Ashon T. Crawley, “Blackpentecostal Breath: The Aesthetics of Possibility” (Fordham UP, 2016)
Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press, 2016) is innovative and lyrical, challenging and beautiful. Ashon Crawley brings together black studies, queer theory, theology, and continental philosophy to theorize the ways in which what he calls “otherwise worlds of possibility” can serve as disruptions against marginalization and violence and also produce possibilities for flourishing. Examining the whooping, shouting, noise-making, and tongue speaking of Black Pentecostalism, Crawley reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. In the process, he does much more: suggesting a hermeneutics, a methodology for reading culture when people are under siege. Ashon Crawley is Assistant Professor of Religious Studies and African American Studies at the University of Virginia. Hillary Kaell is associate professor of Religion at Concordia University in Montreal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
19 Maj 20171h 1min
Ralph Young, “Dissent: The History of an American Idea” (NYU Press, 2015)
Ralph Young is a professor of history at Temple University. His book Dissent: The History of an American Idea (New York University Press, 2015) provides a fast-paced four hundred years people’s history of dissenters in America and the role they played from early New England settlements to Occupy Wall Street and the Tea Party. From Shay’s rebellion in the late eighteenth century to contemporary gay rights and anti-globalist movements, dissenters built their politic on the nations founding as a project of dissent. As a group, they were committed to actualizing the lofty ideals embedded in the founding documents by extending equality and freedom to women, slaves, Indians, workers and other excluded groups. In times of crisis, dissenters called the nation back to its promise even as conservative forces resisted change. Some dissenters, celebrated as heroes, called the nation to its highest ideals; others remain lost to history or vilified. American history seen from the vantage point of those who stood against the status quo illuminates the important role dissent has played in the nation’s political and social development. Young offers an abundance of examples of how political, religious, economic and social protest shape the nation and possibilities of further change. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
19 Maj 201757min
Sharrona Pearl, “Face/On: Face Transplants and the Ethics of the Other” (U. Chicago Press, 2017)
Sharrona Pearl‘s new book is an absolute pleasure to read. Face/On: Face Transplants and the Ethics of the Other (The University of Chicago Press, 2017) looks closely at facial allotransplantations (FAT), commonly known as face transplants, in order to offer a careful and fascinating study of the stakes for changing the face, and the changing stakes for the face. Troubling the indexical relationship between the face and character and reminding us that “[t]he self has always been a set of choices,” Pearl explores face transplantation as it relates to cosmetic surgery and whole-organ transplants, the cinema of the 1960s, television shows, and more. She carefully and sensitively takes us into the debates among surgeons, bioethicists, and journalists that circled the first partial face transplant of Isabelle Dinoire in 2005, and offers a way toward a philosophical approach that brings together Levinas with the kind of (Deleuzian) subjectivity that allows for individuality through constant change and understands the self to be constantly in a process of becoming. The final chapter of the book also situates the analysis within larger contexts of online subjectivities and work with facial and bodily manipulation by artists and performers. It’s sparklingly written and well worth a read! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
18 Maj 20171h 8min
Stanley Corkin, “Connecting the Wire: Race, Space, and Postindustrial Baltimore” (U. Texas Press, 2017)
Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality. In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture. Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
16 Maj 201754min
Clea Bourne, “Trust, Power and Public Relations in Financial Markets” (Routledge, 2017)
Almost 10 years after the great financial crisis, how has the finance industry regained its preeminent social position? In Trust, Power and Public Relations in Financial Markets (Routledge, 2017) Clea Bourne, a Lecturer in PR, Advertising and Marketing at Goldsmiths, University of London, explores the relationship between PR and different types of trust in finance. The book offers a nuanced understanding of trust, looking at both transparency and obfuscation for states, banks, stock markets and individuals. Alongside a critical theory of the function of PR, there are numerous detailed case studies, across every aspect of modern financial markets, making the book both an in depth assessment as well as a useful introduction to trust, PR and finance. The book is clearly written and accessible, making it essential reading for anyone interested in this most important part of economy and society Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
2 Maj 201749min
Lizabeth Cohen, “Making A New Deal: Industrial Workers in Chicago, 1919-1939” (Cambridge UP, 2014)
Lizabeth Cohen‘s Making A New Deal: Industrial Workers in Chicago, 1919-1939 was originally published in 1990, and recently re-published in 2014. In this book, Cohen explores how it was that Chicago workers, who could not overcome ethnic and racial divisions during a wave of failed strikes in 1919, came together in the mid to late-1930s across ethnic and racial lines “to make a New Deal” for themselves and their fellow laborers. They made that “New Deal” as members of national labor unions and a national Democratic Party. These successes were possible because of community and cultural changes that took place in the 1920s, Cohen argues. During that decade, ethnic and race-based community organizations, new institutions of mass culture like chain stores and movie theaters, and employers’ “welfare capitalist” programs all vied for workers attention and loyalty. Paradoxically, the very programs employers hoped would prevent the growth of unions actually helped break down ethnic and racial barriers, building upon new experiences of shared consumerism. As the Great Depression unfolded, workers managed to form the cross-race and cross-ethnic alliances that had alluded them in 1919 and the early 1920s. Union organizers succeeded in building a new culture of unity and achieving new levels of organization and worker power. Industrial laborers and their unions challenged their employers to live up to the “welfare capitalism” they had promised in the years before the financial crisis. As their level of organization grew, Chicago workers also became New Deal Democrats invested in national politics. The new edition includes an updated preface by the author. Lizabeth Cohen serves as the Howard Mumford Jones Professor of American Studies at Harvard University, as well as the Dean of Harvard’s Radcliffe Institute for Advanced Study. Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
12 Apr 20171h 10min
Benjamin Fondane, “Existential Monday” (NYRB Classics, 2016)
Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible. Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled Existential Monday: Philosophical Essays edited and translated by Bruce Baugh and published by the New York Review of Books in 2016, aims to rectify this. Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existential thought and continental philosophy, and is the author of French Hegel: From Surrealism to Postmodernism (Routledge, 2003). Professor Baugh’s work on Fondane will be of interest to a wide variety of readers seeking a better understanding of a thinker whose work invites consideration alongside his better known contemporaries Walter Benjamin and the early Levinas, among others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
7 Apr 20171h 11min
Marie Hicks, “Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing” (MIT Press, 2017)
How did gender relations change in the computing industry? And how did the UK go from leading the world to having an all but extinct computer industry by the 1970s? In Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing (MIT Press, 2017). Marie Hicks, an Assistant Professor of History at the Illinois Institute of Technology, offers a detailed and comprehensive overview of this radical social change. Based on rich and detailed archival and interview sources, packed with illustrations and individual narratives of the 1940s to the 1970s, the book demonstrates how the rigid class and gender hierarchies of British society were recreated and reproduced in attempts to modernise the state through technology. As the book’s conclusion notes, “all history of computing is gendered history,” meaning the book is essential reading for anyone interested in how we have the computing and technology industries we have today. The first chapter of the book can be read here, and you can learn more about the book and Dr. Hick’s work on her twitter and on the book’s twitter feed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
28 Mars 201730min
