Tequila with the bat man

Tequila with the bat man

Rodrigo Medellin loves bats. The Mexican conservationist has been obsessed with the often maligned creatures for over six decades. As a child, he kept blood in ice cube trays in his parents' freezer, to feed to his pet vampire bats. He went on to create Mexico City’s first ever bat festival, and to work with governments, universities, NGOs and researchers all over the world. To many, Rodrigo IS the "bat man."

Like many Mexicans, he is also fiercely proud of the country’s native spirits: tequila and mezcal. The agave spirits are hugely important for Mexico’s economy, especially in the states of Jalisco and Oaxaca. Exports of the drinks are worth billions. Tequila and mezcal have become increasingly popular in recent decades, with sales boosted by big budget celebrity-owned brands designed to appeal to the US consumer. From Kendall Jenner to George Clooney, US celebrities have been riding high on the mass market appeal of the liquor.

But the boom in these industries has had unintended consequences for Rodrigo's beloved bats. Often the agave the spirits are made from is harvested early, before the slow-growing plant can flower. This means bats cannot feed from the nectar, and critically, they can’t do their job as pollinators. This contributes to agave monocultures which are susceptible to disease and blight.

Rodrigo explains how he wanted to change the way the industry works, creating a “bat-friendly” certification for tequila and mezcal producers who leave 5% of the agave untouched, to bloom. But why have so few brands been certified, why is the programme controversial for some producers, and why are bats a tricky sell as far as conservation for many people and communities? Sarah Treanor spends time with Rodrigo in Mexico City and Oaxaca to find out.

A Bespoken Media production.

Image: Rodrigo Medellin holding a bat (Credit: Paul Webala)

Avsnitt(2000)

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Odesa, legendary Black Sea port city and vital geo-strategic nexus of global trade, is living through Russia's war against Ukraine. Always fiercely independent, both from Moscow and Kiev, its legendary past has given the city a reputation of possibility and promise.A quarter of a million people have left Odesa. Its beloved holiday beaches are closed and mined, yet life has gradually returned to its performance spaces: concerts, opera, spoken word. Recordings made since the first days of the war interweave with the fabulously rich cultural history of the city.Founded in 1794 by Catherine the Great as part of her expanding empire of Novo Rossiya, Odesa began as a dusty boom town of enormous opportunity and possibility that connected the chill of Imperial Russia to the warmth of the wider world. In some ways nothing has changed. A port city possessed of a unique argot - 'Odesski Iazyk' (a fusion of Yiddish and Russian); eternal optimism; a wicked sense of humour; more violinists than you can shake a bow at; poets and writers galore; and a gallery of rogues, real and imagined.Perhaps its most beloved literary son is Isaac Babel. Raised in the Moldovanka- still a place of liminal existence, his Odessa Tales of gangster anti-heroes like Benya Krik are forever interwoven with how Odesites and the wider world imagine the city - beautiful and bad! It is of course only partially true. Film-maker Sergei Eisenstein's Battle Ship Potemkin also put the city on the world map and the first film studios in Russia sprang up there. with its ready supply of sunlight. From foundational boom town days onwards its streets and people could make you rich, or ruin you. In the crumbling days of the Soviet empire it was a place to dream of escape to a world beyond.Babel and Eisenstein are just two among many who, since the 19th Century have helped created the myth of Old Odessa -poets and writers, musicians and comedians who flourished in what was a largely Jewish city until 1941 and the Nazi invasion of Russia. Legendary violinists ever since David Oistrakh are forged there at the Stolyarsky School, now closed due to war.Musician Alec Koypt, who grew up in the mean streets of Molodvanka, shipping proprietor Roman Morgenshtern, journalist Vlad Davidson, translator Boris Dralyuk, poets Boris and Lyudmila Kershonsky and others are our contemporary guides as the voices of the past bring forth their very Odesan genius.

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