IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).

Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.

Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.

Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.

Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.

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Jaksot(965)

IFH 078: Follow Your Passion, No Matter What!

IFH 078: Follow Your Passion, No Matter What!

Follow Your Passion, No Matter What!This is a special episode of the podcast guys. I recently had a good friend of mine pass, Allan Wertheim. He was a legendary First Assistant Director and Unit Production Manager. Allan and I worked together almost 20 years ago on one of my first directing gigs. This is by far the most difficult project I have ever worked on and Allan was kind enough to mentor me and protect me from the siutation. He passed a few days ago at the age of 72 and my friend left it all on the field. He worked with legendary directors like Martin Scorsese and David Fincher but more importantly lived a happy life with his family. I wanted this episode to spotlight the fact that you can't leave with the music still inside of you. Take a listen to this special episode. I hope it inspires you a bit. Right click here to download the MP3LINKS AND RESOURCES MENTIONED IN THIS EPISODEAllan Wertheim - IMDBRaging BullSe7enLove StorySaturday Night FeverAction Items:Subscribe to the Podcast on iTunes,  Stitcher, Soundcloud or via RSS.If you like Follow Your Passion, No Matter What!, then click below:How I Made Over $90,000 Selling my Short FilmEnjoyed this post? Please share it in your social networks (Facebook, Twitter, email etc) by using social media buttons at the side or bottom of the blog. Or post to your blog and anywhere else you feel it would be a good fit. Thanks.I welcome thoughts and remarks on ANY of the content above in the comments section below...Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH PodcastPodcast: Film Festival Hacks PodcastIFH: Filmmaking HacksBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

1 Kesä 20168min

IFH 077: Acting & the Art of Being Yourself with Adrian Martinez

IFH 077: Acting & the Art of Being Yourself with Adrian Martinez

Acting & the Art of Being Yourself with Adrian MartinezBeing yourself in any situation in life is hard for many people. Actors do make a living playing other people but the art of being comfortable in your own skin is a lesson we can all learn. I invited on the show Adrian Martinez, a actor, writer, producer, and soon-to-be-director, with nearly 100 film and TV credits.Adrian's career began as a high school track star on NBC's "Unsolved Mysteries". Some in casting have called Adrian, "the sidekick to the stars," as evidenced by his recent sidekick trifecta-- Will Smith's sidekick in Warner Bros' "Focus," , Ben Stiller's sidekick in his Fox remake of "The Secret Life of Walter Mitty," Will Ferrell's sidekick in Lionsgate's "Casa de mi Padre," to name a few.Mr. Martinez's TV work includes over forty guest spots, including a recurring guest star in CBS' "A Gifted Man," opposite Patrick Wilson, FX's "Louie" opposite Louis CK, HBO's "Flight of the Conchords," "Sex and the City," and is recurring on Comedy Central's "Inside Amy Schumer."Adrian is currently making his directorial debut with the film "iCreep," through his production company, Paloma Pictures.I wanted have Adrian Martinez on the show to see if he would share some of his secret sauce for maintaining such a long and successful career...and he did. Whether your an actor, director, writer, or artist the knowledge bombs Adrian drops are massive. BTW, this happens to be one of the funniest episodes I've ever done. Adrian is not only generous with his knowledge but he's FUNNY AS HELL! Enjoy.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Touko 20161h 14min

IFH 076: How to Blaze Your Own Path in the Film Industry

IFH 076: How to Blaze Your Own Path in the Film Industry

How to Blaze Your Own Path in the Film IndustryHave you been banging your head against the wall trying to figure out what you need to do to break into the film industry? Me too. This episode  is dedicated to all the indie filmmakers out there trying to make a living as a filmmaker. After studying so many success stories of directors, writers, producers, and actors who finally broke through and made it into the exclusive party I found one common denominator among every single one of them. I discuss that truth and make a major announcement to the Indie Film Hustle Tribe about what I'll be doing over the next year and how it applies to the topic of "Blazing Your Own Path in the Film Industry."If your a bit lost or just keep running into walls trying to make it as a filmmaker then this is the podcast you need to listen to. I hope you find some value in it. Good luck!Right click here to download the MP3LINKS AND RESOURCES MENTIONED IN THIS EPISODEIndie Film Hustle's FULL ACCESS MembershipTHIS IS MEG Launch TeamJill Michele-MéleanVideoBlocks (Stock Footage - IFH Discount)IFH Online Film School - 30% OFF DiscountIFH 069: Michael Polish – How to Make Money Selling a No Budget DSLR Indie FilmFor Lovers OnlyFreeFilmBook.com (Your FREE Audio Book)Six Secrets to get into Film Festivals for FREE!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Touko 201626min

IFH 075: GUT CHECK! What Does It Really Take to Make in Hollywood with Sebastian Twardosz

IFH 075: GUT CHECK! What Does It Really Take to Make in Hollywood with Sebastian Twardosz

