Géricault and the Raft of the Medusa (Part 2)

Géricault and the Raft of the Medusa (Part 2)

In the aftermath of the shipwreck, France was scandalized by what had happened as the details emerged. And artist Théodore Géricault became obsessed with it.

Research:

  • Amigo, Ignacio. “How a biologist turned amateur sleuth to solve a century-old art riddle.” The Guardian. Oct. 23, 2023. https://www.theguardian.com/artanddesign/2023/oct/27/how-a-biologist-turned-amateur-sleuth-to-solve-a-century-old-art-riddle
  • Barran, Julian. “Théodore Géricault, Illustrations to Alexandre Corréard’s ‘Le Naufrage de La Méduse.’” The Burlington Magazine, vol. 119, no. 889, 1977, pp. 311–310. JSTOR, http://www.jstor.org/stable/878824
  • Baudelaire, Charles. “WHAT IS ROMANTICISM?” The Salon of 1848. https://writing.upenn.edu/library/Baudelaire-Salon-1848.pdf
  • Burgos, Javier S. “A new portrait by Géricault.” The Lancet Neurology, Volume 20, Issue 2, 90 – 91. https://www.thelancet.com/journals/laneur/article/PIIS1474-4422(20)30479-8/fulltext
  • Burgos, Javier. S. “In search of Théodore Géricault’s lost monomanias.” Metode. June 3, 2024. https://metode.org/issues/article-revistes/in-search-of-theodore-gericaults-lost-monomanias.html
  • Dard, Charlotte Adelaide Picard. “The sufferings of the Picard family after the shipwreck of the Medusa, in the year 1816.” Constable and Co. Edinburgh, Scotland. 1827. Accessed online: https://www.gutenberg.org/files/22792/22792-h/22792-h.htm
  • Dione, Babacar and Mark Banchereau. “France withdraws from Senegal, ending its permanent military presence in West Africa.” AP. July 17, 2025. https://apnews.com/article/senegal-france-military-withdrawal-57d150687e18cd20ac6a6d7194821208
  • The Editors of Encyclopaedia Britannica. "Treaties of Paris". Encyclopedia Britannica, 23 May. 2025, https://www.britannica.com/event/Treaties-of-Paris-1814-1815
  • “The Frigate Medusa … “ The Raleigh Minerva. Nov. 4, 1816. https://www.newspapers.com/image/58081420/?match=1&terms=medusa
  • “Gericault.” The Illustrated Magazine of Art, Vol. 2, No. 11 (1853), pp. 282-283 Stable URL: https://www.jstor.org/stable/20538136
  • Géricault, Théodore. “Cuirassier blessé, quittant le feu.” 1814. Louvre. https://collections.louvre.fr/ark:/53355/cl010059200
  • Géricault, Théodore. “Race of the Riderless Horses.” 1817. Getty Museum. https://www.getty.edu/art/collection/object/103RH8
  • Géricault, Théodore. “Race of the Riderless Horses at Rome, Study.” 1817. The Met. https://www.metmuseum.org/art/collection/search/665793
  • Huet, Marie-Hélène. “The Face of Disaster.” Yale French Studies, no. 111, 2007, pp. 7–31. JSTOR, http://www.jstor.org/stable/20479368
  • “Loss of the French Frigate Medusa.” Hartford Courant. Oct. 29, 1816. https://www.newspapers.com/image/1105494685/?match=1&terms=medusa
  • Miles, Jonathan. “The Wreck of the Medusa.” Atlantic Monthly Press. 2007.
  • Savigny, Jean Baptiste Henri, and Alexandre Correard. “Narrative of the Voyage to Senegal.” London : Printed for Henry Colburn. 1818. https://archive.org/details/narrativeofvoyag00savirich/page/xiv/mode/2up
  • Smith, Roberta. “Art Review: Oui, Art Tips From Perfidious Albion.” New York Times. Oct. 10, 2003. https://www.nytimes.com/2003/10/10/arts/art-review-oui-art-tips-from-perfidious-albion.html

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