The Waltz (Archive Episode)

Melvyn Bragg and guests discuss the widespread and chilling atrocities of the 20th century. Just over a hundred years ago, in the ‘Genealogy of Morals’, Nietzsche wrote “there can be no doubt that morality will gradually perish: this is the great spectacle in a hundred acts reserved for the next two centuries in Europe”. What if he is right? Certainly the twentieth century can claim the bitter palm of being the century with the biggest body count, the most advanced savagery, the finest of death delivery systems and, in that sense, the true Dark Ages of humankind. For inhumanity there has never been a century like it in the history of man: 58 million people died in the slaughter of two world wars. Stalinist Russia killed 20 million of its own people. The Nazis killed 6 million Jews. 2 million people were killed in Vietnam, 3 million in Korea, and in 1994 in Rwanda 1 million ordinary people were suddenly turned on and killed by their neighbours. And all the while in this bloody century the private and individual murder of one human by another has risen inexorably.What are the conditions that allow man to be inhuman to man on such a scale? And can a scientific study of the mind ever uncover the routes of inhumanity or evil?With Jonathan Glover, philosopher and Director of the Centre of Medical Law and Ethics, King’s College, London; Dr Gwen Adshead, consultant psychiatrist, Broadmoor Special Hospital.

23 Okt 199928min

Melvyn Bragg and guests discuss the history of the concept of the individual. The Renaissance gave birth to the concept of the individual. Shakespeare defined this individual in language which accepted the primacy of the male gender: “What a piece of work is a man! How noble in reason! How infinite in faculty! In form, in moving, how express and admirable! In action how like an angel! In apprehension how like a God!” According to Michel Foucault, French philosopher, polar opposite of Shakespeare and backed as he thought by Marx and Freud, our century killed the individual off. But has it? Was the individual born a mere six hundred years ago and has the century tolled its bell? And what is the individual?With Richard Wollheim, Professor of Philosophy, University of California in Berkeley; Jonathan Dollimore, Professor of English, York University.

21 Okt 199928min

Melvyn Bragg and guests discuss the Nation State. When we speak of our island story which island do we mean? When did England elide with Britain and why does it sit uneasily alongside the United Kingdom? At the end of the 20th century, the identity of one of the most forceful countries of the millennium is subject to scrutiny, doubt and criticism. What is England now? When did it act as England and not Britain, or the UK, or the British Isles? And how does its new role fit in with the idea of the Nation State which has dominated the internal and, more dramatically, the external behaviour of many powerful countries over the last few centuries? Yet despite its mighty past the Nation State itself can now seem powerless against the forces of globalisation. With Norman Davies, Emeritus Professor, London University and author of The Isles: A History; Andrew Marr, former editor of The Independent and author of Ruling Britannia: the Failure and Future of British Democracy.

14 Okt 199928min

Melvyn Bragg and guests discuss the concept of Utopia. Both the idea of, and the longing for a perfect society have been in our imagination for centuries, even millennia. Utopian dreams have driven fantasy, Fascism and fine feeling.Utopias, by definition, do not exist. The literal meaning of the Greek is “nowhere”. And yet, we are still enthralled by its allure. Why do some of us still believe in it - after the devastation wreaked this century by the utopian ideals that gave rise to Fascism and Communism? And what do utopias in fiction tell about the present - and even future?With Dr Anthony Grayling, human rights campaigner, lecturer in philosophy at Birkbeck College, London and Fellow of St Anne’s College, Oxford; John Carey, distinguished critic, journalist, broadcaster, Merton Professor of English, Oxford University and editor of, The Faber Book of Utopias.

7 Okt 199928min

Melvyn Bragg and guests discuss the relationship between maths and storytelling. Is there a hidden mathematical logic in stories? The American mathematician John Allen Paulos thinks so. It’s an intriguing thought. Patterns, measurement, the logic of jokes, numerology from Leviticus to Alice in Wonderland, but does it really go to the square root of fiction? According to anthropologists, both have similar origins - in our prehistoric ancestors’ need to measure and assess the world around them. Both mathematics and stories need a shape and structure to make any sense. But does it go further than that? Is it possible to apply mathematical logic to literature or to reduce a joke to an algebraic equation? Or are literary imagination and scientific substance irreconcilable?With John Allen Paulos, Presidential Scholar of Mathematics, Temple University, Philadelphia and author of Once Upon a Number - The hidden mathematical logic of stories; Marina Warner, novelist, historian, critic, former Reith Lecturer and Visiting Professor at Birkbeck College, London.

30 Sep 199928min

Melvyn Bragg and guests discuss the theory of Genetic Determinism. In the middle of the last century two men - Gregor Mendel, an Austrian monk, and Charles Darwin, an English naturalist, established the central theories of modern biology and changed the world forever. Darwin’s On the Origin of Species has been described as the book of the Millennium, “the only best-seller to change man’s conception of himself”. Through the rediscovery of Mendel’s work in the early decades of our century, evolutionary theory was transformed by the emergence of genetics as a science. Crick and Watson found DNA at Cambridge and announced that they had discovered the secret of life in a local pub, and the rest has been the most compulsive element in the intellectual history of the twentieth century. It seems as if almost every week we read about another gene which claims to determine our fate - whether it governs our intelligence, personality or sexual orientation. Many rail against what they see as “genetic determinism” - the idea that genes are the destiny we can do nothing about. Others willingly blame their anti-social behaviour on “criminal genes” - thus absolving themselves of any responsibility. Genetics may be all about inheritance but is inheritance all about the genes? With Steve Jones, Professor of Genetics, University College, London and author of Almost Like a Whale: The Origin of Species Updated; Matt Ridley, science journalist, chairman of the International Centre for Life and author of Genome: The autobiography of a species in 23 chapters.

23 Sep 199928min

Melvyn Bragg and guests discuss pain; something of which everyone has an individual experience. What causes it, how do we cope with it, what mechanisms are involved, what is the traditional view of pain and how is that being challenged today? Do we experience pain in the same way and how is emotional pain different from physical pain? What can our experience of pain tell us about ourselves and human consciousness? Is each individual human experience unique or are there experiences we can say apply across all of human consciousness? Is science a blunt instrument for examining subjective experience?With Patrick Wall, Professor of Physiology at St Thomas’ Hospital, London and author of Pain: The Science of Suffering; Semir Zeki, Professor of Neurobiology at University College, London.

22 Juli 199928min

Melvyn Bragg and guests discuss truth, lies and fiction. In 1995 a book appeared which brought its author great acclaim from serious critics, won prizes, stunned its readers and was thought to add significantly and profoundly to the literature of the Holocaust. The book was called Fragments, its author, Binjamin Wilkomirski. But recently the veracity of the account told in Fragments has been questioned by Elena Lappin, the author of an investigative essay published in the literary magazine Granta. When it was exposed as a fiction - or should it be called a lie? - it triggered many arguments, one of which is that of the value of authenticity and the supremacy of originality in the culture of the late twentieth century. Does it really matter if literature isn’t entirely truthful? And is the idea of authenticity in writing a recent invention?With Elena Lappin, novelist and author of an investigative essay published in Granta called ‘Truth and Lies’, where she questions the veracity of the account of the Holocaust in the book Fragments by Binjamin Wilkomirski; Dr Nick Groom, lecturer in English, University of Exeter.

15 Juli 199927min