BONUS EPISODE: Lighting the Biggest Films of All-Time with Dean Cundey A.S.C

BONUS EPISODE: Lighting the Biggest Films of All-Time with Dean Cundey A.S.C

Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey.

Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween. Dean is credited as director of photography on five Back To The Future films and Jurassic Park.

The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place.

The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.

The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.

Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.

Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.

Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit’s only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.

Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.

In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.

Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence.

One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van’ or one couple call it a cinematographer’s heaven that contained every equipment (cameras, editings tools, etc.) required to help him get work get and do work easily.
We talk more about this in our chat.

Enjoy my conversation with Dean Cundey.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(966)

IFH 117: Ask Alex - I'm Making My First Feature Film…HELP!

IFH 117: Ask Alex - I'm Making My First Feature Film…HELP!

So this episode is going to be fun. I'm starting a new segment I call "Ask Alex." Yes, I know it's very creative = ) I asked the IFH Tribe to submit questions to ifhsubmissions@gmail.com and I'll do my best to answer them. This week we have a bunch of question from tribe member Kenny from Sweden. Here are the question I answer in the podcast.Which is the best type of camera to buy for your first feature that is cheap? (DSLR or anyone else. Also including lenses or where you can use one lens?)Which is the most important person to hire, a DP or a sound guy for a film? I´ve heard both. Some say good footage and others good sound.If you don´t have English as your first language should you make your films in your own language  since it is your mother tongue or in English(If you know how to speak of course) to reach a bigger market since more people understands and speak English? Which format is best to use for the finished film? (I know you had a podcast about this but I want to hear your personal opinion)Which part of post cost most money on of following things, sound, colorist or foley. I think it is in that order. Is that correct?  How much of the budget should you save for post-production in your opinion?Should you do this and if so the best ways to send an edited film over the internet for sound editing and colorization and maybe name a few companies that do this for small independent films. Would you be interested in doing that? What do you say about moving to LA to be a filmmaker if you come from another country? (You had a podcast about that but I am thinking based on an international perspective from a foreigner)Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Marras 201623min

IFH 116: Fast and Cheap: Lessons Learned for the No-Budget Feature

IFH 116: Fast and Cheap: Lessons Learned for the No-Budget Feature

On this week's episode, I go way to a simpler time, the 90s, and discuss the lessons we can learn from some filmmaking legends. I'll discuss films by Robert Rodriguez, Christopher Nolan, and Richard Linklater to break down and learn the techniques they used to make awesome, No-Budget Feature films with limited resources."In no-budget filmmaking, your limitations are your guide."If you take note of what filmmakers did before you, you can jump start your filmmaking career. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

22 Marras 201624min

IFH 115: How to Shoot Video That Doesn’t Suck with Steve Stockman

IFH 115: How to Shoot Video That Doesn’t Suck with Steve Stockman

How to Shoot Video That Doesn’t Suck with Steve StockmanIn this week’s episode, we have Steve Stockman. Steve is an author/writer/director/producer at Custom Productions, Inc. in Los Angeles.  He’s created and Executive Produced tv series Brew Dogs for the new Esquire Network, Dogs of War for A&E, Devils Ride for Discovery Channel and $24 in 24 for Food Network;  plus worked on over 200 commercials, music videos, and web series.He also wrote and directed a film called Two Weeks starring legendary Oscar® Winning Actress Sally Field.His book, How to Shoot Video that Doesn’t Suck, is now in its 6th printing from Workman Publishing.  It’s based on a course he’s been teaching to kids for the last 14 years, but adults understand it as well.“Like two years of film school in 248 pages.” – Steven Pressfield, Author of The War of Art and The Legend of Bagger VanceIt’s not technical—it doesn’t matter whether you’re shooting RED or iPhone. It’s about how to shoot video that’s entertaining, effective—and that actually gets watched. Enjoy my conservation with Steve Stockman.Right click here to download the MP3LINKS AND RESOURCES MENTIONED IN THIS EPISODEBUY HIS BOOK HERE – How to Shoot Video that Doesn’t Suckwww.stevestockman.comCustom Productions, IncTwo WeeksDevils RideBrew DogsThis is Meg – Feature FilmBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Marras 201654min

IFH 114: The Six Stages of Character Development with Michael Hauge

IFH 114: The Six Stages of Character Development with Michael Hauge

The Six Stages of Character Development with Michael HaugeThis week we have a returning guest, screenwriting guru Michael Hauge. On this episode, he discussed The Six Stages Character Development. A very eye opening episode. Check it out. Right click here to download the MP3These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of Writing Screenplays That Sell and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read; and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.Click below to download more videos.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Marras 201623min

IFH 113: Post Production Process - Understand It or Suffer the Consequences

IFH 113: Post Production Process - Understand It or Suffer the Consequences

Post Production Process: Understand It or Suffer the ConsequencesFilmmaking is a long process and is divided into three stages. The first stage is pre-production stage, the second one is production, and the last one is post-production stage. In this podcast episode, I go into each of the following steps and add a few bonus ones as well. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Marras 201627min

IFH 112: Stanley Kubrick: The Rare 1966 Interview of a 37 Year Old Kubrick

IFH 112: Stanley Kubrick: The Rare 1966 Interview of a 37 Year Old Kubrick

This is a special edition of the IFH Podcast. We have for you a rare interview by Stanley Kubrick. A 37-year-old Kubrick sits down and speaks with Jeremy Bernstein. It's a remarkable look into the beginnings of the filmmaking master. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Marras 20161h 25min

Are Film Festivals Even Relevent Anymore? - FFH 007

Are Film Festivals Even Relevent Anymore? - FFH 007

Film Festivals: Are They Relevant Anymore?Film Festival Hacks is the podcast that explores the festival circuit “from both sides of the badge.” Alex Ferrari is an award-winning filmmaker with nearly 600 international film festivals under his belt. He’s joined by Chris Holland, author of Film Festival Secrets: A Handbook for Independent Filmmakers who has worked closely with more than 200 film festivals including Sundance, AFI Fest, and SXSW. Together we explore the hidden world of film festival programming and pass along tips that give you that critical edge in the festival submissions game.In episode seven discuss the relevance of film festivals in today's digital world. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Marras 20167min

IFH 111: Sean Baker: ‘Tangerine' How to Shoot a Sundance Hit on Your iPhone

IFH 111: Sean Baker: ‘Tangerine' How to Shoot a Sundance Hit on Your iPhone

Sean Baker: 'Tangerine' How to Shoot a Sundance Hit on Your iPhoneI've recently been looking and studying alternative shoot methods to shoot a feature film. One name that keeps coming up is Sean Baker. His ground-breaking film Tangerine made more noise at the Sundance Film Festival  than the winner that year. The film was also produced by the indie film legends, Jay and Mark Duplass.Tangerine was shot completely on an iPhone. Yes, an iPhone. The great thing was that after his Sundance screening no one in the audience or at the film festival knew that the film was shot on an iPhone.What I respect about Sean Baker as a filmmaker is that he didn't focus on the technology when promoting his film, he let the story, actors and film speak for itself. If you haven't seen Tangerine you are missing out. Take a look at the RED BAND trailer below.I wanted to put together a post that highlighted what can be done with minimal filmmaking tech and a great story. Sean Baker has definitely what can be done in today's filmmaking world.Below are a ton of videos explaining the process Sean Baker and his director of photography Radium Cheung, HKSC went through making Tangerine, as well as a bunch of video explaining tips and tricks on how to turn your something you shot on an iPhone into cinematic gold. Enjoy my conversation with Sean Baker.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

2 Marras 20161h 20min

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