IFH 807: Making Your Own Damn Movies: Inside Dave Campfield’s Troma-Fueled Filmmaking Path

IFH 807: Making Your Own Damn Movies: Inside Dave Campfield’s Troma-Fueled Filmmaking Path

When two Daves walk into a podcast, you don’t expect to stumble upon a meditation on art, failure, persistence, and horror-comedy. But that’s exactly what happened in this electric and delightfully unfiltered conversation with Dave Campfield, a filmmaker, actor, and host of the Troma Now Podcast, best known for his work in the cult Caesar and Otto comedy-horror film series.Dave Campfield is a fiercely independent filmmaker whose journey from a now-defunct film college in New Mexico to directing his own cult horror satires has been a long and winding road paved with hustle, humor, and horror.We start in the sand-colored surrealism of Santa Fe, where adobe buildings and the ghost of City Slickers set the stage for Dave’s early filmmaking dreams. In the land of tumbleweeds and tumble-down gym studios turned sound stages, Dave cut his teeth not just on film but on the art of adaptation.

The college no longer exists, but the memories—like chalk lines under studio lights—remain vivid in his story. “It was like going to school on Tatooine,” he says, laughing, but behind that joke is a bittersweet nod to the ephemeral.From there, Dave walks us through the illusion of success—early meetings with Universal and New Line Cinema where hopes were dangled like carrots in front of eager young dreamers. The industry, he quickly learned, speaks its own coded language: familiarity, marketability, and sometimes, plain deception. One mentor told him to “say you're young, from the streets, and have a dark comedy,” regardless of truth. Dave gave it a shot but came away with the haunting realization that "they were intrigued enough to keep me on leash, but not enough to make it happen."That experience seeded his first real film, “Dark Chamber,” a mystery-horror project which deliberately bucked slasher formulas. It took five years to make—five years of blood, sweat, and overdrafts. And yet, when the studios responded with, “We wanted something more familiar,” Dave knew he was swimming upstream. Still, he sold the film to a small distributor, endured its repackaging as something it wasn’t, and got it onto Netflix. A win—just not the one he envisioned.

But here’s the heart of it all: Dave didn’t stop. He pivoted, not with bitterness, but with evolution. “I decided I wasn't going to be one of those people waiting for opportunity. You had to make it happen on your own.” And so, he leaned into comedy horror—a genre he describes as “Abbott and Costello meet Frankenstein, but for the splatter generation.” Thus, Caesar and Otto were born: two absurdly lovable doofuses bumbling their way through massacres, monsters, and paranormal mayhem.One of Dave’s secret weapons is loyalty to what’s real. Whether recounting how Lloyd Kaufman forgot him (then remembered) or editing commercials for the Philadelphia Pet Expo, he keeps a kind of grounded magic about his craft. He shares a deeply personal new project, “Awaken the Reaper,” born from a decade of introspection and struggle, calling it “the most personal thing I’ve ever written.” He says, “It’s about being stuck—feeling like every day you’re not moving forward—and finally getting out of your own way.”All along, Dave’s been quietly building a reputation for casting future stars before they break—Trey Byers (Empire), Peter Scanavino (Law & Order)—and hosting a podcast that thrives not just because of brand synergy with Troma, but because he genuinely knows how to talk to people. “They’ve never rejected an episode,” he remarks. “I tease Troma a lot, and they’re always game. It’s a beautiful collaboration.”The conversation wraps not with grandiosity, but a recognition that even the smallest cult followings can keep a creator going. “My fanbase is small, but intense,” Dave says with pride. “I can rattle them off on two hands.” Maybe that’s enough. Maybe that’s everything.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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IFH 382: Filmmaking Side Hustles to Survive the Pandemic

IFH 382: Filmmaking Side Hustles to Survive the Pandemic

Many filmmakers thinking is based on two months ago. They believe that the world will go back to exactly how it was before on this pandemic blows over. That might be true and I truly hope it does but hope alone will not pay the rent. Our industry is going through an unprecedented shift. We as filmmakers need to start thinking about how we can pivot your business, skills, knowledge into the new reality that we are living in and very well might be in for some time to come. You have to think about what your customer needs are right now and address them. The companies that are sitting on the sidelines fearful of making any moves will be left behind. You as filmmakers need to change your mindsets. Prepare for the worst and hope for the best. Entire new industries will rise from this turmoil and if you are smart you will be ready to be a part of the new world.In this episode, I breakdown some side hustles that will help filmmakers and screenwriters not only survive the pandemic but thrive in the new world we will be walking into.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Apr 202019min

