047 – Jim Reilley: Producer, The Influence of Ringo on Modern Drumming, Getting the Right Drum Sounds in the Studio
Working Drummer20 Jan 2016

047 – Jim Reilley: Producer, The Influence of Ringo on Modern Drumming, Getting the Right Drum Sounds in the Studio

Jim Reilley is a songwriter and producer in Nashville. Jim was also the co-founder of the late-lamented folk-rock “gangstas”, The New Dylans. Along with songwriting partner Reese Campbell, The New Dylans toured the country for 9 years sharing stages with The Band, Townes Van Zandt, Shawn Colvin, The Fleshtones, Superdrag, Syd Straw, The Silos, Steve Forbert along with old pals 10,000 Maniacs. Reilley broke up The New Dylans and moved to Nashville in 1998, signing deal as a staff songwriter with Curb Publishing. In his 8 years at Curb, over 45 of Reilley’s songs were recorded by artists including Vince Gill, Hal Ketchum, Jack Ingram, Tim O’Brien, Sam Bush, Claudia Church, Joy Lynn White, Ronna Reeves, Cowboy Crush, Lisa Brokop, Ryan Tyler, Mustang Sally, Lauren Lucas, Susan Haynes, Amy Chappell and many others. In 2003, Reilley released his first solo album “The Return of Buddy Cruel” on Silent Planet Records. Reilley recorded a second solo album (“Thank God I’m A Contrary Boy”) in 2004 with Grammy-winner Robert Reynolds (The Mavericks) co-producing and featuring a band consisting of Ken Coomer (Wilco/ Uncle Tupelo), Tom Petersson (Cheap Trick), Jen Gunderman (Jayhawks), Audley Freed (The Black Crowes), Al Perkins (Gram Parsons/Manassas), Paul Deakin (The Mavericks) and David Mead. In October 2012, Reilley signed a songwriting deal with Nashville based Rare Spark Media Group. In April 2015, The New Dylans released “Meta”, their first new album in 18 years. The Tennessean, has documented the entire process of writing and recording of “Meta”. In this podcast Jim talks about: Producing Producers and musicians working together to make the recording session happen Using musical references to give direction Ringo creating a musical landscape for pop music Less recognized session drummers from the 50’s – 70’s Audio examples of Keith Moon and Ringo Starr with the drums isolated Getting the right drum sounds for recording Click here for pictures This interview was recorded January 3rd, 2016

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512 - Chris Brush: Recording, Drumming, Mixing, Producing, Leaning into Your Passion, Accepting the Role of Entreprenuer

512 - Chris Brush: Recording, Drumming, Mixing, Producing, Leaning into Your Passion, Accepting the Role of Entreprenuer

Originally from Garland Texas, Chris Brush moved to Nashville in the fall of 1999 after college to play drums professionally. Over time, session opportunities ignited a passion in Chris as he began to work toward getting off the road full time, and move into the studio scene. Along the way Chris discovered that engineering, mixing, and music production were as exciting to him as drumming. He put the effort into learning about the world of acoustics, microphones, pre-amps, compressors, equalizers, DAWs, mixing, engineering, etc. He began mixing his own projects that turned into mixing and recording other artists — all the while playing drums live, in his home studio, and at studios around Nashville. In 2014 Chris and a partner, opened PlethoraTone studios. After eight years at PlethoraTone, Chris moved into a studio he designed and built. On any given day, Chris is either out and about Nashville playing on sessions or working out of his own place recording, producing, or mixing. In this episode, Chris talks about: Drumming, Mixing and Producing and how these skills feed each other Accepting the role of entrepreneur Building the ultimate home studio How to communicate with an artist effectively Providing flexible pricing options when tracking remotely Discovering what it is you’re passionate about Socials: https://www.patreon.com/c/workingdrummer https://www.instagram.com/workingdrummerpodcast/ https://www.workingdrummer.net

3 Apr 1h 45min

511 - Jamey Haddad: Playing with Paul Simon, Playing What You Know vs. What You Feel,  Bringing Cultural Authenticity to Pop Music

511 - Jamey Haddad: Playing with Paul Simon, Playing What You Know vs. What You Feel, Bringing Cultural Authenticity to Pop Music

Jamey Haddad's career as a drummer and percussionist has spanned five decades, countless genres, and multiple continents. For over 25 years, he’s had a close relationship with Paul Simon, playing alongside Steve Gadd on multiple records and live projects. He has appeared on over 170 recordings and has played with a wide range of artists from Joe Lovano to Yo Yo Ma, and his career as an educator has found him at Berklee, New England Conservatory, Oberlin Conservatory, and the Cleveland Institute of Music. In this episode, Jamey talks about: Playing with Paul Simon, and Paul’s constant desire to rehearse and adjust how his music is presented Recording the album You’re The One and collaborating with Steve Gadd to create the rhythmic and textural foundations for those songs Committing to representing the traditions he studied in the pop world  How a given style can be treated as both an academic subject or a folkloric tradition “Every generation needs its music.” How to make people you’re playing with know you’re listening to them Socials: https://www.patreon.com/c/workingdrummer https://www.instagram.com/workingdrummerpodcast/ https://www.workingdrummer.net

