Intermission Ep. 8 - Original Cast Album: Company (with Kyle Turner)

Intermission Ep. 8 - Original Cast Album: Company (with Kyle Turner)

Welcome back to Intermission, a spin-off podcast from The Film Stage Show. In a time when arthouse theaters are hurting more than ever and there are a plethora of streaming options at your fingertips, we wanted to introduce new conversations that put a specific focus on the films that are foundational or perhaps overlooked in cinephile culture. Led by yours truly, Michael Snydel, Intermission is a 1-on-1 supplementary discussion podcast that focuses on one arthouse, foreign, or experimental film per episode as picked by the guest. For our eighth episode, I talked to film critic Kyle Turner, about D.A. Pennebaker’s 1970 documentary, Original Cast Album: Company, which is exclusively available on The Criterion Channel. Originally conceived as a pilot, the film recounts parts of the laborious 16-hour recording process of the cast album for Sondheim’s musical Company. Of a piece with Pennebaker’s other cinematic explorations of larger-than-life personas like Dont Look Back and Monterey Pop, it’s a film that’s equally concerned with the analog processes of studio mixing and the impossibility of capturing perfection. The best exhibition of that struggle comes in the film’s climax when Elaine Stritch (as Joanne) is physically unable to perform one of the musical’s showstoppers, “The Ladies Who Lunch,” as a visibly sulking Sondheim watches in the studio. It’s a sequence that’s been affectionately spoofed as recently as a popular episode of the Documentary Now! series and has been picked apart as meme material. As Kyle playfully muses, “It’s a moment that nearly every gay man knows” while speaking to its lingering cultural legacy. On a purely cinematic and musical level, it’s a magnificent scene––but it’s also a compact metaphor for the paradox of perfection. Appropriately, our Intermission conversation focused on the mutability of the text and how its many ambiguities harmonize with its fixed elements. Parts of the conversation covered common Sondheim- and Company-related questions like Bobby’s perceived––or at least intuitable––queerness or the linguistic gymnastics of the lyrics. But we also found time to discuss commitment as it relates to living in New York, how being a film critic informs Kyle’s reading of Company, and the shifting but still relevant political questions of Sondheim’s text. Intermission episodes are shared exclusively with our Patreon community before being posted to The Film Stage Show's main feed. One can also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. Intermission is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

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Ep. 428 – The Father (with Ty Burr)

Ep. 428 – The Father (with Ty Burr)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Ty Burr to discuss Florian Zeller's The Father, which is now in theaters and available digitally on PVOD. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

21 Apr 20211h 48min

Ep. 427 – Shiva Baby (with Jude Dry)

Ep. 427 – Shiva Baby (with Jude Dry)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Jude Dry to discuss Emma Seligman's Shiva Baby, which is now in theaters and available digitally. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

15 Apr 20211h 50min

Ep. 426 – Godzilla vs. Kong (with Devindra Hardawar)

Ep. 426 – Godzilla vs. Kong (with Devindra Hardawar)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Devindra Hardawar to discuss Adam Wingard's Godzilla vs. Kong, now in theaters and on HBO Max. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

7 Apr 20211h 48min

Intermission Ep. 11 - Come and See (with Charlie Nash and Will Willoughby)

Intermission Ep. 11 - Come and See (with Charlie Nash and Will Willoughby)

