Midsummer Night's Dream, 3.1.120-121) What happens when Shakespeare’s work is translated into foreign languages? Is it still Shakespeare? Or ...

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Punk Rock Shakespeare

Punk Rock Shakespeare

"Here will we sit and let the sounds of music / Creep in our ears" (The Merchant of Venice, 5.1.63-64) How can young people connect with Shakespeare? It's a question that confronts each generation. ...

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Shakespeare Outdoors

Shakespeare Outdoors

"Under the greenwood tree / Who loves to lie with me / And turn his merry note / Unto the sweet bird’s throat, / Come hither, come hither, come hither. / Here shall he see / No enemy / But winter and ...

20 Mars 201531min

In Search of the Real Richard III

In Search of the Real Richard III

"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the pol...

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Actresses on Shakespeare

Actresses on Shakespeare

"All the world’s a stage, And all the men and women merely players." (As You Like It, 2.7.146-147) In Shakespeare's time, only men appeared on stage, with teenage boys playing the women's parts. Tod...

20 Mars 201520min

The Robben Island Shakespeare

The Robben Island Shakespeare

While Nelson Mandela was incarcerated on South Africa's Robben Island, one of the other political prisoners managed to retain a copy of Shakespeare's complete works, which was secretly circulated thro...

20 Mars 201518min

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