Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents. Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Matthijs Lok, "Europe Against Revolution: Conservatism, Enlightenment, and the Making of the Past" (Cambridge UP, 2023)

Matthijs Lok, "Europe Against Revolution: Conservatism, Enlightenment, and the Making of the Past" (Cambridge UP, 2023)

Contemporary Europe seems to be divided between progressive cosmopolitans sympathetic to the European Union and the ideals of the Enlightenment, and counter-enlightened conservative nationalists extol...

12 Tammi 56min

J. Logan Smilges, "Crip Negativity" (U of Minnesota Press, 2023)

J. Logan Smilges, "Crip Negativity" (U of Minnesota Press, 2023)

In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativ...

10 Tammi 57min

Caitlin Vincent, "Opera Wars: Inside the World of Opera and the Battles for Its Future" (Simon and Schuster, 2026)

Caitlin Vincent, "Opera Wars: Inside the World of Opera and the Battles for Its Future" (Simon and Schuster, 2026)

How can cultural industries survive in the twenty-first century? In Opera Wars Inside the World of Opera and the Battles for Its Future Caitlin Vincent, a Senior Lecturer in Creative Industries at the...

9 Tammi 40min

Keidrick Roy, "American Dark Age: Racial Feudalism and the Rise of Black Liberalism" (Princeton UP, 2024)

Keidrick Roy, "American Dark Age: Racial Feudalism and the Rise of Black Liberalism" (Princeton UP, 2024)

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified c...

8 Tammi 51min

Thomas Albert Howard, "Broken Altars: Secularist Violence in Modern History" (Yale UP, 2025)

Thomas Albert Howard, "Broken Altars: Secularist Violence in Modern History" (Yale UP, 2025)

A sweeping history of the violence perpetrated by governments committed to extreme forms of secularism in the twentieth centuryA popular truism derived from the Enlightenment holds that violence is so...

7 Tammi 45min

Extraction: The Frontiers of Green Capitalism with Thea Riofrancos

Extraction: The Frontiers of Green Capitalism with Thea Riofrancos

Lithium, a crucial input in the batteries powering electric vehicles, has the potential to save the world from climate change. But even green solutions come at a cost. Mining lithium is environmentall...

6 Tammi 1h 13min

Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)

Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and statu...

5 Tammi 1h 9min

Megha Anwer and Anupama Arora, "Screening Precarity: Hindi Cinema and Neoliberal Crisis in Twenty-first Century India" (U Michigan Press, 2025)

Megha Anwer and Anupama Arora, "Screening Precarity: Hindi Cinema and Neoliberal Crisis in Twenty-first Century India" (U Michigan Press, 2025)

Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization s...

4 Tammi 53min

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