Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents. Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Olivier Esteves et al., "France, You Love It but Leave It: The Silent Flight of French Muslims" (Polity, 2025)

Olivier Esteves et al., "France, You Love It but Leave It: The Silent Flight of French Muslims" (Polity, 2025)

Their names are Mohamed, Samira, sometimes Matthieu or Sophie. They were born and bred in France and are highly qualified, but they have decided to go and live in London or New York, Montreal or Bruss...

6 Helmi 57min

Patricia Daley and Ian Klinke, "Human Geography: A Very Short Introduction" (Oxford UP, 2025)

Patricia Daley and Ian Klinke, "Human Geography: A Very Short Introduction" (Oxford UP, 2025)

Human geography offers answers to some of the most important challenges of our time. To understand contemporary struggles over global economic inequality, forced migration, racial injustice, gender ju...

5 Helmi 1h 7min

Kevin Hart, "Lands of Likeness: For a Poetics of Contemplation" (U Chicago Press, 2023)

Kevin Hart, "Lands of Likeness: For a Poetics of Contemplation" (U Chicago Press, 2023)

In Lands of Likeness: For a Poetics of Contemplation (U Chicago Press, 2023), Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. ...

5 Helmi 1h 17min

Samuel Holley-Kline, "In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico" (U Nebraska Press, 2025)

Samuel Holley-Kline, "In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico" (U Nebraska Press, 2025)

Located in the Papantla municipality of the Mexican state of Veracruz, El Tajín is a UNESCO World Heritage site but a lesser-known tourist destination and national symbol. The Indigenous Totonac resid...

4 Helmi 45min

Lisa Min et al. eds., "Redacted: Writing in the Negative Space of the State" (punctum books, 2024)

Lisa Min et al. eds., "Redacted: Writing in the Negative Space of the State" (punctum books, 2024)

When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But shou...

4 Helmi 1h 25min

Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)

Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collect...

3 Helmi 1h 17min

Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most o...

3 Helmi 1h 19min

Gina Schouten, "The Anatomy of Justice" (Oxford UP, 2024)

Gina Schouten, "The Anatomy of Justice" (Oxford UP, 2024)

“Liberal egalitarianism” refers to a family of political views that are “liberal” in taking individual rights to be of premier importance and “egalitarian” in holding that justice requires that politi...

1 Helmi 1h 1min

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