27 Mars 1h 19min

510 - Duncan Phillips: Drumming for the Newsboys, Making Fitness a Priority, Dealing with Personal Changes

510 - Duncan Phillips: Drumming for the Newsboys, Making Fitness a Priority, Dealing with Personal Changes

Newsboys is one of the biggest bands in Christian music history, having sold more than 10 million records across 23 recordings and garnering boundless accolades, including 1 RIAA® Platinum certification and 8 Gold certifications, 30 #1 radio hits, four GRAMMY® nominations, two American Music Award nominations and multiple Dove Awards. With signature songs like “We Believe,” “Born Again” and the unstoppable mega-hit “God’s Not Dead” — which birthed a film franchise of the same name — Newsboys have continued to collect career-defining accolades at full speed ahead. Reinventing and reinvigorating the sounds fans have come to love, Newsboys present their two-part album, Worldwide Revival, featuring 16 songs and a national tour to support. For over three decades, the band, with current members Adam Agee, Duncan Phillips, Jeff Frankenstein, and Jody Davis, have toured extensively throughout the world to present their unparalleled high-energy shows. From their formation in Australia to their current residence in the United States, and everywhere in between, Newsboys share the same unified message about their faith and the God they serve, a position they do not take lightly. In this episode Duncan talks about: The work that goes into maintaining a seasoned band after over 30 years Drumming for the Newsboys Effectively and musically working with tracks The industry in Australia vs the United States Handling fame as a CCM band Making fitness a priority Dealing with personal changes The spinning drum riser Here's our Patreon Here's our Youtube Here's our Homepage

21 Mars 1h 7min

509 - Russ Lawton: Playing with The Trey Anastasio Band and LaMP, Being a New England "Band Guy", Influence of Afro Beat

509 - Russ Lawton: Playing with The Trey Anastasio Band and LaMP, Being a New England "Band Guy", Influence of Afro Beat

Russ Lawton has spent most of his career in and around New England from Cape Cod to Boston to Burlington Vermont. For almost 25 years, he has been the drummer for the Trey Anastasio Band. He also has an organ trio project called Lamp that is about to release their second record and tour in support of it, and has played with countless other bands and artists from blues to Afro beat. In this episode, Russ talks about His early career, moving through Cape Cod, Boston, and Woodstock NY Infusing afrobeat into his mating early on   Being a lifelong “band guy” Playing with Trey Anastasio, and Trey building songs around Russ’s grooves  The LaMP project and their “no chops” approach

13 Mars 1h 6min

508 - Robert Blair: Being Your Authentic Self, Subbing with Wang Chung & Martina McBride, Learning from Nashville’s Legends

508 - Robert Blair: Being Your Authentic Self, Subbing with Wang Chung & Martina McBride, Learning from Nashville’s Legends

Robert Blair is a Nashville TN based drummer with decades of live and studio experience. Originally from South Carolina, Robert's early love and commitment to drumming led him to working and touring by the age of 16 with players many years his senior. At the age of 21, he made the move to Nashville where he's built a reputation as a solid and reliable player with a professional sound. Not only does Robert stay busy in Nashville, live and in the studio, he has become the first call sub for country super star Martina McBride as well as the iconic pop band Wang Chung. In this episode Robert talks about: His early interest in drumming Acclimating to Nashville and it’s scene Learning from Nashville’s legends Finding ways to nurture growth in your playing Staying “awake” when performing The power of therapy Being your authentic self Communicating the time feel from the count off to the last chorus Subbing on the Martina McBride gig Subbing with Wang Chung

6 Mars 1h 41min

507 - Jose Medeles: Drummer, Drum Shop Owner, Author, Slingerland Brand Manager, Community Builder

507 - Jose Medeles: Drummer, Drum Shop Owner, Author, Slingerland Brand Manager, Community Builder

Jose Medeles is the owner of Revival Drum Shop in Portland and the author of several books including The Stoic Drummer. In his former life, Jose was an LA based working drummer and toured and recorded with The Breeders and many other artists, and also did a stint working at the famed Pro Drum Shop in Hollywood. Most recently, Jose became the brand manager for the relaunch of Slingerland Drums. In this episode, Jose talks about: His LA-based playing career prior to moving to Portland and opening Revival Working at Hollywood Pro Drum and learning the value of connection and community from Stan and Jerry  Making the decision to leave the road and move out of LA, and grieving the loss of his old life while embracing his new life  Recognizing when making a sacrifice for an opportunity is or isn't worth it Revival Drum Shop’s origin story and mission HIs new role as brand manager for Slingerland Here's our Patreon Here's our Youtube Here's our Homepage

