Copyright
In Our Time12 Juni

Copyright

In 1710, the British Parliament passed a piece of legislation entitled An Act for the Encouragement of Learning. It became known as the Statute of Anne, and it was the world’s first copyright law. Copyright protects and regulates a piece of work - whether that's a book, a painting, a piece of music or a software programme. It emerged as a way of balancing the interests of authors, artists, publishers, and the public in the context of evolving technologies and the rise of mechanical reproduction. Writers and artists such as Alexander Pope, William Hogarth and Charles Dickens became involved in heated debates about ownership and originality that continue to this day - especially with the emergence of artificial intelligence. With:

Lionel Bently, Herchel Smith Professor of Intellectual Property Law at the University of Cambridge

Will Slauter, Professor of History at Sorbonne University, Paris

Katie McGettigan, Senior Lecturer in American Literature at Royal Holloway, University of London.

Producer: Eliane Glaser

Reading list:

Isabella Alexander, Copyright Law and the Public Interest in the Nineteenth Century (Hart Publishing, 2010)

Isabella Alexander and H. Tomás Gómez-Arostegui (eds), Research Handbook on the History of Copyright Law (Edward Elgar Publishing, 2016)

David Bellos and Alexandre Montagu, Who Owns this Sentence? A History of Copyrights and Wrongs (Mountain Leopard Press, 2024)

Oren Bracha, Owning Ideas: The Intellectual Origins of American Intellectual Property, 1790-1909 (Cambridge University Press, 2016)

Elena Cooper, Art and Modern Copyright: The Contested Image (Cambridge University Press, 2018)

Ronan Deazley, On the Origin of the Right to Copy: Charting the Movement of Copyright Law in Eighteenth Century Britain, 1695–1775 (Hart Publishing, 2004)

Ronan Deazley, Rethinking Copyright: History, Theory, Language (Edward Elgar Publishing, 2006)

Ronan Deazley, Martin Kretschmer and Lionel Bently (eds.), Privilege and Property: Essays on the History of Copyright (Open Book Publishers, 2010)

Marie-Stéphanie Delamaire and Will Slauter (eds.), Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Open Book Publishers, 2021)

Melissa Homestead, American Women Authors and Literary Property, 1822-1869 (Cambridge University Press, 2005)

Adrian Johns, Piracy: The Intellectual Property Wars from Gutenberg to Gates (University of Chicago Press, 2009)

Meredith L. McGill, American Literature and the Culture of Reprinting, 1834-1853 (University of Pennsylvania Press, 2002)

Mark Rose, Authors and Owners: The Invention of Copyright (Harvard University Press, 1993)

Mark Rose, Authors in Court: Scenes from the Theater of Copyright (Harvard University Press, 2018)

Catherine Seville, Internationalisation of Copyright: Books, Buccaneers and the Black Flag in the Nineteenth Century (Cambridge University Press, 2006)

Brad Sherman and Lionel Bently, The Making of Modern Intellectual Property Law (Cambridge University Press, 1999)

Will Slauter, Who Owns the News? A History of Copyright (Stanford University Press, 2019)

Robert Spoo, Without Copyrights: Piracy, Publishing and the Public Domain (Oxford University Press, 2013)

In Our Time is a BBC Studios Audio production

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Multiculturalism

Multiculturalism

Melvyn Bragg and guests discuss multiculturalism. The divisions between people provoked and exploited because of differences in religion, culture, nationality and race seem to beset the planet the more information technology promises globalisation. A recent estimate put the figure of people living in a country other than the one of their birth at 80 million. Does this mean that, amongst these eighty million people, their country of origin, their sense of self, and their cultural history are no longer as significant as they were? And how are those eighty million people and their descendants accommodated in the country to which they have moved - do their lives exemplify the success of multicultural policies or are they subject to racism? Is it possible to define how attitudes to race and identity have changed this century, given its vast shifts of population, cultures and peoples?With Stuart Hall, former Professor of Sociology, Open University and currently on a Commission set up by the Runnymede Trust looking at the future of multi-ethnic Britain; Dr Avtar Brah, Senior Lecturer in Sociology, Birkbeck College, London University.

13 Maj 199928min

Mathematics

Mathematics

Melvyn Bragg and guests discuss the way perceptions of the importance of mathematics have fluctuated in the 20th century, the nature of mathematical ability, and what mathematics can show us about how life began, and how it might continue. Galileo wrote “this grand book the universe… is written in the language of mathematics”. It was said before Galileo and has been said since and in the last decades of the 20th century it is being said again, most emphatically. How important is maths in relation to other sciences at the end of the twentieth century - will it ever be made redundant, or is it increasingly crucial to our understanding of the world and ourselves? What insight can it give us into the origins of life, and the functioning of our brains, and what does it mean to say that maths has become more ‘visual’?With Ian Stewart, Professor of Mathematics and Gresham Professor of Geometry, University of Warwick; Brian Butterworth, Professor of Cognitive Neuroscience, University College, London.

