IFH 589: Confessions of a Hollywood Writer & Actor with John Leguizamo

Today on the show we have returning champion Karl Iglesias. His last episode is one of the most popular shows ever in the history of the podcast. I wanted to bring him back to dig deeper into his thoughts on writing for emotional impact and breakdown the essential elements of every good story.Karl Iglesias has been a writer for over 20 years now with varying degrees of success — an option here, a couple of contest finalists and winners there, an indie development deal, many writing and script-doctoring assignments, a TV spot for a Coca-Cola campaign — and of course, his first published book, The 101 Habits of Highly Successful Screenwriters, which ignited my unplanned teaching and consulting career, and my second book, Writing for Emotional Impact. Since then, he has contributed to two other books on the craft, Now Write! Screenwriting and Cut to the Chase.In between teaching and consulting, Karl keeps busy script doctoring for other writers, directors, and producers when the work comes his way, while developing his own scripts, having about ten projects in various stages of development.Enjoy my conversation with Karl Iglesias.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

2 Heinä 20241h 18min

Marcus Dunstan’s screenwriting with his partner, Patrick Melton, include such horror films as FEAST 1-3, SAW IV-V-VI& SAW 3D THE FINAL CHAPTER, PIRANHA , GOD OF WAR, FINAL DESTINATION 6, and SCARY STORIES TO TELL IN THE DARK. Marcus Dunstan’s directing credits include THE COLLECTOR, THE COLLECTION, THE NEIGHBOUR, BLUMHOUSE’S PILGRIM and this summer’s BLUMHOUSE PRESENTS: UNHUMAN.Dunstan is a producer of THE CANDIDATE, and executive producer of 2022’s horror-thriller TAKE BACK THE NIGHT. Currently Dunstan and Melton are collaborating once again with Blumhouse and Disney + on a soon to be announced suspense thriller series, as well as the horror film ESCAPE: HALLOWEEN with Live Nation and Insomniac.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Kesä 20241h 3min

Today's guest is screenwriter and Hollywood script doctor Peter Douglas Russell. I wanted to go deep into the back alleys of what Hollywood script doctors actually do in the business. Peter's conversation was eye-opening, to say the least.Peter Russell sold two television pilots in 2017. He enjoys working on projects both as a ghostwriter and as a consultant.  And he can both write and teach what he knows. So many successful screenwriters and producers have no idea how to teach what they do, and so many teachers can’t actually sell stories. But Peter does both. Peter was UCLA’s Teacher of the Year in 2009. He invented (along with his then partner Cecilia Najar) a process called The Storymaker which you can use to quickly develop an original, complex, vivid story from a single idea — and the Storymaker is helping scores of his students shape wonderful stories.Peter started as a story analyst in the 1990s and has read over 6,000+ screenplays for major film and television giants including Imagine Entertainment, Participant Productions, HBO, CBS, Walden Entertainment and dozens of others.As he read these scripts, he started seeing deep, hidden patterns in the best stories. He wrote these down and started getting jobs FIXING writer’s stories. He got good at it — really good.Peter was invited to teach at UCLA in 2004, and it became a passion, too.  He has now been invited to teach television pilot and film story creation at Pepperdine University’s Seaver College Screenwriting MFA program, at Story Expo in LA and New York, and many others. Meanwhile, Peter has turned The Storymaker into the most powerful tool for helping storytellers create original vivid stories. Simply and quickly.Enjoy my conversation with Peter Douglas Russell.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Kesä 20241h 32min

