IFH 807: Making Your Own Damn Movies: Inside Dave Campfield’s Troma-Fueled Filmmaking Path

Total Transparency: How Much Revenue a $100K REALLY Film Generates with Liz ManashilHave you ever wondered how much revenue a real indie film can make in the marketplace? Wouldn't you like to see the real and raw numbers for a nontheatrical film with no major film festival premieres? Today's guest has been brave enough to do just that. Filmmaker Liz Manashil decided to open up the accounting books on her debut feature film Bread and Butter, starring SNL's Bobby Moynihan and Lauren Lapkus. Liz Manashil earned her B.A. in Film and Media Studies at Washington University in St. Louis, and her M.F.A. from USC's School of Cinematic Arts. Post graduation, Liz spent several years as a film critic for the PBS/Hulu series JUST SEEN IT (which she also helped produce and direct). Overlapping this, Liz worked with distribution guru Peter Broderick.Her debut feature, Bread and Butter, was called “an absolute must-watch for women everywhere” by HelloGiggles. It was released by The Orchard and can be seen on VOD nearly everywhere (including Hulu!). Liz is currently in pre-production on her next feature film, SPEED OF LIFE, and lives in Los Angeles with her dog, Laura Palmer, and her partner, Sean Wright. She is the Manager of Sundance Institute’s Creative Distribution Initiative.Here's the breakdown (taken from her amazing article on Moviemaker Magazine:Our film, Bread and Butter, is a digital success. A digital success you’ve never heard of.Let’s break it down.Our film cost $100,000 to makeWe grossed $96,000 a little bit more than a year into our release (and we’re still making deals)Our distributor did have a marketing spend but we invested in no other resources outside of that (other than me running our social media campaigns and newsletter)We got two airline deals, two SVOD deals, and decent promotion of transactional and cable VODWe’re operating in the black with the distributor’s marketing spend and heading toward eventual recoupment in terms of our expensesIn an age where people debate the utility of making independent feature films, there is hope.I had a ball speaking to Liz and we get into the weeds on traditional distribution and self-distribution. If you want to sell you film in the marketplace perk up your ears and take some notes. Enjoy my conversation with Liz Manashil.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Nov 20171h 1min

Top 10 Tips for Low budget FilmmakersMaking an indie film can be rough, especially for beginners. Many times filmmakers go off halfcocked and jump into making a film without really thinking it all through. Here are a few tips that will help you on you filmmaking journey.CHOOSE THE RIGHT SCRIPTLook for character-driven stories with no stunts or effects, limited locations, a limited cast and utilize resources that you already have access to.PLANSpend the time in pre-production. The more you can plan, the smoother your shoot will go.  Take the time to plan and save time later when it costs.MOST FAVORED NATIONSWhen paying people less than they’re worth -make everyone equal- one pay rate for everyone.  This helps show respect, not play favorites, and everyone will be working for one common goal.CAREFULLY PICK UNION OR NON-UNIONIf you go with an actor’s union, understand the full contract.  Quite often although the production terms may be reasonable, the distribution terms may be not.CAMERA TECHNOLOGYNever feel that you have to use a specific camera because that’s the “hot” tech.  Not all cameras are created equal and it is the talent behind the camera that matters, not the tech itself.WORKFLOWKnow your production and post workflow before you shoot.  This will save time, money, and frustration later.MUSIC RIGHTSDon’t go for “label” or commercially released music- the rights are complicated and expensive.  Find unsigned, talented artists and get permission to use their music or have them record original music for you.UNDERSTAND YOUR MARKETDo your homework. Research your demographic and market - is there actually an audience for this film? How will you sell it? Can you visualize a poster and tagline? Knowing those before you shoot will increase your chances of success.WORK WITH PROFESSIONALSEvery step of the way, your project will benefit from the experience of true professionals. You may not be able to afford the best in the business, but experience matters - hire the right people for the job, not just friends and family who are available.PAY ATTENTION TO YOUR SOUNDSound is one of the most important aspects of a movie - bad sound is intolerable, even over bad picture. Know how to capture the best sound and how to finalize it in post. If you don't know - see tip #9.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Nov 201722min

If you ever wanted to know some of the secrets of how to write a comedy then today's guest might be able to help. Peter Desberg and Jeffrey Davis are the authors of Now That’s Funny! The Art and Craft of Comedy Writing, a new book that provides an intimate look into the minds of twenty-nine of Hollywood’s funniest comedy writers from movies and TV shows like:Saturday Night LiveFrasierThe SimpsonsEverybody Loves RaymondMonkModern FamilyThe HoneymoonersThere's Something About MaryDumb and DumberCheersHome ImprovementThe writers were asked to develop a generic comedy premise created by the authors, giving readers a window into their writing process. There were no rules, no boundaries, and no limits. What emerges is an entertaining look—illuminating and hilarious—at the creative process behind hit comedy TV shows and movies. Enjoy my conversation with Peter Desberg and Jeffrey Davis.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

