Shakespeare and Insane Asylums

Shakespeare and Insane Asylums

"Though this be madness, yet there is method in ’t." (Hamlet, 2.2.223) Plenty of people today consider Shakespeare a literary genius, a pillar of theater history, a gifted writer of timeless love poems, and more. But even the most over-the-top contemporary admirer of Shakespeare is unlikely to consider him a pioneer of modern medical science... much less forensic psychiatry. Hard as it may be to believe, however, there was a strange period in American history when that's exactly how William Shakespeare was seen in both law and medicine. Rebecca Sheir, host of the Shakespeare Unlimited series, interviews Benjamin Reiss, a professor in the English department at Emory University and the author of a book called "Theaters of Madness: Insane Asylums and Nineteenth-Century American Culture." "From the mid-1840s through about the mid-1860s in the United States, during the first generation of American psychiatry, no figure was cited as an authority on insanity and mental functioning more frequently than William Shakespeare," says Reiss. Such citations were not just in medical journals, he adds, but in sworn legal testimony. The reason, we learn in this podcast, was essentially this: Modern psychiatry was a fledgling field, regarded with distrust and little respect by many Americans. What it needed, above all, was authority—and what better, more respected authority than the great playwright? Join us to explore this curious yet fascinating intersection between civil society and William Shakespeare. ------------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Gail Kern Paster and Esther Ferington. Recorded by Toby Schreiner.

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Pronouncing English as Shakespeare Did

Pronouncing English as Shakespeare Did

"Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue." —HAMLET (3:2:1–2) When Shakespeare wrote his lines, and actors first spoke them, how did they say the words—and wh...

20 Mars 201528min

Brave New Worlds: The Shakespearean Moons of Uranus

Brave New Worlds: The Shakespearean Moons of Uranus

Sometimes it seems you can hear or see traces of Shakespeare just about anywhere on Earth. But how about around the planet Uranus, which had not even been discovered in Shakespeare's time? In this ce...

20 Mars 201540min

Codes and Ciphers from the Renaissance to Today

Codes and Ciphers from the Renaissance to Today

"When sorrows come, they come not single spies, But in battalions..." —HAMLET (4.5.83) It's a striking comment that occurs late in this podcast—and by the time you hear it, you may well agree: "Witho...

20 Mars 201514min

When Romeo Was a Woman

When Romeo Was a Woman

"I will assume thy part in some disguise And tell fair Hero I am Claudio" —MUCH ADO ABOUT NOTHING(1.1.316) The actress Charlotte Cushman was a theatrical icon in 19th century America, known to the pr...

20 Mars 201529min

Romeo and Juliet Through the Ages

Romeo and Juliet Through the Ages

"For never was a story of more woe Than this of Juliet and her Romeo." —ROMEO AND JULIET(5.3.320) Though the tragic love story of Romeo and Juliet is a perennial favorite, the world around the play h...

20 Mars 201531min

Music in Shakespeare

Music in Shakespeare

"Now, good Cesario, but that piece of song, That old and antique song we heard last night." —Twelfth Night (2.4.3) Rebecca Sheir, host of our Shakespeare Unlimited series, interviews Ross W. Duffin, ...

20 Mars 201520min

Artistic Directors Talk Shakespeare

Artistic Directors Talk Shakespeare

"And by that destiny to perform an act / Whereof what’s past is prologue, what to come / In yours and my discharge." (The Tempest, 2.1.288) Shakespeare's words and stories may be timeless, but what ...

20 Mars 201519min

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