Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents. Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

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Julian E. Zelizer, “Arsenal of Democracy: The Politics of National Security From WWII to the War on Terrorism” (Basic Books, 2010)

Julian E. Zelizer, “Arsenal of Democracy: The Politics of National Security From WWII to the War on Terrorism” (Basic Books, 2010)

Historians are by their nature public intellectuals because they are intellectuals who write about, well, the public. Alas, many historians seem to forget the “public” part and concentrate on the “int...

14 Tammi 20101h 7min

Rebecca Manley, “To the Tashkent Station: Evacuation and Survival in the Soviet Union at War” (Cornell UP, 2009)

Rebecca Manley, “To the Tashkent Station: Evacuation and Survival in the Soviet Union at War” (Cornell UP, 2009)

By the time the Nazis invaded the Soviet Union on June 22, 1941, the Bolshevik Party had already amassed a considerable amount of expertise in moving masses of people around. Large population transfer...

20 Marras 20091h 8min

Alexander Watson, “Enduring the Great War: Combat, Morale and Collapse in the German and British Armies, 1914-1918” (Cambridge UP, 2008)

Alexander Watson, “Enduring the Great War: Combat, Morale and Collapse in the German and British Armies, 1914-1918” (Cambridge UP, 2008)

It’s a question I’ve long asked myself: Why and how did common soldiers fight for so long in the First World War? The conditions were awful, death was all around, and there was no real hope of a “brea...

6 Elo 20091h 3min

Susan Brewer, “Why America Fights: Patriotism and War Propaganda from the Philippines to Iraq” (Oxford UP, 2009)

Susan Brewer, “Why America Fights: Patriotism and War Propaganda from the Philippines to Iraq” (Oxford UP, 2009)

Like it or not, governments need to mobilize their populations in times of crisis and one of the ways they do it is to disseminate propaganda. Now this is uncomplicated if you are, say, Stalin and cla...

11 Heinä 20091h 15min

Giles MacDonogh, “After the Reich: The Brutal History of the Allied Occupation” (Basic Books, 2007)

Giles MacDonogh, “After the Reich: The Brutal History of the Allied Occupation” (Basic Books, 2007)

Many years ago I had the opportunity to spend a summer in Germany, more specifically in a tiny town on the Rhine near Koblenz. The family I stayed with looked for all the world like typical Rhinelande...

20 Kesä 20091h 7min

Benjamin Carp, “Rebels Rising: Cities in the American Revolution” (Oxford UP, 2007)

Benjamin Carp, “Rebels Rising: Cities in the American Revolution” (Oxford UP, 2007)

When I was in college about a million years ago, we used to sit in bars and talk about the Revolution. Actually, it was this bar and something like this “Revolution.” Clearly nothing ever came of our ...

5 Kesä 20091h 7min

Norman Stone, “World War One: A Short History” (Basic Books, 2009)

Norman Stone, “World War One: A Short History” (Basic Books, 2009)

When I was in high school, I really didn’t go in for reading. Until, that is, I somehow encountered Erich Maria Remarque’s All Quiet on the Western Front. I remember hiding in the back of all my class...

14 Touko 20091h 3min

Yuma Totani, “The Tokyo War Crimes Trials: The Pursuit of Justice in the Wake of World War II” (Harvard UP, 2008)

Yuma Totani, “The Tokyo War Crimes Trials: The Pursuit of Justice in the Wake of World War II” (Harvard UP, 2008)

Most everyone has heard of the Nuremberg Trials. Popular books have been written about them. Hollywood made movies about them. Some of us can even name a few of the convicted (Hermann Goering, Albert ...

4 Huhti 20091h 5min

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