Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

Undocumented youth activists are at the forefront of the present-day immigrant rights movement. This is especially true surrounding the activism of the recent SCOTUS decision on DACA issued on June 18, 2020. Professor Kevin Escudero’s book, Organizing While Undocumented: Immigrant Youth’s Political Activism Under the Law (New York University Press, 2020), depicts just how undocumented immigrant youth have utilized their identities for political action between 2010-2019. By developing what he calls the “Identity Mobilization Model,” Escudero studies the intersectional collective identity formation of undocumented immigrant communities by focusing on how micro-level processes interact with macro-level legal structures.   Escudero uses intimate narrative accounts of individual experiences, community gatherings, and organizer meetings to show how undocumented immigrant youth activists emphasized the heterogeneity of the movement while also forming coalitions with other movements. Escudero drew on ethnographic participant observation and fifty-one in-depth interviews with undocumented youth activists in San Francisco, Chicago, and New York. The book covers three subgroups within the immigrant rights movement: undocumented Asian activists, undocumented queer activists, and formerly undocumented activists. Each chapter focuses on one of the three subgroups and details how the subgroup shared community knowledge, how they leveraged their intersectional movement identity, and what he observed as high-stakes allyship.   Organizing While Undocumented shows how undocumented immigrants “have organized powerful countermobilizations to resist the stigma of illegality”. Further, Escudero carefully describes how undocumented youth form an oppositional consciousness informed by articulations of nuanced historical narratives and their participation in the immigrant rights movement. Overall, Organizing While Undocumented is in direct conversation with academic discussions of migrant illegality, social movement activism, and intersectionality. This book should be read by scholars interested in those fields as well as activists and allies of the immigrant rights movement.    Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1950” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. Jonathan is currently a Ford Predoctoral Fellow as well as a curatorial assistant at the Smithsonian National Museum of American History. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

20 Heinä 20201h 10min

The courageous and inspiring personal narratives and empirical studies in Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia (Utah State University Press, 2019) name formidable obstacles and systemic biases that all women faculty—from diverse intersectional and transnational identities and from tenure track, terminal contract, and administrative positions—encounter in their higher education careers. Edited by Yolanda Flores Niemann, Gabriella Gutiérrez y Muhs, and Carmen G. González, the book provides practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments. This new volume comes at a crucial historical moment as the United States grapples with a resurgence of white supremacy and misogyny at the forefront of our social and political dialogues that continue to permeate the academic world. Today I talked to two of the editors: Yolanda Flores Niemann (PhD, Psychology, University of Houston, 1992), a professor of psychology at the University of North Texas and Gabriella Gutiérrez y Muhs (MA and PhD Stanford University, 2000), a professor of modern languages and women studies at Seattle University. Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

16 Heinä 20201h 21min

Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the twenty-first century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the school’s history and reading its work in unexpected ways, Splinters in Your Eye: Frankfurt School Provocations (Verso, 2020) provides ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, these collected essays by Martin Jay range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin’s ruminations on stamp collecting to the ironies in the reception of Marcuse’s One-Dimensional Man, from Löwenthal’s role in Weimar’s Jewish Renaissance to Horkheimer’s involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of colour in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with an essay tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of “cultural Marxism” and “political correctness,” which has gained alarming international resonance and led to violence by radical right-wing fanatics. Ryan Tripp is currently an adjunct in History for community colleges and universities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

15 Heinä 20201h 29min

"Although small, this book goes against the grain of the current trend for brief soundbites that allow us to pass swiftly over painful information. It will go into the details of some extremely dark occurrences, not to glorify cruelties, but in order to understand them, as well to give thought to the individuals who suffered them. In turn, this will provide the reader with greater access to things residing in the unconscious." In Dark Times: Psychoanalytic Perspectives on Politics, History and Mourning (Phoenix Publishing House, 2018), Dr Jonathan Sklar presents us with a book of unsettling stories about the heinous crimes of Nazi Germany, the brutal attacks perpetrated by ISIS and the continued racist structure of the very fabric of US politics and discourse, just to name a few. Some of these stories are difficult to take in: The visceral descriptions can only be read in a psychosomatic sense. The strength of psychoanalytic thinking about political and historical violence lies in how close we get to the object of study. In the consulting room we cannot help to feel with the analysand. The histories and phantasies of violence leave an impression. The book argues to face history and reality in order to reckon with the marks that collective violence has left and continues to leave on the individual psyche. This is no random endeavour : A greater conscious awareness of the dark times we have lived through and of the racist, anti-semitic, familicidal characters within us, we get a chance to mourn all that was lost in and around us - a chance to hopefully at times break the cycle of endless repetition. In between this psychoanalytically informed reading of history, politics and their relation to the individual psyche, Sklar leaves room for applying the analysis of the histories of trauma and mourning to groups like psychoanalytic societies and institutes. Here especially, the close examination of obstacles to recognition of the Other, rooted in deeply unconscious phantasy, bears fruit. One way out might be offered through the practice of listening « contrapuntally » - a way of listening in which the barrier to recognition is actively faced, confronted and worked through. Dr Jonathan Sklar, MBBS, FRCPsych is a training and supervising psychoanalyst of the British Psychoanalytical Society. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

