Hunger Games x Frames of War

We're back from our summer break with an episode about The Hunger Games. Heads up that this episode connects the fictional world of Panem to real-world issues of representation and human rights, drawing parallels between the text and the genocide in Gaza. In this conversation, Hannah and Marcelle dig into representations of violence, resistance movements, and the normalization of child death. They then explore how Suzanne Collins' dystopian series engages with the concept of "grievability" and they consider The Hunger Games' immersive marketing campaigns that cemented the work as a mainstream cultural phenomenon.

To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!

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Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.

*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is interested in the question of why a particular cultural work or practice emerged at a particular moment.

Music Credits:

“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020

Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

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