brian bean, "Their End Is Our Beginning: Cops, Capitalism, and Abolition" (Haymarket, 2025)

Kim talks with Gina about Jacques Rancière’s concept of dissensus. Gina refers to several major works of philosophy including: Jacques Rancière’s Dissensus Immanuel Kant’s Critique of Judgement Jacques Derrida’s The Truth In Painting Plato’s Republic She also takes a small dig at Althusser, in the spirit of Rancière Gina is a PhD candidate at NYU and an amazing teacher. She studies medieval literature and critical theory. She loves Theodor Adorno and really really hates the dialectic. This week’s image is an illuminated miniature from a 15th C manuscript held by the British Museum, depicting the “Debate for the Soul.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

11 Maj 202213min

In the past few years, museums of contemporary art have come under a fair deal of scrutiny. Pressures from groups such as Decoloinise This Space or the oxycontin scandal have forced changes to the governance of some of the world’s best-known institutions. At the same time, the work of journalists and museum scholars has revealed that the relationships between trustees, curators, collections, and the public are often far more complex than the narratives of public benefit and private value would have us believe. Nizan Shaked’s Museums and Wealth: The Politics of Contemporary Art Collections (Bloomsbury, 2022) is a critical analysis of contemporary art collections and the value form. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in ‘public trust’ on behalf of the nation. Shaked argues that the public serves as an alibi for establishing the symbolic value of art, which sustains its monetary value and its markets. In The Rise and Rise of the Private Art Museum (Lund Humphries, 2022), Adam tracks the phenomenon of the collector’s museum in the 21st century. There are some 400 private art museums around the world, and an astonishing 70% of those devoted to contemporary art were founded in the past 20 years. Although private museums have been accused of being tax-evading vanity projects or ‘tombs for trophies’, the picture is complex and nuanced. Private museums can add greatly to the cultural life of a community, giving a platform to emerging artists, supplying educational programmes and revitalising declining or neglected regions. But their relationship with public institutions can also be problematic. Are museums purely public affairs? How do private collections serve the greater good? What happens when these missions become confused? Georgina Adam and Nizan Shaked speak to Pierre d’Alancaisez about the 500-year history and the recent rise of the private art museum and consider if even public museums are, in the end, private. Georgina Adam is a journalist specialising in the art market. She writes for the Financial Times and The Art Newspaper. She is the author of Big Bucks and The Dark Side of the Boom. Nizan Shaked is a professor of Contemporary Art History, Museum and Curatorial Studies at California State University Long Beach. She is the author of The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art. Museum Susch The Fisher collection at SF MoMA Warren Kanders leaves the board of the Whitney Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Maj 20221h 12min

Saronik talks to Shweta Krishnan, doctoral candidate in Anthropology at George Washington University. She speaks about how she uses Giles Deleuze and Félix Guattari’s concept of deterritorialization in her work on the emergent religious discourse of Donyipolo in the Indian states of Arunachal Pradesh and Assam. Shweta thinks with the geological metaphors and mythological stories of the Mising and Adi tribes, and brings them into conversation with Deleuze and others. Donyipolo (sometimes referred to as Donyipoloism) is an emergent discursive formation shaped by the efforts of the Adi, the Mising and other Tani tribes to revive, reform and improvise their ancestral ethical practices since the 1980s. Donyipolo is the name given to an omniscient and omnipotent force that catalyzes the formation of the material world in Tani cosmologies. Shweta examines how the revivalists reimagine religiosity in and through their efforts to rebuild their relationship with Donyipolo. Image: photo taken by Shweta on the way to Majuli from Jorhat by boat. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Maj 202219min

In The Digital Frontier: Infrastructures of Control on the Global Web (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states. In analysing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network. Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Maj 202245min

In today's NBN Environmental Studies interview, dancer, performer, and literary scholar Dr. Taylor Eggan joins us to speak about his new book Unsettling Nature: Ecology, Phenomenology, and Settler Colonial Imagination (University of Virginia Press, 2022). A text best described as an intellectual bestiary using environmental philosophy, literary theory, settler colonial studies, decolonial theory, and speculative realism, Unsettling Nature addresses logics embedded with ecological homecoming narratives rooted in idealistic notions of getting back to nature. By applying the impressive catalog of critical theory combined with an array of unique literary artifacts, Eggan transports the reader from the American West to Southern Africa, exploring the complex dynamics of colonial homemaking throughout the nineteenth and twentieth centuries. Structured around six chapters and two excursus, Unsettling Nature identifies the root of logics of elimination and erasure within the coloniality of nature, informing contemporary ecological homecoming narratives. Concluding the text by evoking exo-phenomenology, Eggan illustrates how unsettling settler legacies can be performed through "sustained practices of reciprocity and acts of solidarity" to recognize and resolve the uncanny anxieties of alienation and belonging embedded in Western approaches to homemaking and being. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

9 Maj 20221h 34min

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies’ produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant’ cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music’ has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

6 Maj 20221h 7min

The return to religion has arguably become the dominant theme of contemporary culture. Somehow, the secular age seems to have been replaced by a new era where political action flows directly from theological, indeed cosmic, conflict. The Faith of the Faithless: Experiments in Political Theology (Verso, 2014) lays out the philosophical and political framework of this idea and seeks to find a way beyond it. Should we defend a version of secularism or quietly accept the slide into theism? Or is there another way? Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz. Find me here: @mehdisanglaji on Musk’s new website grab, formerly known as Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

5 Maj 20221h

“Identity politics” is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests. But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture—deployed by political, social, and economic elites in the service of their own interests. Táíwò’s book Elite Capture: How the Powerful Took Over Identity Politics (and Everything Else) (Haymarket, 2022) both elucidates this complex process and helps us move beyond a binary of “class” vs. “race.” By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

5 Maj 20221h 8min