IFH 381: How to Shoot in an Impossible Location with Peter Bishai

IFH 381: How to Shoot in an Impossible Location with Peter Bishai

What if you were given permission to shoot most of your film in one of the busiest and iconic streets in the world, Times Square. Well, today's guest did just that. He shot most of his new film Rapid Eye Movement.Peter Bishai wrote and directed the epic true-life saga Colors of Heaven (aka A Million Colours). It is the winner of two South African Academy Awards, Best Foreign Film at the WorldFest Houston Film Festival and was the Opening Night Gala film at the Hollywood Black Film Festival. He also directed the comedy-adventure The Dueling Accountant, which won Best Comedy Film at the Philadelphia Independent Film Festival and Best First Feature at the Long Island International Film Expo.It is profiled in the book Fervid Filmmaking: 66 Cult Pictures of Vision, Verve and No Self-Restraint. His newest film is the psychological thriller Rapid Eye Movement. He lives in New York City.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

27 Mars 20201h 10min

IFH 380: How to Raise Money for Your Film in TODAY'S CRAZY World with Franco Sama

IFH 380: How to Raise Money for Your Film in TODAY'S CRAZY World with Franco Sama

Now let's get into today's AMAZING guest. We have on the show returning champion film finance expert Franco Sama. His first episode is one of the most downloaded episodes in the history of the show (Listen to that episode here). Franco and I joke that his last episode turned him into a celebrity at film markets and festivals around the world. I mean he can barely walk the halls of AFM without getting recognized.Franco is a well of knowledge in the film finance space and I have learned tons from him over the years. We discuss the effect the Coronavirus is and will have on not only raising money for a film but also selling that movie to an ever-changing marketplace. Nobody knows what will happen to the industry after this virus passes. We also discuss which studios are more vulnerable than others and the dos and don ts when raising money for an indie film into today's marketplace.Here's a bit about today's guest.Independent feature film producer Franco Sama boasts a remarkable and extensive history in public speaking, public relations, and nearly two decades of independent film development, production and financing experience.Sama has Executive Produced and/or produced an impressive array of over twenty (20) successful independent feature films including most notably, “Guns, Girls and Gambling” starring Gary Oldman, Christian Slater, and Dane Cook which is now a cult favorite; this film was released into theatres and acquired a worldwide distribution deal from Universal Pictures.Other films Sama has produced include; “Black Limousine” starring David Arquette and Vivica Fox, “Tooth and Nail” starring Michael Madsen and Vinnie Jones, and "Paid" starring Corbin Bernsen and Tom Conti.  Sama also serves as Executive Producer on the film festival darling “Petunia” starring Thora Birch, Brittany Snow and Academy Award winner Christine Lahti.His shingle “Samaco Films, LLC”, headquartered on the lot at the prestigious, privately owned and operated, independent film studio, Los Angeles Center Studios in Downtown Los Angeles, is currently financing and producing a slate of several independent feature films, including, “Vodun”, “Alexis Colette” and recently wrapped production on the $1M thriller, “The Inheritance”.In addition, Sama is also a highly sought after public guest speaker having launched his hugely popular film financing and distribution forum program “Finance Indie Road Map”, otherwise known as “The F.I.R.M.” which is designed specifically to educate and assist first and second-time filmmakers in their quest to develop, fund, produce and release their first feature film(s).This EPIC episode is by far one of the most important shows you could listen to. Please share it with all your filmmaking and screenwriting friends. If you want the latest information on what it is like to raise money in today's crazy world get ready to take notes. Enjoy my conversation with Franco Sama.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Mars 20202h 2min

IFH 379: Coronavirus Indie Film Q&A - IFH Tribe Questions Answered

IFH 379: Coronavirus Indie Film Q&A - IFH Tribe Questions Answered

It has been a crazy few days in the world, my friends. With film productions being shut down around the world, movie theaters sitting empty, and film festivals/events canceling because of the Coronavirus pandemic it might feel like the end of days. Hell, there's even a locust outbreak in Africa, no seriously!I even canceled my Make Your Movie Bootcamp out of concern for my students. I wanted to do a follow-up episode updating the tribe on what is going on, how it will affect them and what they can do during these insane times. I also answer questions I've been getting from the IFH Tribe. I go over:Should I submit to film festivals now?If I had a screening for my film what do I do?Can I get my money back from SXSW and other film festivals for canceling?Can movie theater chains take this hit?Will some studios and distribution companies be able to weather this storm?Tips on what to do while staying homeThere’s a lot of fear and uncertainty out there. Stay informed and stay safe. Sit back, pull up another stiff drink and take a listen.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

