Germinal (Archive Episode)

Germinal (Archive Episode)

Melvyn Bragg and guests discuss Emile Zola's greatest literary success, his thirteenth novel in a series exploring the extended Rougon-Macquart family. The relative here is Etienne Lantier, already known to Zola’s readers as one of the blighted branch of the family tree and his story is set in Northern France. It opens with Etienne trudging towards a coalmine at night seeking work, and soon he is caught up in a bleak world in which starving families struggle and then strike, as they try to hold on to the last scraps of their humanity and the hope of change. With Susan Harrow Ashley Watkins Chair of French at the University of Bristol Kate Griffiths Professor in French and Translation at Cardiff University And Edmund Birch Lecturer in French Literature and Director of Studies at Churchill College & Selwyn College, University of Cambridge Producer: Simon Tillotson Reading list: David Baguley, Naturalist Fiction: The Entropic Vision (Cambridge University Press, 1990) William Burgwinkle, Nicholas Hammond and Emma Wilson (eds.), The Cambridge History of French Literature (Cambridge University Press, 2011), particularly ‘Naturalism’ by Nicholas White Kate Griffiths, Emile Zola and the Artistry of Adaptation (Legenda, 2009) Kate Griffiths and Andrew Watts, Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio, and Print (University of Wales Press, 2013) Anna Gural-Migdal and Robert Singer (eds.), Zola and Film: Essays in the Art of Adaptation (McFarland & Co., 2005) Susan Harrow, Zola, The Body Modern: Pressures and Prospects of Representation (Legenda, 2010) F. W. J. Hemmings, The Life and Times of Emile Zola (first published 1977; Bloomsbury, 2013) William Dean Howells, Emile Zola (The Floating Press, 2018) Lida Maxwell, Public Trials: Burke, Zola, Arendt, and the Politics of Lost Causes (Oxford University Press, 2014) Brian Nelson, Emile Zola: A Very Short Introduction (Oxford University Press, 2020) Brian Nelson (ed.), The Cambridge Companion to Emile Zola (Cambridge University Press, 2007) Sandy Petrey, Realism and Revolution: Balzac, Stendhal, Zola, and the Performances of History (Cornell University Press, 1988) Arthur Rose, ‘Coal politics: receiving Emile Zola's Germinal’ (Modern & contemporary France, 2021, Vol.29, 2) Philip D. Walker, Emile Zola (Routledge, 1969) Emile Zola (trans. Peter Collier), Germinal (Oxford University Press, 1993) Emile Zola (trans. Roger Pearson), Germinal (Penguin Classics, 2004) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

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The Sonnet

The Sonnet

Melvyn Bragg and guests discuss the Sonnet, the most enduring form in the poet’s armoury. For over five hundred years its fourteen lines have exercised poetic minds from Petrarch and Shakespeare, to Milton, Wordsworth and Heaney. It has inspired the duelling verse of ‘sonneteering’, encapsulated the political perspectives of Cromwell and Kennedy and most of all it has provided a way to meditate upon love.Dante Gabriel Rossetti called it “the moment’s monument”. What is it about the Sonnet that has inspired poets to bind themselves by its strictures again and again? With Sir Frank Kermode, author of many books including Shakespeare’s Language; Phillis Levin, Poet in Residence and Professor of English at Hofstra University; Jonathan Bate, King Alfred Professor of English at the University of Liverpool.

21 Juni 200128min

The French Revolution's Legacy

The French Revolution's Legacy

Melvyn Bragg and guests discuss the French Revolution. In 1789 the Bastille was stormed, the King Louis XVI was put under national guard and the calendar was turned back to zero. The French Revolution began its upheavals in the name of Liberté, Egalité and Fraternité.On this side of the English Channel there were those who thought it ‘bliss in that dawn to be alive’, but the statesman and philosopher Edmund Burke was not among them. He said, “The age of chivalry is gone. That of sophisters, economists, and calculators, has succeeded; and the glory of Europe is extinguished for ever”.What was really the end of an age? What was the impact of this revolution on the culture of Europe? And did it really change political life in Britain for ever? With Stefan Collini, Professor of Intellectual History and English Literature at Cambridge University; Anne Janowitz, Professor of Romantic Poetry at Queen Mary College, London;the nineteenth century historian Andrew Roberts.

14 Juni 200128min

Evil

Evil

Melvyn Bragg and guests discuss the concept of evil. When Nietzsche killed off God he had it in for evil as well: In Beyond Good and Evil, he constructed an argument against what he called the “herd morality” of Christianity, and he complained "everything that elevates an individual above the herd and intimidates the neighbour is henceforth called evil." Nietzsche claimed that it was a dangerous idea that distorted human nature, ‘evil’ was invented by the church and was a completely alien concept to the noble philosophers of the ancient world. Was he right, did Christianity really invent the idea of evil? And has the idea meant anything more than excessively bad? With Jones Erwin, Lecturer in Philosophy at the University of Limerick; Stephen Mulhall, Tutor in Philosophy at New College, Oxford University; Margaret Atkins, Lecturer in Theology at Trinity and All Saints College, University of Leeds.

