90. Allowing Ourselves to Be Seen featuring Kathleen Dorothy Blackburn

Kathleen Dorothy Blackburn joins Let’s Talk Memoir for a conversation about listening to and putting our younger selves on the page, recognizing family codes we can no longer adhere to, place as a character in memoir, writing like nobody will ever see our work, how shame and pain can manifest as silence, sharing with readers what we may not be able to reveal to loved ones, the contracts we enter as writers of memoir, creating intimacy on the page, and her new memoir Loose of Earth.

Also mentioned in this episode:

-the toll of forever chemicals on our bodies and homes

-incorporating environmental elements

-managing our grief

Books mentioned in this episode:

-Mill Town by Kerrie Arsenault

-Full Body Burden by Kristen Iverson

-The Yellow House by Sarah Broom

-Ground Glass by Karen Savage

Kathleen Dorothy Blackburn teaches in the University of Chicago Creative Writing Program. She is a Pushcart Prize nominee whose work has appeared in Colorado Review, Guernica, Gulf Coast, Pleiades, and swamp pink, and was listed as notable in Best American Essays.

Connect with Kathleen:

Website: https://www.kdblackburn.com/

Instagram: https://www.instagram.com/thequietwildlife/

Get her book: https://bookshop.org/p/books/loose-of-earth-a-memoir-kathleen-dorothy-blackburn/20690152

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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

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Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers