IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).

Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.

Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.

Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.

Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.

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Jaksot(965)

IFH 094: From Dusk Till Dawn to Nickelodeon with Director Joe Menendez

IFH 094: From Dusk Till Dawn to Nickelodeon with Director Joe Menendez

From Dusk Till Dawn to Nickelodeon with Director Joe MenendezThis week on the show we have the very talented director Joe Menendez. Joe is an award-winning filmmaker of both a successful feature film director and a prolific television director/producer as well -- having moved seamlessly between both mediums his entire career. Joe Menendez has directed over 95 hours of television (both single and multi-camera), written a handful of teleplays, produced several TV series and films, and has directed eight feature films and TV movies so far. He is a multi-genre veteran of drama, action, comedy, family entertainment, horror and rom-com. His numerous and varied credits show that he is a skilled craftsman and an accomplished, versatile storyteller.For this reason I had to have him on the show. Joe Menendez is currently in post-production on Nickelodeon's  LEGENDS OF THE HIDDEN TEMPLE, an action-adventure TV movie he directed for Nickelodeon, based on the popular game show of the same name, from the 1990s.His last feature, the action/comedy, LADRONES (THIEVES), was released by Pantelion Films October 9th, 2015, and received a CinemaScore of "A". LADRONES is the sequel to his 2007 feature film LADRON QUE ROBA A LADRON (TO ROB A THIEF), which opened at the time to a record-grossing opening weekend at the box-office for a Spanish-language film in the U.S.Joe Menendez has directed multiple episodes of the one-hour drama FROM DUSK TILL DAWN: The Series for Robert Rodriguez and his El Rey Network, multiples of the new Amazon Series JUST ADD MAGIC and the Prequel Series plus the "uncensored" episodes for the 2nd season of HULU's hit drama series EAST LOS HIGH.I also wanted to have him on the show to discuss what's it like working with a filmmaking legend like Robert Rodriguez. He did not disappoint. His stories are AMAZING! Get ready and enjoy my conversation with Joe Menendez.LINKS AND RESOURCES MENTIONED IN THIS EPISODEJoe Menendez - Official SiteJoe Menendez - IMDBFrom Dusk Till Dawn: The SeriesLegends of the Hidden TempleLadronesSPONCERSVideoBlocks.com - (IFH Discount SAVE $50)Werner Herzog Master ClassAaron Sorkin Master ClassFreeFilmBook.com (Download Your FREE Filmmaking Audio Book)KILLER RESOURCES!!!INDIE FILM SYNDICATE Filmmaking CommunityIFH's Online Film SchoolSix Secrets to get into Film Festivals for FREE!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Elo 20161h 33min

IFH 093: How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle

IFH 093: How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle

How to Brand, Market and Build an Audience Using Social Media & Marketing HustleSo I had the plesure of speaking at the HollyShorts! Film Festival at a "fireside chat" with my brotha from another mutha RB Blotto from Stage32.com. We sat down and discussed How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle. I had a ball and as promised I recorded the evening for those of you who couldn't make it. Check it out below:You’ve got an amazing script, now what? The first step is to identify your audience and create a brand for yourself that you can leverage when crowdfunding or selling your film. Once your film is done, the next step is marketing and promotion. Join us for a fireside chat with Writer/Director and Indie Film Hustle founder, Alex Ferrari, and RB Blotto, Stage32.com founder, as they offer best practices on building an audience, creating a brand, marketing yourself and your film, and finally, getting the word out via social media, which is crucial to your success.Sit back and enjoy this knowledge bomb filled episode. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Elo 20161h 55min

IFH 092: Why Having No Money Makes You a Better Filmmaker

IFH 092: Why Having No Money Makes You a Better Filmmaker

What is this guy talking about? No money = better filmmaker? He must be nuts. We'll I'll have to disagree with you. As I  am going through my adventure on the making of my first feature film THIS IS MEG, I have discovered that is the truth.  Having less resources has made me a better filmmaker. When you have no money and limited resources you discover new and creative ways to solve problems. The creative ways end up on the screen and that is where innovation comes from. Doing something people say is nuts. Credit: QuoteAddicts"No one can stop you from doing exactly what you want to do. If you can accept that the cavalry won't come, and if you can be the cavalry, it gives you a chance to be happy." - Mark DuplassWhen I announced I was going to direct This is Meg with a micro budget I can't tell you how many people said I was nuts. BTW, I love it when people do that, it lights my fire. I still think most of the cast and crew still don't know how we're going to pull this off. In this podcast I go over the techinques I used to not only get the ball rolling but also get the film shot and edited. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Elo 201631min

IFH 091: What Filmmakers Can Do About the Diversity Problem in Hollywood

IFH 091: What Filmmakers Can Do About the Diversity Problem in Hollywood

This podcast episode comes straight from the heart. Diversity in the film industry is a problem. The numbers do not lie.Original Source: Fusion.netOriginal Source: GirlTalkHQ.comThe film business needs to have many points of views and not just a select few. The more points of views you have, the better the industry as a how will be. Filmmakers can not use their gender or race as an excuse for "not making it". The diversity problem in Hollywood is SLOWLY getting better. Ava DuVernay, the director of Selma, has become the first African-American Female director to helm a major studio film with a $100 million dollar budget. (Source: Business Insider)Original Source: The Hollywood Reporter and The Ralph J. Bunche Center for African American StudiesTheir are many examples of the industry changing. Robert Rodriguez, Guillermo del Toro, Tyler Perry, Spike Lee, Alejandro González Iñárritu, Ava DuVernay, Gale Anne Hurd, Kathryn Bigelow, Sofia Coppola, and many more have cracked the diversity wall. Original Source: FusionNow that being said, I'm not saying it has been easy for the filmmakers I've listed. It was DAMN HARD! Things are changing but very slowly. I've never allowed being latino stop me from creating my own opportunities. Indie Filmmakers have to create their own opportunities and stop waiting around for "Hollywood" to give it to them. I hope this episode inspires filmmakers to go out and make it happen...no matter what! Keep hustlin' my friends!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Elo 201617min