13 Mars 202023min

IFH 378: Coronavirus and the Effect on the Indie Film Business

IFH 378: Coronavirus and the Effect on the Indie Film Business

We are living in a crazy world, my friends. I wanted to do an episode on the effect the Coronavirus is having, not only on the film industry at large but also on how it will affect the indie filmmaker. With major events canceled like SXSW, MIPTV, and Cinequest, indie filmmakers are already feeling the effect. Twenty four of the largest theater owners in China have pulled out of CinemaCon, the largest convention of international theatrical exhibitors. Is the Cannes Film Festival and Market next?Production has stopped on Mission Impossible 7, which was shooting in Italy and the extremely popular The Amazing Race reality show has been suspended. The new James Bond film No Time to Die has been pushed until Nov 2020. Disney's Mulan, which is a love letter to the Chinese market has canceled it's China premiere and the release date in the US is up in the air.The Chinese box office has been at a standstill. 70,000 screens have been closed since January with no word when they will open. This has cost $2 billion in lost revenue to the Chinese and world film industry. The worldwide box office has lost $4 billion to date and growing each day. The theatrical box office was down 26.6% vs 2018 and this could be a MAJOR nail in the coffin of an already vulnerable theatrical business. We are in crazy times, my tribe.In this episode, I go over how this event is affecting indie filmmakers, what they can do to prepare, adjust and/or pivot in the coming weeks and months. It has never been more important for filmmakers to adopt the Filmtrepreneurial Method. Diversification of revenue streams is the only way filmmakers can hedge their bets in the uncertain times ahead.Sit back, pull up a stiff drink and take a listen.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

9 Mars 202031min

IFH 377: Predatory Film Distributors - The Minimum Guarantee Scam

IFH 377: Predatory Film Distributors - The Minimum Guarantee Scam

Today on the show I continue my series on Predatory Film Distributors. An IFH Tribe member reached out to me to let me know about a scam that she almost fell for. If she hadn't reached out to a very experienced entertainment attorney, she would have lost $90,000. I'm calling this The Minimum Guarantee Scam.  I reveal the scam on the show and discuss how you can protect yourself. Stay safe out there. Things are getting scary. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

6 Mars 202017min

IFH 376: Selling 10K DVDs and Building an Indie Filmmaking Empire with Mark Harris

IFH 376: Selling 10K DVDs and Building an Indie Filmmaking Empire with Mark Harris

Today on the show we have Filmtrepreneur Mark Harris. Mark is a self-taught filmmaker. His movies have been distributed by major distributors and he's self-distributed many of his earlier films and sold hundreds of thousands of copies in the US and overseas. Mark was born and raised in the Englewood community of Chicago.The same community Bermic Mac, Jennifer Hudson, Lorraine Hansberry, Janet Hubert, and Derek Rose are from. Mark is the Founder of 1555Filmworks a film production company that produces feature films and he's the Founder of the Englewood International Film Festival. Englewood is known as one of the most dangerous places to live in the United States. The crime rate, although reported most frequently, can not overshadow the hope for the future of this Chicago area. The goal of The Englewood International Film Festival is to change the imaging and condition of the people in Englewood.I had a ball talking shop with Mark. Without a doubt, he is an Indie Film Hustler and the living embodiment of a Filmtrepreneur.Enjoy my inspiring conversation with Mark Harris.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Feb 20201h 4min

IFH 375: Making an El Mariachi Style $7000 Indie Film with Josh Stifter

IFH 375: Making an El Mariachi Style $7000 Indie Film with Josh Stifter

Today on the show we have writer/director Josh Stifter. Josh was chosen as one of the directors to attempt to make a $7000 feature film using the El Mariachi style made famous by legendary filmmaker Robert Rodriguez. The show was called Rebel Without a Crew: The Series and it premiered on Robert's network El Rey.Josh and I talk indie film shop, what it was like working with Robert Rodriguez and his adventures making a $7000 indie film while cameras were capturing every single second of on-set action.Enjoy my conversation with Josh Stifter.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Feb 20201h 29min

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