Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

At once wonderfully clear and bursting with complexity, the title of Bruno Perreau‘s book, Queer Theory: The French Response (Stanford University Press, 2016) is one of my favorites of the past several years. An interrogation of the meanings of queer, theory, French, and response, the book is anchored around the anti-gay marriage demonstrations and activisms that proliferated in France during the lead-up to the passage of the 2013 Loi Taubira (a.k.a. “marriage pour tous”). The book focuses on a central claim of French opponents of gay marriage and adoption: the notion that (American) gender and queer theory is responsible for spreading homosexuality in France, and has thus contributed to the undoing of the French family and the nation as a whole. Throughout its four chapters, the book considers the French response to queer theory in terms of fantasy and echo. This is not a book about reception in a passive or uncomplicated sense. Rather it is the study of a set of reverberations back and forth across the Atlantic that is always already a matter of translation and interpretation. Indeed, the so-called American theory that anti-gay activists have presented as a foreign menace finds much of its own inspiration in the work of French thinkers and writers. Drawing in part on a series of interviews with French feminist and queer intellectuals and activists, the book also offers critical insight regarding the meanings and anxieties surrounding minority identities and communities in contemporary France. Queer Theory will be compelling reading to anyone interested in the history and politics of sexuality, and in the possibilities of thinking and enacting change into the future, in France, in the U.S., and beyond. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

2 Juni 20171h 1min

From humble beginnings James Bronterre O’Brien became one of the leading figures in British radical politics in the first half of the 19th century, thanks in no small measure to his skills as a journalist and writer. In Radicalism and Reputation: The Career of Bronterre O’Brien (Michigan State University Press, 2017), Michael J. Turner examines O’Brien’s ideas and his place in the milieu of the politics of his day. Born in Ireland, the young James O’Brien was a fortunate beneficiary of a progressive education and studied for a career in the law. Yet O’Brien was soon drawn into a career as a journalist, where, adopting the pen name Bronterre, he advocated for the radical causes of his day. This culminated in O’Brien’s involvement in the pioneering Chartist movement, which failed to pressure Parliament to undertake reforms but paved the way for the modern democratic system that exists in Britain today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

31 Maj 201756min

Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press, 2016) is innovative and lyrical, challenging and beautiful. Ashon Crawley brings together black studies, queer theory, theology, and continental philosophy to theorize the ways in which what he calls “otherwise worlds of possibility” can serve as disruptions against marginalization and violence and also produce possibilities for flourishing. Examining the whooping, shouting, noise-making, and tongue speaking of Black Pentecostalism, Crawley reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. In the process, he does much more: suggesting a hermeneutics, a methodology for reading culture when people are under siege. Ashon Crawley is Assistant Professor of Religious Studies and African American Studies at the University of Virginia. Hillary Kaell is associate professor of Religion at Concordia University in Montreal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

19 Maj 20171h 1min

Ralph Young is a professor of history at Temple University. His book Dissent: The History of an American Idea (New York University Press, 2015) provides a fast-paced four hundred years people’s history of dissenters in America and the role they played from early New England settlements to Occupy Wall Street and the Tea Party. From Shay’s rebellion in the late eighteenth century to contemporary gay rights and anti-globalist movements, dissenters built their politic on the nations founding as a project of dissent. As a group, they were committed to actualizing the lofty ideals embedded in the founding documents by extending equality and freedom to women, slaves, Indians, workers and other excluded groups. In times of crisis, dissenters called the nation back to its promise even as conservative forces resisted change. Some dissenters, celebrated as heroes, called the nation to its highest ideals; others remain lost to history or vilified. American history seen from the vantage point of those who stood against the status quo illuminates the important role dissent has played in the nation’s political and social development. Young offers an abundance of examples of how political, religious, economic and social protest shape the nation and possibilities of further change. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

19 Maj 201757min

Sharrona Pearl‘s new book is an absolute pleasure to read. Face/On: Face Transplants and the Ethics of the Other (The University of Chicago Press, 2017) looks closely at facial allotransplantations (FAT), commonly known as face transplants, in order to offer a careful and fascinating study of the stakes for changing the face, and the changing stakes for the face. Troubling the indexical relationship between the face and character and reminding us that “[t]he self has always been a set of choices,” Pearl explores face transplantation as it relates to cosmetic surgery and whole-organ transplants, the cinema of the 1960s, television shows, and more. She carefully and sensitively takes us into the debates among surgeons, bioethicists, and journalists that circled the first partial face transplant of Isabelle Dinoire in 2005, and offers a way toward a philosophical approach that brings together Levinas with the kind of (Deleuzian) subjectivity that allows for individuality through constant change and understands the self to be constantly in a process of becoming. The final chapter of the book also situates the analysis within larger contexts of online subjectivities and work with facial and bodily manipulation by artists and performers. It’s sparklingly written and well worth a read! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

18 Maj 20171h 8min

Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality. In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture. Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Maj 201754min

Almost 10 years after the great financial crisis, how has the finance industry regained its preeminent social position? In Trust, Power and Public Relations in Financial Markets (Routledge, 2017) Clea Bourne, a Lecturer in PR, Advertising and Marketing at Goldsmiths, University of London, explores the relationship between PR and different types of trust in finance. The book offers a nuanced understanding of trust, looking at both transparency and obfuscation for states, banks, stock markets and individuals. Alongside a critical theory of the function of PR, there are numerous detailed case studies, across every aspect of modern financial markets, making the book both an in depth assessment as well as a useful introduction to trust, PR and finance. The book is clearly written and accessible, making it essential reading for anyone interested in this most important part of economy and society Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

2 Maj 201749min

Lizabeth Cohen‘s Making A New Deal: Industrial Workers in Chicago, 1919-1939 was originally published in 1990, and recently re-published in 2014. In this book, Cohen explores how it was that Chicago workers, who could not overcome ethnic and racial divisions during a wave of failed strikes in 1919, came together in the mid to late-1930s across ethnic and racial lines “to make a New Deal” for themselves and their fellow laborers. They made that “New Deal” as members of national labor unions and a national Democratic Party. These successes were possible because of community and cultural changes that took place in the 1920s, Cohen argues. During that decade, ethnic and race-based community organizations, new institutions of mass culture like chain stores and movie theaters, and employers’ “welfare capitalist” programs all vied for workers attention and loyalty. Paradoxically, the very programs employers hoped would prevent the growth of unions actually helped break down ethnic and racial barriers, building upon new experiences of shared consumerism. As the Great Depression unfolded, workers managed to form the cross-race and cross-ethnic alliances that had alluded them in 1919 and the early 1920s. Union organizers succeeded in building a new culture of unity and achieving new levels of organization and worker power. Industrial laborers and their unions challenged their employers to live up to the “welfare capitalism” they had promised in the years before the financial crisis. As their level of organization grew, Chicago workers also became New Deal Democrats invested in national politics. The new edition includes an updated preface by the author. Lizabeth Cohen serves as the Howard Mumford Jones Professor of American Studies at Harvard University, as well as the Dean of Harvard’s Radcliffe Institute for Advanced Study. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

12 Apr 20171h 10min