Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents. Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)

Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and statu...

5 Tammi 1h 9min

Megha Anwer and Anupama Arora, "Screening Precarity: Hindi Cinema and Neoliberal Crisis in Twenty-first Century India" (U Michigan Press, 2025)

Megha Anwer and Anupama Arora, "Screening Precarity: Hindi Cinema and Neoliberal Crisis in Twenty-first Century India" (U Michigan Press, 2025)

Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization s...

4 Tammi 53min

Julia Elyachar, "On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo" (Duke UP, 2025)

Julia Elyachar, "On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo" (Duke UP, 2025)

On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo (Duke University Press, 2025) by Julia Elyachar is a sweeping analysis of the coloniality that shaped—and blocked—sovereig...

4 Tammi 36min

Deana Heath and Jinee Lokaneeta, "Policing and Violence in India: Colonial Origins and Contemporary Realities" (Speaking Tiger, 2025)

Deana Heath and Jinee Lokaneeta, "Policing and Violence in India: Colonial Origins and Contemporary Realities" (Speaking Tiger, 2025)

Why does Indias police force, created under British rule, still echo the priorities of a bygone empire? And what is it about this institution, tasked with maintaining the law and order, that has led t...

3 Tammi 46min

Richard Wolin, "Heidegger in Ruins: Between Philosophy and Ideology" (Yale UP, 2023)

Richard Wolin, "Heidegger in Ruins: Between Philosophy and Ideology" (Yale UP, 2023)

What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the c...

2 Tammi 1h 53min

Hans Kundnani, "Eurowhiteness: Culture, Empire and Race in the European Project" (Oxford UP, 2023)

Hans Kundnani, "Eurowhiteness: Culture, Empire and Race in the European Project" (Oxford UP, 2023)

"Today’s 'pro-Europeans' would be horrified at the suggestion that their idea of Europe had anything to do with whiteness. In fact, many would find the attempt to link the two baffling and outrageous,...

1 Tammi 48min

Bernard Forjwuor, "Critique of Political Decolonization" (Oxford UP, 2023)

Bernard Forjwuor, "Critique of Political Decolonization" (Oxford UP, 2023)

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Politica...

31 Joulu 202553min

Gillian Adler and Paul Strohm, "Alle Thyng Hath Tyme: Time and Medieval Life" (Reaktion, 2023)

Gillian Adler and Paul Strohm, "Alle Thyng Hath Tyme: Time and Medieval Life" (Reaktion, 2023)

Alle Thyng Hath Tyme: Time and Medieval Life (Reaktion, 2023) recreates medieval people’s experience of time: as continuous and discontinuous, linear and cyclical, embracing Creation and Judgement, s...

30 Joulu 202536min

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