Thomas Hardy's Poetry (Archive Episode)

Melvyn Bragg and guests discuss the concept of duty. George Bernard Shaw wrote in his play Caesar and Cleopatra, “When a stupid man is doing something he is ashamed of, he always declares that it is his duty”. But for Horatio Nelson and so many others, duty has provided a purpose for life, and a reason to die – “Thank God I have done my duty” were his final words.The idea that others have a claim over our actions has been at the heart of the history of civilised society, but duty is an unfashionable or difficult notion now - perhaps because it seems to impose an outside authority over self interest. The idea of duty has duped people into doing terrible things and inspired them to wonderful achievements, and it is an idea that has excited philosophers from the time people first came together to live in large groups. But has duty always meant doing what’s best for others rather than oneself? And how did it become such a powerful idea that people readily gave their lives for it? With Angie Hobbs, Lecturer in Philosophy at the University of Warwick; Annabel Brett, Fellow of Gonville and Caius and Lecturer in History at the University of Cambridge; Anthony Grayling, Reader in Philosophy at Birkbeck, University of London.

13 Nov 200328min

Melvyn Bragg and guests discuss sensation, a Victorian literary phenomenon. The Archbishop of York fulminated against them in his sermons, they spread panic through the pages of The Times and in a famous review the Oxford Professor of Philosophy, Henry Mansel, called them “unspeakably disgusting” with a “ravenous appetite for carrion”: in the 1860s the novels of Sensation took the Victorian world by storm.Bigamy. Secrecy. Murder and Madness. Detectives and surprise plot twists - all in a genteel domestic setting. It was a compelling concoction that propelled sales of the genre into millions, and for the first time ever got those above stairs reading the same stories as their servants.How did Sensation achieve such an incredible popularity so fast? What did the ensuing moral panic reveal about the society in which the novels were set? And in terms of its literary reputation, does this racy genre deserve to languish so far behind Victorian Realism, its rather steadier cousin?With John Mullan, Senior Lecturer in English at University College London; Lyn Pykett, Professor of English and Pro-Vice Chancellor at the University of Wales, Aberystwyth; Dinah Birch, Professor of English at the University of Liverpool.

6 Nov 200328min

Melvyn Bragg and guests discuss the centuries old myth of the most romantic noble outlaw. The first printed version of the Robin Hood story begins like this:“Lithe and Lysten, gentylmen/That be of frebore blodeI shall tell of a good yeman/His name was Robyn Hode/Robyn was a proude outlawe/Whyles he walked on groundeSo curteyse an outlawe as he was one/Was never none yfound”.Robin Hood is described as a ‘yeoman’ – a freeman, and though he is courteous there is not even a hint of the aristocrat he later became. In fact, in the early ballads there is no Maid Marian, no Friar Tuck, Robin does not live in the time of bad Prince John, or the crusades, does not lead a large and merry gang, and certainly never robs the rich to give to the poor. Though he always remains a trickster, and a man with a bow in a wood.Why does this most malleable of myths go through so many changes and so many centuries? And was there ever a real outlaw Robin Hood on whom the ballads, plays, novels and movies are based?With Stephen Knight, Professor of English Literature at Cardiff University and author of Robin Hood: A Mythic Biography; Thomas Hahn, Professor of English Literature at the University of Rochester, New York; Dr Juliette Wood, Secretary of the Folklore Society.

30 Okt 200328min

Melvyn Bragg and guests discuss the nature and existence of mathematical infinity. Jonathan Swift encapsulated the counter-intuitive character of infinity with insouciant style:“So, naturalists observe, a fleaHath smaller fleas on him that preyAnd these hath smaller fleas to bite ‘emAnd so proceed ad infinitum.”Alas, the developing utility mathematicians put to the idea of infinity did not find the English philosopher Thomas Hobbes quite so relaxed. When confronted with a diagram depicting an infinite solid whose volume was finite, he wrote, “To understand this for sense, it is not required that a man should be a geometrician or logician, but that he should be mad”. Yet philosophers and mathematicians have continued to grapple with the unending, and it is a core concept in modern maths.So, what is mathematical infinity? Are some infinities bigger than others? And does infinity exist in nature?With Ian Stewart, Professor of Mathematics at the University of Warwick; Robert Kaplan, co-founder of The Math Circle at Harvard University and author of The Art of the Infinite: Our Lost Language of Numbers; Sarah Rees, Reader in Pure Mathematics at the University of Newcastle.

