BONUS EPISODE: Making It in Hollyweird as a Screenwriter with Doug Richardson

BONUS EPISODE: Making It in Hollyweird as a Screenwriter with Doug Richardson

Can you imagine having a front row seat to the start of the filmmaking careers of Will Smith, Bruce Willis and Michael Bay? Well this week's guest Screenwriter Doug Richardson did just that. In 1989 20th Century Fox hired Doug to adapt Walter Wager’s novel 58 Minutes into the first sequel to the hit franchise Die Hard. In 1990, it was released as Die Hard 2, Die Harder.
Around the same period, Doug Richardson and his one-time writing partner, Rick Jaffa, garnered national attention when their spec screenplay, Hellbent…and Back was the first in Hollywood to sell for a million dollars. Doug has since written and produced feature films including the box office smash Bad Boys (1995), Money Train (1995), and Hostage (2005).
In addition to writing for the screen and print, Doug posts a weekly blog on his website, dougrichardson.com, where he shares personal anecdotes and insight from his thirty-year showbiz career. The first collection of his blogs, The Smoking Gun: True Tales from Hollywood’s Screenwriting Trenches was published in 2015.
I had a ball chatting with Doug and his stories from the set had been mesmerized. He dropped some major knowledge bombs in this interview. Enjoy!

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BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.Ismael Gomez is a C...

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BPS 364: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

BPS 364: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a...

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BPS 363: Editing for Directors with Gael Chandler

BPS 363: Editing for Directors with Gael Chandler

Television editor and author Gael Chandler is on the hot mic today. Most of you may know by now that I started out in post as an editor. Anytime I have another editor on it’s like sailors recalling ol...

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BPS 362: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador

BPS 362: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if...

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BPS 361: How to Squeeze Money Out of Your Indie Film with Patrick Solomon

BPS 361: How to Squeeze Money Out of Your Indie Film with Patrick Solomon

Today on the show we have filmmaker and Filmtrepreneur Patrick Solomon. Patrick is the mastermind behind the celebrated film Finding Joe.Finding Joe is an exploration of famed Mythologist Joseph Campb...

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BPS 360: Making and Selling a Niche Indie Film with Rob Smat

BPS 360: Making and Selling a Niche Indie Film with Rob Smat

Today on the show we have writer/director Rob Smat. His niche film is THE LAST WHISTLE. It is a Football Drama with a budget 125K, the crew was almost entirely film students, shot in 13 days in Texas,...

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BPS 359: When Hip-Hop, Skateboarding and Filmmaking Collide with Jeremy Elkin

BPS 359: When Hip-Hop, Skateboarding and Filmmaking Collide with Jeremy Elkin

In today’s episode, we take you back to the late 90s and early 80s hip-hop and skateboarding culture in New York City with director Jeremy Elkin’s new documentary, ‘All The Streets Are Silent: The Con...

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BPS 358: Inside the Multi-Window Distribution Model with Simon Swart

BPS 358: Inside the Multi-Window Distribution Model with Simon Swart

Today on the show we have Simon Swart. Swart has diverse experience in all areas of film production and distribution by virtue of his 30+ years as a leading studio executive at Warner Brothers, The Wa...

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