Welcome back to Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest (or guests, in this case) to discuss an arthouse, foreign, or experimental film of their choice. Warning: The episode features discussions about suicide. If you feel you are in crisis or know someone who is struggling, please call the National Suicide Prevention Lifeline. It is a free, 24-hour hotline at 1.800.273.TALK (8255). For the eleventh episode, I switched up the format of the show a little bit and talked to both Charlie Nash, a contributor at Edge Media and various other publications, and his close friend, William Willoughby, a veteran who was kind enough to speak about the film’s relationship with his own PTSD, about Elem Klimov’s controversial and influential 1985 Russian anti-war film, Come and See––which is available on The Criterion Collection and to stream on The Criterion Channel. Klimov’s film is a staggering portrayal of the loss of innocence of an idealistic teenager during the Nazi occupation of Belarus during World War II. True to its name, it’s less a traditional war film than a feature-length crucible for its young lead (played by Aleksei Kravchenko, whose hair did indeed turn gray during the arduous production), whose only remnants of childhood disappear long before he’s reduced to a sobbing mess as seen on the infamously imposing cover. But despite the endurance test reputation from its advocates and critics––it’s regularly featured as a poster child for “films that you’ll only ever want to see once” along with popular controversial choices like Salò, or the 120 Days of Sodom or Irreversible––it doesn’t resort to sensationalism despite the film’s effectively torrential presentation. Come and See channels a different kind of unspeakable horror. A sensation that lingers not because of gore or the brutality, but because Klimov and his performers so deftly evoke the consuming psychic disruption of war. That’s in large part thanks to the sound design––a maelstrom of jagged noise, silence, melodramatic inner and outer monologues, diegetic folk and classical music, and unceasing crying. It also doesn’t feel constricted by the usual expectations of the standard war film and its stampeding self-importance or worries about not showing battles as heroic. That last suggestion is the starting point for today’s podcast conversation as Charlie and Will first talk about their complex and extreme emotional reactions to the film before we all deconstruct what makes a war film effective and how many American films fail in that respect. It’s a frank, difficult conversation, but one that I hope communicates the ways Come and See feels truly singular. Intermission episodes are shared exclusively with our Patreon community before being posted to The Film Stage Show's main feed. One can also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. This episode of Intermission is presented by Film Movement Plus. Enjoy a world of cinema today on all your favorite devices by signing up today. Streaming special offer! Get a 30-day FREE trial plus 50% OFF your first 3 months! Sign up with promo code STAGE at www.filmmovementplus.com

31 Mars 20211h 2min

Ep. 425 – Promising Young Woman (with Drea Clark)

Ep. 425 – Promising Young Woman (with Drea Clark)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Drea Clark to discuss Emerald Fennell's Promising Young Woman, which is now available in VOD. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. This episode of The Film Stage Show is presented by Film Movement Plus. Enjoy a world of cinema today on all your favorite devices by signing up today. Streaming special offer! Get a 30-day FREE trial plus 50% OFF your first 3 months! Sign up with promo code STAGE at www.filmmovementplus.com

30 Mars 20211h 52min

Ep. 424 – The World to Come (with Jordan Crucchiola)

Ep. 424 – The World to Come (with Jordan Crucchiola)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Jordan Crucchiola to discuss Mona Fastvold's The World to Come, starring Katherine Waterston and Vanessa Kirby, which is now on VOD. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. This episode of The Film Stage Show is presented by Film Movement Plus. Enjoy a world of cinema today on all your favorite devices by signing up today. Streaming special offer! Get a 30-day FREE trial plus 50% OFF your first 3 months! Sign up with promo code STAGE at www.filmmovementplus.com

25 Mars 20211h 54min

Classic – The Silence of the Lambs (with David Rooney)

Classic – The Silence of the Lambs (with David Rooney)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by David Rooney, Chief Film Critic at The Hollywood Reporter, for a special classic discussion of Jonathan Demme's The Silence of the Lambs, which recently celebrated its 30th anniversary. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. This episode of The Film Stage Show is presented by Film Movement Plus. Enjoy a world of cinema today on all your favorite devices by signing up today. Streaming special offer! Get a 30-day FREE trial plus 50% OFF your first 3 months! Sign up with promo code STAGE at www.filmmovementplus.com

21 Mars 20212h 12min

Ep. 423 – Raya and the Last Dragon (with Nguyen Le)

Ep. 423 – Raya and the Last Dragon (with Nguyen Le)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Nguyen Le to discuss the latest Disney animation Raya and the Last Dragon, now playing in theaters and available with premium access via Disney+. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. This episode of The Film Stage Show is presented by Film Movement Plus. Enjoy a world of cinema today on all your favorite devices by signing up today. Streaming special offer! Get a 30-day FREE trial plus 50% OFF your first 3 months! Sign up with promo code STAGE at www.filmmovementplus.com

10 Mars 20211h 55min

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