27 Feb 1h 17min

506 - Rich Scannella: Drumming for Tonic as well as Bon Jovi and the Kings of Suburbia, Book: "Ghost Notes", Being a “Polite Pain” to Grow Your Social Circle

506 - Rich Scannella: Drumming for Tonic as well as Bon Jovi and the Kings of Suburbia, Book: "Ghost Notes", Being a “Polite Pain” to Grow Your Social Circle

Rich Scannella has played for some of the most iconic superstars in the music industry. Rich has played, toured, and or recorded with legendary artists: Bon Jovi, Bruce Springsteen, Lady Gaga, Jon Bon Jovi & The Kings of Suburbia, Tonic, Brian Fallon (Gaslight Anthem), Adam Duritz (Counting Crows), Joe Elliot (Def Leopard), Neal Schon (Journey), Michael Anthony (Van Halen), Gene Cornish (The Rascals), and Hubert Sumlin (Howlin' Wolf), to name a few. He has toured the USA, Europe, UK, Japan, Canada, and South America. Rich began drumming at age 9 under the direction of his father, Joe, a band leader and Juilliard graduate. It was in his father’s jazz band that Rich first gained invaluable experience, and he turned pro at age 16 by joining the Trenton Musicians Union Local #62. His dad’s influence soon gave way to a love of rock & roll and he never looked back. Along the way he attended New York City’s premier drum school Drummers Collective. Hungry for all the knowledge he could get, he focused intense study with session great Bernard Purdie and Saturday Night Livedrummer Shawn Pelton. By the 2000’s Rich had become an in-demand player both live and in the studio; appearing on TV shows and movie soundtracks including Dog The Bounty Hunter and One Tree Hill, in addition to the Jennifer Hudson and Amy Adams movie Lullaby. Since 2011 Rich has been the drummer for Jon Bon Jovi & The Kings of Suburbia. He continues a full schedule of playing, recording and teaching, and can be found sitting proudly behind his kit most nights of the week. Rich Scannella endorses DW Drums, Paiste Cymbals and Vater Drumsticks, and AHEAD products. In 2014 Rich Scannella began teaching at Rider University in Lawrenceville, New Jersey. As of June 2021, Rich has been playing and touring with Tonic. In this episode Rich talks about:    Being a “polite pain” to grow your social circles   How to inspire as an educator    Staying focused and self motivate   Drumming for Tonic as well as Bon Jovi and the Kings of Suburbia    Playing live without a click    Big ears, Big Eyes”    Rich’s book “Ghost Notes”    Subbing for Tico Torres   One off gigs with Springsteen Here's our Patreon Here's our Youtube Here's our Homepage

20 Feb 1h 47min

505 - Murphy Aucamp: Playing with Blue Man Group, Splitting Time Between New York and Miami, Studying with Dafnis Prieto

505 - Murphy Aucamp: Playing with Blue Man Group, Splitting Time Between New York and Miami, Studying with Dafnis Prieto

A native of South Florida, percussionist Murphy Aucamp studied classical percussion at Dreyfoos School of the Arts in West Palm Beach, while simultaneously studying rumba in the streets of south Florida. He is a graduate of the University of Miami’s Frost School of Music, where he studied under Steve Rucker, Dafnis Prieto, and John Yarling. Murphy’s performing credits include appearances with Blue Man Group, Gloria Estefan, Gonzalo Rubalcaba, Quincy Jones, and Nu Deco Ensemble, He has toured internationally with trumpeter Brian Lynch’s “Spheres of Influence” band, and contributed arrangements and percussion on two Grammy-winning albums: “The Omni-American Book Club” – Brian Lynch Big Band, and “American Dreamers” – John Daversa Big Band. He currently resides in New York City, where he performs in the acclaimed off-Broadway show, Blue Man Group. In this episode, Murphy talks about: Growing up in Miami and getting exposed to all kinds of music and instruments at an early age Studying drumset at University of Miami with Dafnis Prieto and Steve Rucker Playing with Blue Man Group, and the ways it allowed for individual personalities to shine A Latin and orchestral approach to drumset - layering parts and timbres rather than hammering backbeats How listening to piano and vocalizing helps him develop drumset vocabulary Translating Afro-Cuban percussion onto drumset Here's our Patreon Here's our Youtube Here's our Homepage

13 Feb 1h 14min