IFH 154: How to Direct the Character, Not the Actor with Mark Travis

IFH 154: How to Direct the Character, Not the Actor with Mark Travis

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he’ll be on the show soon).
Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here’s a bit on The Travis Technique.
Acting is too often just pretending. And most directing is demanding and controlling and result oriented. And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences. The Travis Technique is an organic approach to directing actors that is guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.
Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget. In the last 20-years the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.
When actors, directors and writers use the Travis Technique, it’s not just a performance anymore. It becomes REAL! The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.
Recommended by Hollywood’s top brass: Mark Rydell, Art Seidelman, Randal Kleiser, George Tillman, Asaad Kelada, Jan Eliasberg, John Badham and other A-listers. For over 20-years Mark Travis has been sharing his award-winning techniques on writing, acting and directing worldwide.
Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master. They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.
Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including: all stages of preparation, pre-production, production, and post-production. Mark has been instrumental in launching successful directorial careers in the US and internationally.
Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.
Enjoy my conversation with Mark Travis.

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Jaksot(968)

IFH 057: HollyShorts: Confessions of a Film Festival Programmer w/ Daniel Sol

IFH 057: HollyShorts: Confessions of a Film Festival Programmer w/ Daniel Sol

Have you ever wanted to know what really happens behind the scenes at a top level film festival like the HollyShorts Film Festival? Well this week I kidnapped co-founder and film festival programmer Daniel Sol, tied him up in a darken warehouse and shine a bright light on his face to get the truth out of him. The interview might not have been that dramatic but Daniel laid down a ton of behind the scenes knowledge bombs you all you Indie Film Hustlers out there. HollyShorts! and I go way back. My first short film BROKEN played at the very first HollyShorts Film Festival over a decade ago and I've been friends with Daniel Sol and Theo Dumont (co-founders) ever since. They truly care about filmmakers and were name one of the Top 25 film festivals in the world worth the submission fee by Filmmaker Magazine. Enjoy my candid chat with Daniel Sol from the HollyShorts! Film Festival.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Maalis 20161h 22min

IFH 056: Do You Need an Agent or Talent Agency to Make it in Hollywood?

IFH 056: Do You Need an Agent or Talent Agency to Make it in Hollywood?

Is an agent or talent agency needed to make it in Hollywood? Well it helps! Seriously, this is a question I get asked all the time.In this episode I go over what you need to do to get an agent and also help you figure out if you need one right now. Below are the seven major talent agencies in Hollywood.APA Talent AgencySize: 3,400 clients; 325 employees (210 agents, 15 managing partners); offices in Los Angeles, New York and NashvilleOrigin story: Founded in 1962 by former MCA agents David Baumgarten, Roger Vorce and Harvey Litwin.CAA Talent AgencySize: About 5,000 clients; 1,500+ employees; 11 offices worldwide, including in ChinaOrigin story: Founded in 1975 by William Morris agents Mike Rosenfeld, Michael Ovitz, Ron Meyer, Bill Haber and Rowland Perkins.GERSH Talent AgencySize: About 2,000 clients; 175 employees (75 agents, 16 partners); offices in L.A. and New YorkOrigin story: Founded in 1949 by Phil Gersh.ICM PARTNERS Talent AgencySize: 4,500+ clients; 400+ employees (200+ agents and execs, 40 partners); four officesOrigin story: Formed in 1975 with the merger of Creative Management Associates and International Famous Agency.PARADIGM Talent AgencySize: 2,500 clients; 370+ employees (160 agents); six officesOrigin story: Founded in 1992 by Sam Gores through the mergers and acquisitions of several boutiquesUTA Talent AgencySize: 3,000+ clients; 500 employees (200 agents, 46 partners); offices in L.A. and New YorkOrigin story: Founded in 1991 with the merger of Bauer-Benedek and Leading Artists.WME | IMG Talent AgencySize: 4,000+ clients; nearly 5,000 employees (200 agents) in 25+ countriesOrigin story: WME | IMG was founded in 2014 with the merger of IMG and WME, which was founded in 2009 with the takeover of William Morris by upstart Endeavor.Hope this episode helps you out on your journey to get an agent. Good luck!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Maalis 20169min

IFH: Filmmaking Motivation - Go Make Your Film!

IFH: Filmmaking Motivation - Go Make Your Film!