3 Maj 200128min

Literary Modernism

Literary Modernism

Melvyn Bragg and guests discuss literary modernism. In James Joyce’s Ulysses he writes, “Greater love than this, he said, no man hath that a man may lay down his wife for a friend. Go thou and do likewise. Thus, or words to that effect, saith Zarathustra, sometime regius Professor of French letters to the University of Oxtail”. It is profane, it gets the Bible wrong on purpose, it nods in the direction of Nietzsche and it doesn’t quite seem to make sense - it must be modernism! The literary movement that embraced Joyce, DH Lawrence, TS Eliot, Virginia Woolf and many others in the early decades of the twentieth century. Modernism claimed to be revolutionary, and has been accused of being wilfully obscure. Some modernist writers campaigned for the rites of working women, others embraced fascism. What were the movements defining features, and do the questions that exercised the genre at the start of the twentieth century have relevance to us at the beginning of the twenty-first?With John Carey, Merton Professor of English Literature at Oxford University; Laura Marcus, Reader in English at the University of Sussex; Valentine Cunningham, Professor of English Language and Literature at the University of Oxford.

26 Apr 200142min

The Glorious Revolution

The Glorious Revolution

Melvyn Bragg and guests discuss the the Glorious Revolution. In 1688, with a fair wind behind him and no naval opposition in front, William of Orange and his Dutch fleet sailed safely into Torbay on the South coast and thus began a period of history known - in England at least - as The Glorious Revolution. The story goes that the English, fed up with their Catholic King James II and alarmed at the prospect of a Catholic succession, ‘invited’ William to come to England and save Parliament, Protestantism and the rights of ordinary citizens. William was cheered all the way to London where, with the backing of Parliament and the people, he and his wife Mary were installed as joint sovereign monarchs of England, Ireland and Scotland. Victorian historians like Macaulay claimed that this was the era that defined British democracy, but how much of the spirit of 1688 is enwrapped within our unwritten Constitution? Were the events of 1688 really either Glorious or Revolutionary?With John Spurr, Reader in History at the University of Wales, Swansea; Rosemary Sweet, Lecturer in Economic and Social History at the University of Leicester; Scott Mandelbrote, Fellow and Director of Studies at Peterhouse, Cambridge.

19 Apr 200142min

Black Holes

Black Holes

Melvyn Bragg and guests discuss Black Holes. They are the dead collapsed ghosts of massive stars and they have an irresistible pull: their dark swirling, whirling, ever-hungry mass has fascinated thinkers as diverse as Edgar Allen Poe, Stephen Hawking and countless science fiction writers. When their ominous existence was first predicted by the Reverend John Mitchell in a paper to the Royal Society in 1783, nobody really knew what to make of the idea - they couldn’t be seen by any telescope. Although they were suggested by the eighteenth century Marquis de Laplace and their existence was proved on paper by the equations of Einstein’s General Theory of Relativity, it was not until 1970 that Cygnus X 1, the first black hole, was put on the astral map. What causes Black Holes? Do they play a role in the formation of galaxies and what have we learnt of their nature since we have found out where they are?With the Astronomer Royal - 2001 Sir Martin Rees, Professor of Physics and Astronomy at Cambridge University; Jocelyn Bell Burnell, Professor of Physics at The Open University; Professor Martin Ward, director of the X-Ray Astronomy Group at the University of Leicester.

12 Apr 200128min

The Roman Empire's Collapse in the 5th century

The Roman Empire's Collapse in the 5th century

Melvyn Bragg and guests discuss the causes of the fall of the Roman Empire. Edward Gibbon wrote of its decline, "While that great body was invaded by open violence, or undermined by slow decay, a pure and humble religion gently insinuated itself into the minds of men, grew up in silence and obscurity, derived new vigour from opposition, and finally erected the triumphant banner of the cross on the ruins of the Capitol."But how far is the growth of Christianity implicated in the destruction of the great culture of Rome? How critical were the bawdy incursions of the Ostrogoths, the Visigoths and the Vandals to the fall of the Roman Empire? Should we even be talking in terms of blame and decline at all?St Augustine wrote about the fall of the Roman Empire in the fifth century AD, Edward Gibbon famously tackled it in the eighteenth and it is a question that preoccupies us today.With Charlotte Roueché, historian of late antiquity at Kings College London; David Womersley, Fellow and Tutor at Jesus College, Oxford and editor of Edward Gibbon’s The History of the Decline and Fall of the Roman Empire; Richard Alston, Lecturer in Classics at Royal Holloway, University of London.

5 Apr 200128min

The Philosophy of Love

The Philosophy of Love

Melvyn Bragg and guests discuss the philosophy of love. In Plato’s Symposium a character called Aristophanes tells a story about Love. He says that once, near the beginning of time, there were three types of human, one male, one female and one that was part man and part woman. Each human type had four hands and four feet and one head with two faces, and what they lacked in beauty they made up for in power and bravery - they even dared to attack the Gods. Zeus, as usual, lost his patience and resolved to split these creatures in half to diminish their strength and increase their numbers. His plan was that there would be more people to offer sacrifices but they’d be too weak to bother the Gods. However, with the split he inadvertently created us - lonely creatures forever searching for our other halves. Aristophanes explained to Socrates, “human nature was originally one and we were a whole, and the desire and pursuit of the whole is what we call love”. This is one version of love that still seems to have strange echoes in the culture of today, but how has the Western understanding of the Philosophy of Love developed since Plato? Has it always been about finding our ‘other half’? With Professor Roger Scruton, author of many books including Sexual Desire; Angie Hobbes, lecturer in philosophy at Warwick University; Thomas Docherty, Professor of English at the University of Kent.

29 Mars 200128min

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