23 Okt 200342min

Melvyn Bragg and guests discuss events surrounding the medieval division of the Christian Church. In 1054, Cardinal Humbert stormed into the Cathedral of Constantinople and charged down the aisle. In his hand was a Papal Bull – a deed of excommunication - and he slammed it down onto the altar. As he swept out of the startled church, the Papal Legate and his entourage stopped at the door and symbolically shook the sullied dust of Eastern Christianity from their Catholic boots. The Pope of Rome had decreed that the Patriarch of Constantinople was denied his place in heaven, and soon afterwards the Patriarch excommunicated the Pope in return.It was the culmination of an argument over a single word in the Nicene Creed - but after a thousand years of being one Church, so began a permanent rift.But what were the real underlying reasons behind the split, what were its effects and why did it take until December 1965 for the excommunications to be finally revoked?With Henrietta Leyser, medieval historian and Fellow of St Peter’s College, Oxford; Norman Housley, Professor of Medieval History at the University of Leicester; Jonathan Shepard, editor of the Cambridge History of the Byzantine Empire.

16 Okt 200328min

Melvyn Bragg and guests discuss the 19th century Parisian philosophy of life lived for art. In 1848 the young Parisian Henri Murger wrote of his bohemian friends: Their daily existence is a work of genius…they know how to practise abstinence with all the virtue of an anchorite, but if a slice of fortune falls into their hands you will see them at once mounted on the most ruinous fancies, loving the youngest and prettiest, drinking the oldest and best, and never finding sufficient windows to throw their money out of. Then, when their last crown is dead and buried...they go poaching on all the callings that have any connection with art, hunting from morn till night that wild beast called a five franc piece. Bohemianism meant a life lived for art, it meant sexual liberation and freedom from social constraint, but it also meant dodging the landlord and burning your poems to stay warm. How did the garret-philosophy of the Parisian Latin Quarter take over the drawing rooms of Bloomsbury and Chelsea, and why did a French war with necessity emerge as a British life-style as art? With Hermione Lee, Goldsmiths' Professor of English Literature at the University of Oxford and biographer of Virginia Woolf; Virginia Nicholson, author of Among the Bohemians: Experiments in Living 1900-1939; Graham Robb, writer and biographer of Balzac, Victor Hugo and Rimbaud.

9 Okt 200342min

Melvyn Bragg and guests discusses the life and ideas of James Clerk Maxwell whose work is not widely known, but whose genius and contribution to the age in which we live is enormous.He took the first colour photograph, defined the nature of gases and with a few mathematical equations expressed all the fundamental laws of light, electricity and magnetism - and in doing so he provided the tools to create the technological age, from radar to radio and televisions to mobile phones. He is credited with fundamentally changing our view of reality, so much so that Albert Einstein said, “One scientific epoch ended and another began with James Clerk Maxwell”. But who was James Clerk Maxwell? What were his ideas, and does this nineteenth century ‘natural philosopher’ deserve a place alongside Newton and Einstein in the pantheon of science? With Simon Schaffer, Reader in History and Philosophy of Science at the University of Cambridge; Peter Harman, Professor of the History of Science at Lancaster University and editor of The Scientific Letters and Papers of James Clerk Maxwell; Joanna Haigh, Professor of Atmospheric Physics at Imperial College London.

2 Okt 200342min

Melvyn Bragg and guests discuss the Apocalypse. George Bernard Shaw dismissed it as “the curious record of the visions of a drug addict” and if the Orthodox Christian Church had had its way, it would never have made it into the New Testament. But the Book of Revelation was included and its images of apocalypse, from the Four Horsemen to the Whore of Babylon, were fixed into the Christian imagination and its theology. As well as providing abundant imagery for artists from Durer to Blake, ideas of the end of the world have influenced the response to political, social and natural upheavals throughout history. Our understanding of history itself owes much to the apocalyptic way of thinking. But how did this powerful narrative of judgement and retribution evolve, and how does it still shape our thinking on the deepest questions of morality and history? With Martin Palmer, theologian and Director of the International Consultancy on Religion, Education and Culture; Marina Benjamin, journalist and author of Living at the End of the World; Justin Champion, Reader in the History of Early Modern Ideas at Royal Holloway College, University of London.

17 Juli 200342min