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Maalis 20163min

IFH 055: Michael Hauge - Writing a Screenplay That Sells

IFH 055: Michael Hauge - Writing a Screenplay That Sells

Michael Hauge - Writing a Screenplay That SellsYou are in for a treat. This week's guest, MICHAEL HAUGE has been one of Hollywood’s top script consultants, story experts and authors for more than 30 years. He coaches screenwriters, novelists, filmmakers, professional speakers, internet marketers and corporate leaders, helping transform their stories and their audiences using the principles and methods of Hollywood’s most successful movies. Michael has consulted on films starring – among many others - Will Smith, Tom Cruise, Reese Witherspoon, Julia Roberts and Morgan Freeman, and has presented lectures and workshops to more than 70,000 participants worldwide. He is the best selling author of Writing Screenplays That Sell (now in its 20th Anniversary Edition), and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read. According to Will Smith, “No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” - Will SmithAfter our interview Michael Hauge and I decide to bring one of his best courses to the IFH Tribe. We called is Screenplay and Story Blueprint: The Hero's Two JourneysIf you click here you'll get a SPECIAL IFH DISCOUNT: Screenplay & Story BlueprintBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Maalis 201653min

IFH 054: How NOT to Get Ripped Off in Post Production

IFH 054: How NOT to Get Ripped Off in Post Production

Over the years I've seen many of my fellow indie filmmakers get completely ripped off when they entered the post production process.So many promises are given and the rates they charge are criminal. I wanted to put together a podcast to pull the curtain back on the "true" pricing of post production services.Now this is based on my experience working in Los Angeles so the prices might differ depending where you are in the country or the world.I hope this episode provides a great amount of value and that it saves you your hard earned cash while making your next indie film. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Maalis 201619min

IFH 052: The 5 Lies of Film Distribution

IFH 052: The 5 Lies of Film Distribution

Film distribution in a mystery to most indie filmmakers. It is filled with deception, scams, mis-information and straight out LIES! I wanted to put together an episode spotlighting the five major lies filmmakers hear about film distribution.Like many truths in the world these might not be easy to swallow but there is hope. If you have a plan "BEFORE YOU SHOOT YOUR FILM" your odds of success go up greatly.I see so many indie filmmakers killing themselves to make their films but have no idea how to recoup their money or actually make a living doing what they love to do. I hope this podcast helps.Insider View of Creating an Indie Feature Film - FULL ACCESS MEMBERSHIPBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Helmi 201617min

IFH 051: Are the Oscars Too White…Again? #OscarsSoWhite

IFH 051: Are the Oscars Too White…Again? #OscarsSoWhite

So the question of the moment is"Why are the Oscars® so white again? #OscarsSoWhiteThe 88th Annual Academy Awards haven’t even aired yet, and there is a hurricane of drama surrounding Hollywood’s most exciting night. Celebrities like Spike Lee and Will and Jada Pinkett Smith have called for a boycott due to a lack of minority nominees.If you look at the graphic below (Courtesy of www.mirror.co.uk) you see the Acadamy doesn't have a firm foundation to stand on.Courtesy of www.mirror.co.ukI usually don't discuss topics like this on Indie Film Hustle but when the opportunity to have a sit-down with RB Botto from Stage32.com and talk all things Oscar I jumped at the chance.Related: Filmmaking Hacks: How to Shoot and Market Your Indie FilmWe discuss not only "Why are the Oscars® so white again? #OscarsSoWhite" but we discuss this year's Oscar races, surprises, snubs and we talk about the current state of the film business. Take a listen!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Helmi 20162h 17min

IFH 049: How to Pitch Your Film Like a Pro with Stephanie Palmer

IFH 049: How to Pitch Your Film Like a Pro with Stephanie Palmer

Stephanie Palmer - How to Pitch Your Film Like a ProEver wanted to learn the dark craft of being able to pitch your story idea successfully? Stephanie Palmer has made it her life's mission to help people do just that. Stephanie Palmer is a former MGM Pictures executive and best-selling author of the book "Good in a Room: How To Sell Yourself (And Your Ideas) And Win Over Any Audience"She has heard thousands of pitches. She know how to and how not to pitch your screenplay or story idea. She worked on films like Legally Blonde, Armageddon, Con Air and was even on an intern on Titanic, there's a very inserting story there.Learn how to pitch your screenplay like a pro with Stephanie Palmer.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Helmi 201647min

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