2023.05.01 Daniel Sadownick on Andrew Cyrille - 2 of 3
Deep Focus14 Maj 2023

2023.05.01 Daniel Sadownick on Andrew Cyrille - 2 of 3

This Monday (5/1) Jazz Alternatives presents Mitch Goldman's Deep Focus on Andrew Cyrille with guest Daniel Sadownick. Take a stroll through Andrew Cyrille's discography. The range of his work across the last 60+ years is practically gasp-inducing. Admire How many of the hundreds of sessions that he has anchored in that time represent the leader's best works. Weigh the sense of anticipation you feel when you see him taking the bandstand, the certainty that you are about to be led through a quarter that no one has ever visited before, not even him. This is a musician of great consequence. Percussionist Daniel Sadownick knows a thing or two about the transformational power of music. He studied with Cyrille and will share his first-person insight with us. Hey, did anyone remember to check the WKCR archives for astonishing, unknown live recordings? Oh yes, we did. Oh yes! Monday night from 6pm to 9pm EDT on WKCR 89.9FM in NYC, WKCR-HD, and wkcr.org. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com joining hundreds of other episodes. Photo credit: Andrew Cyrille by Shawn Brackbill, Brooklyn, NY, CC BY 2.0 , via Wikimedia Commons

#WKCR #JazzAlternatives #DeepFocus #AndrewCyrille #DanielSadownick #MitchGoldman #JazzRadio #JazzPodcast #JazzInterview #CecilTaylor

Avsnitt(200)

2022.12.12 David Soldier on Miles Davis 1974 - 1 of 3

2022.12.12 David Soldier on Miles Davis 1974 - 1 of 3

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2022.11.28 Vernon Reid on Santana 1972 - 3 of 3

2022.11.28 Vernon Reid on Santana 1972 - 3 of 3

In 1972, as Miles Davis was rewriting the genetic code of musical possibilities in NYC, Carlos Santana, his labelmate, was doing the exact same thing in San Francisco.  Blazing electric keyboard playe...

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2022.11.28 Vernon Reid on Santana 1972 - 2 of 3

2022.11.28 Vernon Reid on Santana 1972 - 2 of 3

In 1972, as Miles Davis was rewriting the genetic code of musical possibilities in NYC, Carlos Santana, his labelmate, was doing the exact same thing in San Francisco.  Blazing electric keyboard playe...

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2022.11.28 Vernon Reid on Santana 1972 - 1 of 3

2022.11.28 Vernon Reid on Santana 1972 - 1 of 3

In 1972, as Miles Davis was rewriting the genetic code of musical possibilities in NYC, Carlos Santana, his labelmate, was doing the exact same thing in San Francisco.  Blazing electric keyboard playe...

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2022.10.31 Eric Person on Lester Bowie -3 of 3

2022.10.31 Eric Person on Lester Bowie -3 of 3

"Lester Bowie": instead of thinking of that sound as a person's name, maybe we should start thinking of it as a verb.  Here's one definition: to change the orientation of something familiar so that it...

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2022.10.31 Eric Person on Lester Bowie - 2 of 3

2022.10.31 Eric Person on Lester Bowie - 2 of 3

"Lester Bowie": instead of thinking of that sound as a person's name, maybe we should start thinking of it as a verb.  Here's one definition: to change the orientation of something familiar so that it...

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2022.10.31 Eric Person on Lester Bowie - 1 of 3

2022.10.31 Eric Person on Lester Bowie - 1 of 3

"Lester Bowie": instead of thinking of that sound as a person's name, maybe we should start thinking of it as a verb.  Here's one definition: to change the orientation of something familiar so that it...

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2015.12.08 Don McKenzie on Last Exit - 3 of 3

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This Monday night on Jazz Alternatives, Mitch Goldman welcomes drummer Don McKenzie back to the studio for a very special Deep Focus on the supergroup Last Exit (Peter Brotzmann, Sonny Sharrock, Bill ...

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