IFH 090: Life After Winning Sundance with Diane Bell

IFH 090: Life After Winning Sundance with Diane Bell

Life After Winning Sundance with Diane BellI always talk about not counting on the "lottery ticket" mentality that so many filmmakers today count on. Winning Sundance is not a distribution plan. Well I was involved in a project, written and directed by Diane Bell, that did just that. It won not one but two awards at Sundance. She didn't count on winning, hell she didn't think in her wildest dreams that she would even be accepted. Here's the story.In 2010, 16 feature films were selected out of 1,058 submissions to be screened in the US Dramatic Competition at the Sundance Film Festival.  Diane Bell's OBSELIDIA was one of them.  It was made for less than $140,000, it had no movie stars in it, and none of the cast or crew had connections to Sundance.  And yet it was picked out of the slush pile, and selected to premier on this world stage, alongside movies that had cost 100 times as much with big name movie stars and recognized directors.OBSELIDIA, premiered in the US Dramatic Competition at the Sundance Film Festival 2010, where it won the Alfred P. Sloan Award and the award for Excellence in Cinematography. It was nominated for two Independent Spirit Awards 2011, including one for Best First Screenplay. It won acclaim at festivals around the world, including being named as Best of Fest at the Edinburgh Film Festival, Best Narrative Feature at Ashland Independent Film Festival, and winning the Youth Jury Prize for Best Film at the Valladolid Festival, Spain.If you ever wanted to know what it was like to be accepted and win awards at the Sundance Film Festival sit back and enjoy on conversation with Diane Bell.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Heinä 20161h 40min

IFH 089: How To Write A Screenplay with Fight Club Screenwriter Jim Uhls

IFH 089: How To Write A Screenplay with Fight Club Screenwriter Jim Uhls

We I have a MAJOR treat for the tribe this week. I have no other than Jim Uhls, the master screenwriter behind David Fincher's "Fight Club", one of the greatest films in my generation, in my humble option.When Chuck Palahniuk's Fight Club was making the rounds in Hollywood, it was a tough sale to be adapted for the screen. But then Brad Pitt got involved; add David Fincher and Ed Norton, throw Jim Uhls into the mix and you've got a modern classic.Jim’s sceenwriting credits include of course the modern classic “Fight Club” the feature-film "Jumper" the NBC television film "Semper Fi" and the SyFy miniseries "Spin".In this remarkable discussion Jim Uhls breaks the first rule of Fight Club: He talks about it, working with David Fincher, why he hates outlines and why you should interview your characters. Step inside the mind of the man who figured out how to conquer Hollywood as he lays down knowledge bomb after knowledge bomb in this eye opening interview.Towards the end of the interview Jim gives easily the GREATEST ADVICE ON HOW TO BECOME A WORKING SCREENWRITER I'VE EVER HEARD! This podcast is not to be missed.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Heinä 20161h 21min

IFH 088: Why Filmmakers are Always So F*ckin' Broke & What They Can Do to Change It

IFH 088: Why Filmmakers are Always So F*ckin' Broke & What They Can Do to Change It

I'm truly PISSED OFF guys and am tired of seeing my fellow indie filmmakers and artist struggle to make a living doing what they love. I decided to put together a lists of steps that every indie filmmaker needs to do in order to thrive in the film business.Since this website is call INDIE FILM HUSTLE the terminology I'll be using will be aimed at filmmaking or screenwriting but all of these concepts can be applied to any art form.PLEASE NOTE: If you were to ever listen to a podcast of mine, this is the one. I'll be laying out the steps in the article but I go MUCH DEEPER into each one on the podcast. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Heinä 201655min

IFH 087: Into the Madness: Shooting a Micro Budget Feature Film w/ Jill-Michele Meleán

IFH 087: Into the Madness: Shooting a Micro Budget Feature Film w/ Jill-Michele Meleán

You knew it was bound to happen. Well the time is here. Please welcome the talented Jill-Michele Meleán to the Indie Film Hustle Tribe. Jill is the star of my debut feature film "This is Meg". She is one of the most talented actors/comedian I've ever worked with and we have worked on a ton of projects of the years. Jill-Michele Meleán, “Jilly” was born and raised in Miami, Florida (aka Cuba). She declared at a young age that she wanted to be like Bette Davis, Joan Crawford and Benny Hill. Jilly started in Theatre and toured with The Coconut Grove Playhouse (which is the Broadway of Miami). In 2000, she moved to Los Angeles and needed to be on stage.She took her natural comedic timing to the Standup Stage, headlining across the country while continuing her Acting career. After many years of hard work, she’s made a name for herself in the Comedy Television world with memorable performances on FOX’s “MadTV” and Comedy Central’s “Reno 911”. However, her first love is her dramatic acting career. As she continues her theatrical Film and Television career, she’ll never stop making people laugh.Which brings us to This is Meg. Take a listen and get a window into how we are creating this "micro budget" film. LINKS AND RESOURCES MENTIONED IN THIS EPISODE:THIS IS MEG Crowdfunding CampaignJill-Michele Meleán - Official SiteJill-Michele Meleán - IMDBJill-Michele Meleán - Facebook & TwitterIndie Film Syndicate - Filmmaker CommunitySaveSaveBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Heinä 20161h 8min

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