Simone Bartesaghi is an Italian award-winning filmmaker who has been recognized by the Directors Guild of America (DGA) and AMPTP (Alliance of Motion Picture and Television Producer) as an artist with "Extraordinary Ability in Directing”.At the age of 24 Simone received his Master’s Degree in Economics at the University of Pisa, Italy. Three years later he established a successful Consulting Company specializing in Corporate Organization and Planning. In 2001 he gave up his thriving career to pursue his childhood dream.Two years later he won several prizes as the Writer/Director of short films, but the highest recognition came when he won the first and second place at the Milan International Film Festival, and became the recipient of both the Top and second Award, TWO Scholarships for THE LOS ANGELES FILM SCHOOL.Only four years after his arrival in the United States, he directed his first feature film DOWNSTREAM, that acquired a theatrical release and also received the prestigious Accolade Award.Simone's second feature RUN, a 3D film that he wrote and directed, has won several prizes including Best Screenplay and Best Emerging Director and is distributed in USA by Millennium. The movie is about the new discipline Parkour (Freerunning) with a rich cast including Eric Roberts (The Dark Knight), Adrian Pasdar (Heroes), Kelsey Chow (Pair of Kings) and William Moseley (Chronicles of Narnia).Simone’s accomplishments and communicative skills have been recognized by many educational organization around the world and he is now an Adjunct Professor in Filmmaking at the prestigious Santa Monica College.Simone is also a published author with his book "The Director's Six Senses", an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. The Director’s Six Senses is an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. It’s based on the premise that a director is a storyteller 24/7 and must be aware of the “truth” that he or she experiences in life in order to be able to reproduce it on the big screen. Through a series of hands-on exercises and practical experiences, the reader develops the “directorial senses” in order to be able to tell a story in the most effective way.Enjoy my conversation with Simone Bartesaghi.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Kesä 202454min

Today on the show we have author Jennifer Dornbushwho has written the book Forensic Speak: How to Write Realistic Crime Dramas. We sit down and discuss all things forensics. We even discuss the impact of the OJ Simpson case on the world of forensics. Here's a bit about her amazing book.Crime stories have always intrigued viewers and storytellers. Today, crime shows rule the airwaves and there is truly a procedural drama out there for every personality — and every writer. Born out of the author’s real-life experiences growing up around death investigation, Forensic Speak unlocks the secrets of forensic science for writers and fans alike. With a filmography of 100 film and TV examples and 80 additional resources, the book provides writers direct access to hundreds of ways to make their crime writing more authentic.Enjoy my conversation with Jennifer Dornbush.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Kesä 20241h 8min

Corey Mandell is a screenwriter and screenwriting instructor known for his work in the entertainment industry. He has worked as a screenwriter, script consultant, and writing coach. While he may not be as widely recognized as some Hollywood screenwriters, he has gained a reputation for his expertise in helping aspiring screenwriters develop their skills and craft.Corey Mandell has offered various screenwriting courses and workshops, and he has coached many writers in their pursuit of creating compelling screenplays. His teachings often focus on character development, storytelling techniques, and the practical aspects of screenwriting.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Kesä 20241h 32min

Neil Landau is a screenwriter, author, and professor known for his work in the field of film and television. He has written screenplays for various film and television projects and has also authored several books related to screenwriting and storytelling.Some of his notable works include:"Don't Tell Mom the Babysitter's Dead" (1991) - Landau co-wrote the screenplay for this comedy film, which became a cult classic."Melrose Place" (TV Series) - He worked as a writer and producer on the popular television series "Melrose Place."Teaching and Writing - Neil Landau is also known for his contributions to screenwriting education. He has taught screenwriting at institutions like the University of California, Los Angeles (UCLA) and has written books on the subject, including "101 Things I Learned in Film School" and "The Screenwriter's Roadmap."Neil Landau's work in both the creative and educational aspects of screenwriting has made him a respected figure in the entertainment industry, particularly in the realm of screenwriting and storytelling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Kesä 20241h 22min

Today on the show we have screenwriter, Eduardo Cisneros. He began his screenwriting career in his home country of Mexico. Working on countless television series including Saturday Night Live: Mexico. His career took an upward trajectory when he began working with one of the biggest comedy actor/writer/producer and director in the Latinx world,  Eugenio Derbez.Eduardo help develop the massively successful crossover smash Instructions Not Included.Eduardo Cisneros's latest project hits close to home. Half Brothers, who he co-wrote and produced with Jason Shuman, is based on his experiences as an immigrant from Mexico in America. His father was the basis of the main character's father in the story.Enjoy my conversation with Eduardo Cisneros.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Touko 20241h 2min