14 Heinä 202053min

Engaging with almost any Western philosopher of the last couple centuries means you are usually, whether you realize it or not, working in the shadow of Hegel, his work proving stubbornly resistant to attempts to remove from contemporary thought. This has itself proven to be a source of much debate and conflict, as Hegel is notoriously difficult to decipher, leaving room for a huge variety of opinions on a variety of topics. Diving right into this is my guest today, Adrian Johnston, who is back to discuss the second volume of his trilogy, Prolegomena to Any Future Materialism Volume II: A Weak Nature Alone (Northwestern University Press, 2019). Where the first volume (which we discussed in a previous episode) was concerned with some major turns in French continental philosophy, this volume takes Hegel as its key point of reference. However, rather than simply functioning as a commentary on Hegel, the book acts as a sort of historical survey of various Hegelianisms that have been developed over the last couple centuries, touching on everything from Marxism to contemporary Anglo-American analytic philosophy, and everything else in between. The result is a book that simultaneously manages to cover a huge swath of intellectual territory while also maintaining a very tight focus throughout, all in search of a thoroughly materialist theory of subjectivity.  Adrian Johnston is a Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include Irrepressible Truth: On Lacan’s ‘The Freudian Thing’ and the forthcoming Infinite Greed: Money, Marxism, Psychoanalysis. He is also one of the coeditors of the Northwestern University Press book series Diaresis, of which this book is a contribution.  Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

13 Heinä 20201h 38min

When we talk about technology we always talk about the future—which makes it hard to figure out how to get there. In Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology (Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future. What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians? In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Histories is for all of us—makers, coders, hacktivists, Facebook-users, self-styled Luddites—who find ourselves in a brave new world. Lizzie O’Shea is a lawyer, writer, and broadcaster. She is a founder and the chair of Digital Rights Watch, which advocates for human rights online, is a special advisor to the National Justice Project, and also sits on the board of Blueprint for Free Speech and the Alliance for Gambling Reform. At the National Justice Project, she worked with lawyers, journalists and activists to establish a Copwatch program, for which she received a Davis Projects for Peace Prize. In June 2019, she was named a Human Rights Hero by Access Now. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Her research intersects intellectual history, digital humanities and cultural heritage studies. She can be reached at aortolja-baird@britishmuseum.org Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

13 Heinä 20201h 8min

This interview coincides with the 70th anniversary of the Korean War, a war that, as Baik reminds us, has not officially ended. How are the particularities of the Korean War, as an unended war, expressed in the lives of survivors and their descendants? This work explores how violence is narrated and framed in the lives and works of diasporic subjects, utilizing the concept of durational memory to attend to how the past prevails in the present. Reencounters: On the Korean War and Diasporic Memory Critique (Temple University Press, 2020) joins a growing list of Asian American and Korean American scholarship that interrogates the impact modern warfare has had on memory, trauma, and healing but does so by engaging with a variety of diasporic works such as oral histories, live performances, media installations, and monuments. Through a close reading of these aesthetic practices and the events surrounding them, Baik offers a new analytic, the process of reencounters, to account for the ways in which the Korean War has transformed the social lives of those within the Korean peninsula and without. Included in this discourse are the powerful works of transnational Korean adoptees and a reevaluation of the politics of Jeju Island, a contested space of colonialism, militarism, and sovereignty. Reencounters provides a new perspective not only on the aftermaths of war but on the diverse states of being that form our understanding of diaspora and diasporic memory. Crystal Mun-hye Baik is an Assistant Professor in the Department of Gender & Sexuality Studies at the University of California, Riverside. Laura Ha Reizman is a PhD candidate in Asian Languages & Cultures at UCLA Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

10 Heinä 20201h 19min

What is the place of classical music in contemporary society? In Composing Capital: Classical Music in the Neoliberal Era (University of Chicago Press, 2019), Marianna Ritchey, an assistant professor of music history at the University of Massachusetts, Amherst, explores the relationship between neoliberal capitalism and classical music, showing how many of the democratizing and innovative elements of the genre go hand-in-hand with corporate power. Using detailed social and musicological studies of key composers, movements, opera companies, and tech advertising, the book offers a critical but sympathetic analysis of the potential, but also the limits, of classical music. Accessibly written, blending critical theory with contemporary case studies the book will be essential reading across arts and social sciences, as well as for business and technology scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

8 Heinä 202050min