Every once in a while we all need to get a gut check. A "gut check" is when some new situation, or in this case knowledge, that tests your belief on what it takes to achieve your goal.I invited Sebastian Twardosz to give us that gut check and lay down some major knowledge bombs on the Indie Film Hustle Tribe. Now Sebastian has been playing the Hollywood game for close to two decades and has ranked up some major experience. Hollywood and the film business in general is a "relationship business". Here's what Sebastian said:"Some of you will be successful and some of you will be less successful—it’s a numbers game, but regardless of the stats, you will likely fail if you don’t help each other."Sebastian Twardosz’s first production job was from 1995-1999 for Tom Cruise and Paula Wagner’s Paramount-based company where he started as an assistant and was promoted to executive, actively participating in the making of Mission Impossible 1-2 and Without Limits.Like many hopefuls wanting to get into the film biz, Sebastian Twardosz started as an agent's assistant in the motion picture department at ICM. He graduated from the USC School of Cinematic Arts in 1993. His short film, Silent Rain, received a Student Academy Award from the Academy of Motion Picture Arts and Sciences as well as the Student Emmy.Sebastian co-produced the independent feature Small Town Saturday Night starring Chris Pine, and he has been an adjunct professor at both UCLA and USC Film Schools teaching about the art and business of film since 2006.He also hosted a weekly show called The Insiders which aims to shed light on the “behind-the-scenes world of Hollywood” for aspiring filmmakers. Sebastian is currently a partner in Circus Road Films, which advises and represents emerging filmmakers. Take a listen to this eye opening interview.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Touko 20161h 12min

IFH 074: How to Make Money TODAY Selling Your Short or Feature Film with Amazon Video Direct

IFH 074: How to Make Money TODAY Selling Your Short or Feature Film with Amazon Video Direct

We making money selling your short film, feature film or web series just got a whole lot easier. Amazon.com has thrown it's hat into the Independent creators VOD ring with the launch of Amazon Video Direct.This move is designed to go head to head with Google's YouTube for video-ad dollars. as well as going after other juggernauts like Facebook and Vimeo.Amazon Video Direct has four distribution options for its creators.Filmmakers can make their films available to Prime Video subscribers and receive a per-hour royalty feeFilms or Series can be sold as a subscription through the Streaming Partners ProgramFilms can be made available for digital rental or purchaseFilms can be made available to ALL Amazon customers for free with ads, and filmmaker would receive a 55% share of the ad revenue (exactly as they do on YouTube).Take listen for the lowdown. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Touko 201610min

IFH 073: Film Gear in Cinematography Today with Ernesto Lomeli

IFH 073: Film Gear in Cinematography Today with Ernesto Lomeli

Film Gear in Cinematography Today with Ernesto LomeliOh, the dilemma! What film gear should I use for my film? Which camera will give me the look I want for my project? What gear can I afford? Well as I've said before:"Film gear does not make a movie, the story does. No one ever won Sundance or an Oscar® because they used the latest and great film gear. They won because of, you guessed it, story."With that said choosing the right film gear for your film is important. You need to have the right paint brush and not nesseraly the most expensive or newest paint brush to create your opus. I thought it would be interesting to have cinematographer Ernesto Lomeli  on the show. He's one of the most technical film geeks I know. Ernesto shares a bunch of knowledge bombs with us in this interview and discusses what film gear to get and what you really need to make your project sing!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Touko 20161h 22min

IFH 072: How Marketable is Your Film Idea or Screenplay?

IFH 072: How Marketable is Your Film Idea or Screenplay?

How Marketable is Your Film Idea or Screenplay?So how marketable is your film idea or screenplay? I know so many screenwriters and filmmakers who spend months and sometimes years on an idea that is cool to just themselves. Depending on what you are attempting to achieve with your story, you should always figure out if you idea is marketable or if you have a fighting chance of selling the screenplay or final film. Paul Castro, the writer of the Warner Brothers feature film August Rush (Starring Robin Williams) shares with us his thoughts on how to test and find marketable ideas. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Touko 201612min

IFH 071: Save the Cat – Screenwriting Story Structure Made Easy

IFH 071: Save the Cat – Screenwriting Story Structure Made Easy

Why would you want to ‘Save the Cat’? If you are a screenwriter or aspiring one you should of heard by now of Blake Snyder’s game changing screenwriting book.In his 20-year career as a film producer and screenwriter, Blake Snyder sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg — both million-dollar sales. Named “one of Hollywood’s most successful spec screenwriters,” Blake sold his last screenplay in 2009.His book, Save the Cat!® The Last Book on Screenwriting You’ll Ever Need, was published in May, 2005, and is now in its 24th printing. When I read this book it really had an impact on my storytelling and screenwriting.Thankful Blake was not done and apparently it was not quite the last book on screenwriting you’ll ever need, as the eagerly awaited sequel, Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told, was published in October, 2007 — shooting to #1 in the Screenwriting and Screenplay categories on Amazon.com. Blake’s third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of, was published in November, 2009.Blake’s method has become the “secret weapon” of many development executives, managers, and producers for its precise, easy, and honest appraisal of what it takes to write and develop stories that resonate. Save the Cat!® The Last Story Structure Software You’ll Ever Need has codified this method. Blake passed unexpectedly in 2009 but the Save the Cat community carries on Blake’s work.I had the pleasure of interviewing one of Blake’s main pupils Jose Silerio. Jose is carrying the torch of Blake’s work and travels around the world well…saving the cat.Enjoy my informative interview with Jose Silerio.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Touko 20161h 11min

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