Lesley Higgins and Marie-Christine Leps, "Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje" (Academic Studies Press, 2023)
After more than a century of genocides and in the midst of a global pandemic, Lesley Higgins and Marie-Christine Leps' book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2023) focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
6 Jan 202338min
White Balance: How Do Race and Class Intersect?
Understanding race in America requires understanding its relationship to class. Guests Joshua Bennett, writer and poet Julian Bourg, Professor of History at Boston College Nancy Isenberg, author of White Trash Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
6 Jan 202313min
(In)efficiency: Should Efficiency be a Moral Value?
Efficiency has moved from a technique for measuring machines to a widely held moral value. But at what cost? Guests Jennifer Alexander, Associate Professor at the University of Minnesota and author of The Mantra of Efficiency: From Waterwheel to Social Control Tom Hodgkinson, founder and editor of The Idler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
5 Jan 202316min
Vanessa A. Bee, "Home Bound: An Uprooted Daughter's Reflections on Belonging" (Astra, 2022)
Vanessa A. Bee is a consumer protection lawyer with a freelancing habit. Primarily interested in inequality, corporate power, the American Left, and Washington D.C. She also loves a good meandering essay. Book Recommendations: Joshua Cohen, The Netanyahus Hernan Diaz, Trust Jonathan Escoffery, If I Survive You Knut Hamsun, Growth of the Soil Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
4 Jan 202338min
Gareth Dale, et al., "Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born?" (Haymarket Books, 2021)
The last several decades have seen a mass consolidation of wealth among a few, the rest of the world left to various degrees of dispossession. On top of this, the revolutionary movements that characterized much of the 19th and 20th centuries have generally disappeared or retreated, reform being the name of the game for most progressives. In spite of this, revolutionary movements and events have actually increased in the last few decades. This seeming contradiction is one of the animating ideas of the new essay anthology Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born? (Haymarket Books, 2021). A sort of spiritual sequel to the 1987 collection Revolutionary Rehearsals, this book contains several essays on revolutionary movements of the neoliberal era, bookended by more theoretical chapters on the nature of social and political movements. International in scope, the essays start with struggles in Eastern Europe at the end of the Cold War and end with the Arab uprisings in Egypt. In between are essays on South and Sub-Saharan Africa, Indonesia, Bolivia, Argentina and Latin American Pink Tide movements. The bookending essays deal with theoretical questions; the nature of political movements, contexts in which those movements arise and how change can actually be brought about. Grounded in the reality of our dire political situation but animated by the hope that change is always nevertheless a real possibility, the essays here will provide excellent starting points for activists to think critically about their own situations and how they might rise to meet them. Gareth Dale is Associate Head of the Department of Social and Political Sciences at Brunel University in London. His recent books include Karl Polanyi: A Life on the Left and Reconstructing Karl Polanyi: Excavation and Critique. Colin Barker was a lifelong activist and author. His many publications included Revolutionary Rehearsals (1987) and Marxism and Social Movements. Neil Davidson was a lecturer in sociology and political science. His many publications included How Revolutionary Were the Bourgeois Revolutions? and Discovering the Scottish Revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
2 Jan 20231h 6min
Mairead Sullivan, "Lesbian Death: Desire and Danger Between Feminist and Queer" (U Minnesota Press, 2022)
The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women’s and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
1 Jan 202356min
Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)
In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d’Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
31 Dec 20221h 21min
Tommie Shelby, "The Idea of Prison Abolition" (Princeton UP, 2022)
By any reasonable metric, prisons as they exist in the United States and in many other countries are normatively unacceptable. What is the proper moral response to this? Can prisons and the practices surrounding incarceration feasibly be reformed, or should the entire enterprise be abolished? If the latter, then what? If the former, what are the necessary reforms? In The Idea of Prison Abolition (Princeton UP, 2022), Tommie Shelby undertakes a systematic and critical examination of the arguments in favor of prison abolition. Although he ultimately rejects abolitionism as a philosophical position, he builds from the abolitionist program’s crucial insights a positive view of what it would take to create a prison and incarceration system that is consistent with justice. Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
30 Dec 20221h 11min