6 Nov 20171h 16min

How to Create Suspense Like Hitchcock with Jeffery Michael BaysHave you ever wanted to know how Alfred Hitchcock became the master of suspense? How Hitch used the camera and lens to create terror in the audience? Well, you can watch all 52 films Hitchcock directed or if you want to get a head start on you Hitchcock education you should listen to today's guest, Jeffery Michael Bays, the author of the new book Suspense with a Camera: A Filmmaker's Guide to Alfred HitchcockJeffery shares his knowledge and love for Alfred Hitchcock as well as the tricks and techniques that made Hitchcock the master of suspense. If Hitchcock is your thing then also watch Jeffery's amazing series Hitch 20. He breaks down every episode of television Alfred Hitchcock ever directed.  Enjoy my conversation with Jeffery Michael Bays.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

30 Okt 201754min

How to Sell Your Indie Film at the American Film Market with Johnathan WolfHave you ever wondered how films are sold internationally or domestically for that matter? Today on the show we have Jonathan Wolf, the managing director of the American Film Market or AFM as it's known. The American Film Market generates over $1 Billion in the seven-day event. Buyers from around the world come to buy, sell and pre-sell their film projects.Johnathan and I discuss the inner workings of the American Film Market, how you should attend, the difference between creating a trailer and poster for the consumer vs a distributor and a ton more.Here's a bit on today's guest.Jonathan Wolf has been IFTA’s Executive Vice President and Managing Partner of the AFM since 1998. He joined IFTA in 1993 as Senior Vice President of Business Development and established IFTA Collections, which now distributes millions of dollars in royalties to participants each year. Previously, Wolf spent two years as President & COO of Studio Three Film Corporation, a U.S. theatrical distribution company.From 1980 to 1990 he held various finance positions within the industry, culminating as Chief Financial Officer of New World International, where he oversaw the company’s international operations. Wolf is a graduate of the University of Southern California Business School.If you want to sell your film then get ready to take some notes. Enjoy my conversation with Johnathan Wolf from the American Film Market.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Okt 20171h 18min

Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo SanchezWho hasn't heard of the now legendary indie film rags to riches tale of  The Blair Witch Project? Every film student from Los Angeles to Mumbai heard the story of how two young film students spent $27,000 (mostly from friends, family and credit cards) to make a little indie horror film that ended up grossing $250 million worldwide.Directors Eduardo Sanchez and Daniel Myrick shot The Blair Witch Project in a new way which would later be called "found footage." Without The Blair Witch Project, there is no [easyazon_link identifier="B00304LF0W" locale="US" tag="whatisbroke-20"]Paranormal Activity[/easyazon_link], No [easyazon_link identifier="B00AEFXNGE" locale="US" tag="whatisbroke-20"]Cloverfield[/easyazon_link], No [easyazon_link identifier="B003L20IEW" locale="US" tag="whatisbroke-20"]The Last Exorcism[/easyazon_link].Today's guest Eduardo Sanchez goes back to the late 90's and shares his experience on what it was like to be in the center of The Blair Witch Project hurricane. What it was like being on the cover of Time Magazine and how did it feel to be the toast of Hollywood...for a period of time.We also discuss the aftermath, how his career grew post Blair Witch and crazy stories of Hollyweird.Enjoy my conversation with Eduardo Sanchez.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Okt 20171h 36min

Understanding The Hero's Journey with Chris VoglerWe have all heard about Joseph Campbell's Hero's Journey by this point but what is it really. Chris Vogler, the author of The Writer’s Journey: Mythic Structure For Writers and the man who brought the Hero's Journey into the film industry, breaks down the ordinary and special worlds of the hero's journey. Enjoy.These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of Writing Screenplays That Sell and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel; and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Okt 201719min

How NOT to Direct a Television Pilot with Dave BullisBefore I get any hate mail I wanted to let you know that our guest today reached out to me and offered to do this episode. So I didn't ask a fellow filmmaker to come on the show and tell us all how not to direct a television pilot. Dave Bullis is a director, writer, and director. He approached me with this idea and I said let's do it. The more truth bombs I can lay on the IFH Tribe the better.Game Over (GO) was a TV pilot I filmed a few years ago about five employees at a video game store struggling to get to the next level in their lives. Dave went through hell making it and his stories even surprised me. Dave also decided to write a length guide to help filmmakers shoot their own projects.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Okt 20171h 7min