Isar P. Godreau, "Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico" (U Illinois Press, 2015)
This is part of our Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean. Today my guest is Isar Godreau, author of Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico (University of Illinois Press, 2015). The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism. Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black. Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
23 Dec 20201h 14min
L. Layton and M. Leavy-Sperounis, "Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes" (Routledge, 2020)
In this episode, J.J. Mull interviews Lynne Layton and Marianna Leavy-Sperounis, author and editor respectively of Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes, published in 2020 by Routledge as a part of their Relational Perspectives Book Series. This text takes part in an intellectual and political lineage that has called for a more radical understanding of psychoanalysis, encompassing a diverse range of thinkers from Frantz Fanon and Pierre Bourdieau to Eric Fromm and Marie Langer. In this compilation of Layton’s work, we’re given a framework for understanding the intersection between structural forces (gender oppression, racial capitalism, white supremacy, etc.) and the clinical encounter. Over the course of this conversation, Layton and Leavy-Sperounis give an account of the ways in which neoliberalism, capitalism, and other systems of domination give rise to particular kinds of subjective possibilities and gesture towards what psychoanalysis as a field might have to learn from contemporary struggles and insurrections. J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
18 Dec 20201h 15min
Stuart Elden, "Shakespearean Territories" (U Chicago Press, 2018)
What can Shakespeare tell us about territory, and what can territory tell us about Shakespeare? In Shakespearean Territories (University of Chicago Press, 2018), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick and author of the Progressive Geographies blog, explores both of these questions, drawing on his earlier work theorising territory, as well as an extensive discussion of numerous works of Shakespeare. The book considers a range of subjects associated with the concept of territory, from the geo-politics of King Lear, the idea of sovereignty in King John, and power in Richard II, to questions of the body in Coriolanus, and ideas of calculation and measurement in The Merchant of Venice. Alongside Shakespeare’s relevance for understanding territory, territory offers a framework for alternative readings of Macbeth and Hamlet, and draws attention to often neglected or even completely ignored parts of Henry V. Fascinating and wide ranging, at the intersection of geography and English literature, the book is essential reading across the humanities and social sciences. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
18 Dec 202043min
Ashley E. Lucas, "Prison Theatre and the Global Crisis of Incarceration" (Bloomsbury, 2020)
The world of theater performances is often thought of as being composed of wealthy persons who received elite educations at art institutions all so they could be observed by a small, wealthy elite at exclusive and expensive gatherings. Theater is seen as an insular, elitist practice, for and by a select few. However, this image of theater is deeply misleading, especially as more performances are available for download, and many smaller more open institutions invest more in theater productions. One place that might surprise a lot of people is the popularity of performances staged by incarcerated persons, and presented in behind the walls of prisons. Theater is a social, communal practice, so making it happen within an institution that is not only isolated from the outside world, but is designed to isolate those within, will naturally come with various challenges, and also raises various questions on the nature of both theater and the carceral system. These are the questions Ashley Lucas addresses in her recent book Prison Theatre and the Global Crisis of Incarceration (Bloomsbury, 2020). Featuring a combination of her own firsthand experience as a director of prison theater, interviews with those involved in the world prison theater and scholarly research, the book is a unique combination of genres that occupies some very interesting intersections, and is able to explore some very difficult topics, from questions of artistic expression, the nature of community and what hope in a hopeless situation looks like. Ashley Lucas is an associate professor of Theatre and Drama and the Residential College at the University of Michigan, and is also the former director of the Prison Creative Arts Project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
8 Dec 20201h 3min
Richard Seymour, "The Twittering Machine" (Verso, 2020)
Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience. The Twittering Machine (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think. Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could make our own history–to what extent did we choose the nightmare that it has become? Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
3 Dec 20201h 1min
Rebecca Harrison, "The Empire Strikes Back" (Bloomsbury, 2020)
Why does The Empire Strikes Back matter? In BFI Classics Series's The Empire Strikes Back (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with The Empire Strikes Back discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the Star Wars franchise more generally, for example centring the role of women in the history of Empire’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and Star Wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
30 Nov 202045min
Rosemary-Claire Collard, "Animal Traffic: Lively Capital in the Global Exotic Pet Trade" (Duke UP, 2020)
Parrots and snakes, wild cats and monkeys---exotic pets can now be found everywhere from skyscraper apartments and fenced suburban backyards to roadside petting zoos. In Animal Traffic: Lively Capital in the Global Exotic Pet Trade (Duke UP, 2020) Rosemary-Claire Collard investigates the multibillion-dollar global exotic pet trade and the largely hidden processes through which exotic pets are produced and traded as lively capital. Tracking the capture of animals in biosphere reserves in Mexico, Guatemala, and Belize; their exchange at exotic animal auctions in the United States; and the attempted rehabilitation of former exotic pets at a wildlife center in Guatemala, Collard shows how exotic pets are fetishized both as commodities and as objects. Their capture and sale sever their ties to complex socio-ecological networks in ways that make them appear as if they do not have lives of their own. Collard demonstrates that the enclosure of animals in the exotic pet trade is part of a bioeconomic trend in which life is increasingly commodified and objectified under capitalism. Ultimately, she calls for a “wild life” politics in which animals are no longer enclosed, retain their autonomy, and can live for the sake of themselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
27 Nov 20201h 25min
Adam Kotsko, "Neoliberalism's Demons: On the Political Theology of Late Capital" (Stanford UP, 2018)
It’s hard to avoid conversations about ‘neoliberalism’ these days. The meaning of the term—indeed its very existence—is hotly contested. Adam Kotsko argues in Neoliberalism’s Demons: On the Political Theology of Late Capital (Stanford University Press, 2018) that self-denial is part of the mystifying agenda of neoliberalism itself. Not only is neoliberalism real, it’s the defining ethos of modernity. Neoliberalism’s Demons posits we can best understand neoliberalism through the lens of political theology. Kotsko challenges the dichotomy of economics and politics, suggesting that neoliberalism permeates and unites these two. It does so by importing the moral schema of Christianity which creates the conditions for failure for the express purpose of assigning blame to those who fail. Neoliberalism’s Demons is a concise and persuasive account of the political, economic, and moral universe we inhabit, and is therefore essential reading for anyone who seeks to understand their own condition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
25 Nov 20201h 18min
