Brahms Double Concerto

Brahms Double Concerto

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years." One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works," It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Jaksot(272)

Berlioz, "Symphonie Fantastique"

Berlioz, "Symphonie Fantastique"

Symphonie Fantastique, which was written just 3 years after Beethoven's death, redefined what music could portray. Its color, fire, narrative arc, vulgarity, descriptiveness, and drug-induced hysteria put it in a class of its own in the classical music world. As Leonard Bernstein said: "Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral." Today we'll get to know the story behind Symphonie Fantastique, and also talk about this piece and all of its brilliant innovations.

21 Tammi 202159min

History of Classical Music in 60 Minutes

History of Classical Music in 60 Minutes

Welcome to Season 7 of Sticky Notes! I'm often asked: "I want to get into classical music, but where do I start?" Today is my attempt to answer that question! Western Classical Music is an umbrella term that stretches over 1500 years of music, and there is an infinite variety to choose from. Today, we'll take a quick look at all 6 "periods" of classical music, from the Medieval, to the Renaissance, to the Baroque, to the Classical, to the Romantic, and the Contemporary. This episode is meant for beginners as well as lovers of classical music!

14 Tammi 20211h 3min

Schubert Symphony No. 9, "The Great"

Schubert Symphony No. 9, "The Great"

The pianist Andras Schiff on Schubert: "There is a folk song like simplicity in Schubert's Music; his music is never crowded. He does not want to impress you or overwhelm you. He tells you a very simple story and invites you by very simple means to come and join him and share his thoughts." It's hard to describe an hour long piece as simple, but Schiff's description applies to this massive, majestic, and yes, simple(in the best way) symphony. This week, we'll talk all about this mesmerizing symphony.

7 Tammi 202155min

Stravinsky, The Rite of Spring, Part 2

Stravinsky, The Rite of Spring, Part 2

A few years ago, I was at a performance of the Rite of Spring. Sitting behind me were some rather conservative audience members. As one particularly violent section of the piece blasted away, I heard one of them say, "If they keep playing this modern music I'm cancelling my subscription." How does a piece remain modern for so long? In Part 2 of the Rite this week, we explore this question, as well as dig into how Stravinsky builds a narrative that results in the sacrifice and the beginning of Spring.

30 Joulu 202044min

Tchaikovsky, The Nutcracker

Tchaikovsky, The Nutcracker

It's possible that the Nutcracker is the most recognizable Western Classical Music in the world, so what could one say about this ubiquitous piece? Well, from the adaptations of the original story, to the composition process, to the premiere, to the music itself, and to what the Nutcracker means to classical institutions, there's a lot here! At the end of the show, I also make a plea on behalf of ballet companies worldwide, and look forward to next year, when we can all enjoy this wonderful classic again.

24 Joulu 202042min

Stravinsky, The Rite of Spring, Part 1

Stravinsky, The Rite of Spring, Part 1

You might be surprised to know that the famous riot at the premiere of Stravinsky's Rite of Spring was by no means the only disturbance at a classical concert in history. But it is the most famous. This week, we'll explore the who, what, when, where, and WHY of this riot, and go through Part 1 of the Rite of Spring. We'll talk about folk music and Stravinsky's use of it, rhythm, orchestration, color, and much more as we grapple with a piece that sounds just as revolutionary in 2020 as it did in 1913.

17 Joulu 202045min

Mahler Symphony No. 3, Part 3 (Season 6 Finale)

Mahler Symphony No. 3, Part 3 (Season 6 Finale)

Welcome to the Season 6 Finale of Sticky Notes! Mahler titled the last movement of his 3rd symphony "What Love Tells Me." This movement is my favorite movement of any Mahler symphony. It is a profoundly heartfelt chorale that traverses peaks and valleys of ecstasy and despair in equal measure. We'll talk all about this emotionally complex movement and how it relates to the other 5 movements in the symphony. At the end of the show, I took a moment to reflect on the previous year of shows. Please join me!

10 Joulu 202040min

Mahler Symphony No. 3, Part 2

Mahler Symphony No. 3, Part 2

The middle four movements of Mahler's 3rd symphony were central to his mission - that is, to portray the entire world in one symphony. And when I say entire world I really mean it. In these movements, Mahler musically portrays what the flowers, nature, man, and angels tell him. These are some of the most colorful, kaleidoscopic, fascinating, and difficult movements in all of Mahler, and we'll talk all about them. We'll also try a new experiment where I take you through how I study a piece like this - enjoy!

3 Joulu 202055min

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