Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

How can we understand the legacy of colonialism within contemporary society? In Bordering Britain Law, Race and Empire (Manchester University Press, 2020), Nadine El-Enany, a senior lecturer in law at Birkbeck School of Law and Co-Director of the Centre for Research on Race and Law, historicises immigration law and ideas of citizenship in Britain, connecting the project of building a nation after the end of empire to whiteness, colonial violence, and racism. The book analyses legislation and case law, along with the social and historical context of immigration in Britain, to demonstrate the continued, systemic, violence at the heart of the British state. The book is essential reading across law, history, and the social sciences, as well as for anyone interested in understanding contemporary society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

30 Heinä 202046min

Christian theology has a long and at times contradictory history, riddled with tensions that make it difficult (if not impossible) to develop a single systematic account of what Christianity is. However, rather than see this as a shortcoming, one can instead try and see this as a productive philosophical and spiritual starting point. This is the animating idea of ​A Theology of Failure: Žižek Against Christian Innocence (Fordham University Press, 2019), which argues that failure should be welcomed as a core element of Christian identity. To make sense of this, her book works its way through the Neo-Platonic philosophy of the mystical theologian Dionysius the Areopagite, the Radical Orthodoxy movement, postmodern theology, and finally finds its way to the philosophy of Slavoj Žižek, who has put failure at the center of his own theoretical work. The result is a book that takes a number of twists and turns, wrestling with the shortcomings of various thinkers while still maintaining fidelity in spite of, and perhaps at times because of, failure. Marika Rose completed her PhD at Durham University, and is now a senior lecturer in philosophical theology at the University of Winchester and has authored numerous book chapters and articles covering the intersections of philosophy and theology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Heinä 20201h 3min

In Design Justice: Community-Led Practices to Build the Worlds We Need (MIT Press, 2020), Sasha Costanza-Chock, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create. This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Heinä 202036min

In his new book, The Smell of Slavery: Olfactory Racism and the Atlantic World (Cambridge University Press, 2020), Dr. Andrew Kettler charts the impact that smell had on the making of race and justifications for enslavement in the Atlantic world. Western European defined the African subject as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. So powerful was this process of embodied cultural knowledge and racial othering that the very European biological function of smell altered in the early modern period. While the first half of the book details this dialectical materialism from a European perspective, the second half speaks to the real consciousness and function that the sense of smell had in communities of African descent. Smell became a powerful tool for many enslaved peoples and racialized “others” to assert their agency, individualism, power, and perform everyday acts of resistance. Deeply researched and theorized, The Smell of Slavery offers modern readers a deeper historical understanding of the unconscious development of their senses and the powerful legacy that such embodied cultural knowledge and olfactory racism still has on Atlantic societies. Dr. Andrew Kettler is an Ahmason-Getty Fellow for the University of California, Los Angeles Center for 17th and 18th-Century Studies at the William Andrews Clark Memorial Library. R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic word. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

27 Heinä 202053min

Justin Gomer is the author of White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights, published by the University of North Carolina Press in 2020. White Balance explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement. From films like Dirty Harry to Rocky, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement. Justin Gomer is an Assistant Professor of American Studies at the California State University-Long Beach. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Heinä 20201h 9min

In Karl Kraus and The Discourse of Modernity (Northwestern University Press, 2020), Ari Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition. This perspective opens up the exploration of modernist projects and allows a discussion that goes beyond a specific time-period and invites us to locate the conversation about Kraus, as well as about the modernist discourse, in the context of the present moment. In his book, Linden outlines the most salient features of Kraus’s writing and establishes an ethic and aesthetic matrix to explore the variations and renditions that the modernist projects may promote and welcome. The book specifies Kraus’s aesthetic engagement with satire, as well as with the exploration of the language limitations (if any) and with intellectual conversations, which serve as responses to political and historical events. The latter makes Linden’s project particularly relevant and up-to-date for the contemporary moment: Kraus’s oeuvre helps further disclose how writing can be engaged as a key instrument not only for the construction of the individual’s perception of the self and others, but also for the construction of ideological paradigms, encapsulating power and control on both individual and public levels. Karl Kraus and The Discourse of Modernity brings modernity and modernism to the forefront of the post-postmodernist concerns and offers an insightful perspective on how a writer responds to history and politics while interrupting the discourse with their aesthetic renditions. Ari Linden is an assistant professor in the Department of German Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

24 Heinä 202053min

In Hacking Diversity: The Politics of inclusion in Open Technology Cultures (Princeton University Press, 2020), Christina-Dunbar Hester, an associate professor in the USC Annenberg School for Communication and Journalism, explores the world of open technology – communities centered on knowledge sharing. In particular, she investigates how these communities are considering the question of diversity and inclusion. Using ethnographic methods – interviews, participant observation, and deep readings of texts – Dunbar-Hester shows how the problem-solving ethos of open tech does not quite meet the challenge of structural social problems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Heinä 202034min

Working-through Collective Wounds: Trauma, Denial, Recognition in the Brazilian Uprising (Palgrave Macmillan, 2018) formulates a theory of collective trauma, drawing on the work of Sándor Ferenczi. Dr. Soreanu takes Ferenczi into the public square to answer a series of questions. What does it mean to understand the operation of the confusions of tongues at the social level? What are the consequences of imagining the social as an encounter between different registers? And how did we come to postulate the importance, among all social registers, of the tension between the register of recognition and the register of redistribution? Applying Ferenczian theory to these “interrogations” Soreanu utilizes psychosocial vignettes to make a series of arguments. “Akin to clinical vignettes, their aim is to capture a movement of the libido, or the expression of a symptom, or the resolution of a symptom, or a particular kind of regression, or a kind of dreaming-up that puts some symbols in relation to others.” In addition to working with established meta-psychologies, Soreanu adds “the pleasure of analogy” to Ferenczi’s emergent ‘vocabulary of pleasure’. This new “doubly relational” pleasure takes us away from the Freudian “insistence on processes of identification” and demonstrates that our epistemologies are “libidinised affairs: they have an erotics.” At the end of the book, Soreanu answers two questions: What returns to psychoanalysis, after taking Ferenczi to the streets and to the squares, alongside crowds in protest? What returns to social theory, after we have taken Ferenczi to the streets? Working-through Collective Wounds is part of a series, Studies in the Psychosocial “distinguished by its emphasis on affect, the irrational and unconscious processes, often, but not necessarily, understood psychoanalytically.” Raluca Soreanu is Reader in Psychoanalytic Studies and Director of Research of the Department of Psychosocial and Psychoanalytic Studies at the University of Essex. Christopher Russell is a psychoanalyst in Chelsea Manhattan and can be reached at (212) 260-8115 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Heinä 20201h 9min