6 Maj 199928min

Artificial Intelligence

Artificial Intelligence

Melvyn Bragg and guests discuss artificial intelligence. Can we create a machine that creates? Some argue so. And is consciousness, as we are, with headaches and tiffs and moods and small pleasures and sore feet - often all at the same time - capable of taking place in a machine? Artificial intelligence machines have been growing much more intelligent since Alan Turing’s pioneering days at Bletchley in World War Two. Its claims are now very grand indeed. It is 31 years since Stanley Kubrick and Arthur C Clarke gave us HAL - the archetypal thinking computer of the film 2001: A Space Odyssey. But are we any nearer to achieving the thinking, feeling computer? Or is it just a dream - and should it remain as one?With Igor Aleksander, Professor, Imperial College London and inventor of Magnus - a neural computer which he says is an artificially conscious machine; John Searle, Professor of Philosophy, University of California and one of only two people in the world to invent an argument, the Chinese Room Argument, which destroys the plausibility of the idea of conscious machines.

29 Apr 199928min

Fundamentalism

Fundamentalism

Melvyn Bragg and guests discuss the roots and the consequences of religious fundamentalism. It still surprises many Western liberal intellectuals that religion survives at all. That fundamentalism flourishes is even more of a mystery. And if we shift the reach of fundamentalism to include the baser totalitarianisms, then the 20th century stands as sad and tragic exemplar of the power and the violence of what often begins as a belief in wholeness, oneness and fundamental values. The latter half of the 20th century particularly has seen the surprising and unexpected rise of religious fundamentalism - in all the major faiths. Violent acts have been done in the name of these forms of religion - suicide missions by Moslem extremists; attacks on abortion clinics by Protestant fundamentalists in the USA; killings at the Hebron mosque by a member of a Far Right Jewish religious group. Not surprisingly, the rise of religious fundamentalism is commonly seen as one of the most threatening forces now. But is it? With Karen Armstrong, writer on the history of religious ideas and author of A History of God: From Abraham to the Present; Tariq Ali, film-maker, writer and author of The Book of Saladin.

22 Apr 199928min

Evolution

Evolution

Melvyn Bragg examines the future of gene therapy and advances in evolutionary biology. Are we continuing to evolve? If so, what are the signs and if not, why not? And those apes, so very very near us in genetic kinship, why are they so far away in so much else, and will they ever evolve? And is evolution necessarily progression? If so, does our apparent lack of evolution mean lack of progress? Also on the evolutionary front, could electronic devices discover the means of self-replication, and what will that mean for us? The march of the life sciences after the discovery of DNA accelerates by the year but what are the implications?With Professor John Maynard Smith evolutionary biological theorist and Emeritus Professor of Biology at the University of Sussex; Colin Tudge, writer, journalist and Research Fellow at the Centre for Philosophy.

15 Apr 199928min

Writing and Political Oppression

Writing and Political Oppression

Melvyn Bragg examines how two writers’ work have been shaped by political oppression and explores whether writers have a political role in modern society. The connection between writers and politics has its roots in classical times, but in the 20th century the writer has been called on as the witness with increasing frequency and intensity. And many times the price of articulation has been severe. In the century in which saw the execution of writers such as Ken Saro Wiwa in Nigeria in 1995, and a fatwa imposed on Salman Rushdie, Melvyn Bragg talks to two writers who between them experienced exile, censorship and the manipulation of authoritarian states - Ariel Dorfman from South America and Nadine Gordimer, the Nobel Prize winner from South Africa, to discuss the writing of fiction and political oppression. What, if any, is the writer’s political role in our world today?With Nadine Gordimer, Nobel Prize-winning South African novelist; Ariel Dorfman, South American journalist, scholar and author of Death and the Maiden.

8 Apr 199928min

Good and Evil

Good and Evil

Melvyn Bragg and guests discuss whether religion can still be seen as a way of interpreting and judging good and evil in modern western civilisation and examines what the discoveries of Darwin and our knowledge of the true physiological nature and history of man has done for us in terms understanding our concepts of good and evil. As we entered the 20th century Nietzsche announced that God is dead. Was his hatred of Christianity a natural consequence of his belief in the unlimited possibility of mankind’s self creation? If we have enough basic self confidence in our own selves, do we need God?Leszek Kolakowski and Galen Strawson map the current terrain of morality as perceived through philosophy, politics and Darwin and Christ.With Leszek Kolakowski, author and Professor of Philosophy, Oxford University; Galen Strawson, author and Fellow and Tutor in Philosophy, Jesus College, Oxford.

1 Apr 199928min

Architecture in the 20th Century

Architecture in the 20th Century

Melvyn Bragg and guests discuss the rise in so-called spectacular architecture at the end of the 20th century. Is architecture to do with what we live in, where it’s located, the buildings that accommodate at best so much more than a few private bodies, or is it the spectacular, even show-off, extravagance, even fantasy, of architects - or is it engineers who see the huge swash of public money as an opportunity to plant a place in posterity? Daniel Libeskind has been heralded as one of the greatest architects of his generation and of the latter half of the 20th century. He is the architect of some spectacular buildings - two of which are the Jewish Museum in Berlin and the highly controversial Spiral Extension to London’s own Victoria and Albert Museum, which his critics have described as looking like imploding cardboard boxes.But why are we witnessing at the end of the century a sudden glut of spectacular buildings, such as Libeskind’s? What do they say about the state of contemporary architecture? And do they show a blatant disregard for history? Is it merely‘the architecture of excess in a world of diminishing resources, a chic counterpoint at the end of the 20th century’?With Daniel Libeskind architect of the Jewish Museum in Berlin and the Spiral Extension to London’s Victoria and Albert Museum; Richard Weston, architect and lecturer at De Montfort University.

25 Mars 199927min

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