Brahms Double Concerto

Brahms Double Concerto

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years." One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works," It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Jaksot(272)

Copland "Appalachian Spring" (Re-Upload)

Copland "Appalachian Spring" (Re-Upload)

For this Thanksgiving week we're doing another re-upload from the archive! Today we'll look at Copland's Appalachian Spring, a ballet that has captured the imagination of listeners worldwide and seems to be the marker of the "American" sound in Western Classical Music. We'll look at some of the differences between the two versions of the piece, talk about why it sounds so American, and listen to some fascinating rehearsal footage with Copland himself! This is one of my favorite past episodes - please enjoy!

25 Marras 202046min

A Conversation with Harry Christophers, Founder and Director of The Sixteen

A Conversation with Harry Christophers, Founder and Director of The Sixteen

This week I spoke with Harry Christophers, who wears many different hats in his jobs as Artistic Director of the Handel and Haydn Society, and as the Founder and Director of The Sixteen, one of the world's most renowned choirs. I spoke with Harry about A Choral Odyssey, a new program debuting TONIGHT on thesixteen.com. The show explores great choral repertoire while exploring the venues in which it was first created. We also talked about choral conducting vs. orchestral conducting, and much much more.

19 Marras 20201h 1min

Mahler Symphony No. 3, Part 1

Mahler Symphony No. 3, Part 1

Mahler on his third symphony: "Just imagine a work of such magnitude that it actually mirrors the whole world—one is, so to speak, only an instrument, played on by the universe. . . . My symphony will be something the like of which the world has never yet heard! . . . In it the whole of nature finds a voice." As one of the grandest symphonies ever written, Mahler's 3rd symphony truly does embrace the world of nature in every possible way. This week we discuss the first movement, a 36 minute long colossus!

12 Marras 202043min

A Conversation with Composer and Violinist Jesse Montgomery

A Conversation with Composer and Violinist Jesse Montgomery

Jessie Montgomery is an acclaimed composer, violinist, and educator. Her works are performed frequently around the world by leading musicians and ensembles. Her music interweaves classical music with elements of vernacular music, improvisation, language, and social justice, placing her squarely as one of the most relevant interpreters of 21st-century American sound and experience. We had a great conversation touching on her upbringing, improv in classical music, her wide range of works, and much more!

5 Marras 202059min

Politics in Classical Music

Politics in Classical Music

First of all, if you're American, I hope you're listening to this while standing in line to vote! Western Classical Music does not have the reputation for political activism that other kinds of music have, but that doesn't mean composers haven't made political statements all throughout history with their music. Today we'll go through some of the most politically charged pieces in Western Classical Music History, all the way from the music of Joseph Haydn to the music of today. Don't forget to vote!!

29 Loka 202052min

Mozart Symphony No. 40

Mozart Symphony No. 40

This week continues my project of reuploading seasons 1-5 in new and improved sound quality! The opening of Mozart's 40th symphony is one of the most recognizable tunes in the whole repertoire, but to this day we don't know what it is about or even why Mozart wrote it. But even though it can be frustrating to not know these answers, it's also exciting and potentially rewarding to go searching for answers on our own! Today we'll talk all about this dramatic piece, and all of its many twists and turns.

22 Loka 202047min

"Wagnerism" with Alex Ross

"Wagnerism" with Alex Ross

This week I got to cross off a Sticky Notes bucket list item by interviewing the best-selling author and critic Alex Ross. We talked about his incredible new book Wagnerism, discussing Wagner's influence on just about every artist/thinker of his time and into the future, his anti-semitism, and more. We also talked about how people understood Wagner, and how they understand him today. Talking to Alex Ross allowed me to understand how one composer's music could create so much beauty, and so much destruction.

15 Loka 20201h 1min

Johannes Brahms and Clara Schumann: A Love Story

Johannes Brahms and Clara Schumann: A Love Story

Today is the beginning of a new project to re-upload older episodes in new and improved sound quality! First up is a story I can't believe Hollywood hasn't told in decades - the story of Johannes Brahms and Clara Schumann. Perhaps it's because of its complex, ambiguous, and unsettled ending, but for whatever reason, it has been a story somewhat lost to history. So today we'll look back at the lives of Johannes and Clara, accompanied by pieces they both wrote during the time that they knew one another.

8 Loka 202032min

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