The 2 Whys
Somewhere in the process of creating a character, it’s helpful to step back and ask ourselves: why are we doing this play? Why are the characters we’re playing important? Why bother in the first place...
17 Marras 20208min
The Educated Imagination
Cultivating the imagination was one of Stella Adler's core tenets as an acting teacher. But the idea of the imagination is often misunderstood when actors assume that their imagination is limited to t...
10 Marras 202016min
Know Where You’re Going
It essential for us to step back and look at our character's timeline in the play, to know where he or she is going. One of the benefits of playing a role is that, unlike in life, we know what the fut...
3 Marras 202016min
Going There, Wherever There Is
This week, Milton talks about what it means to “go there,” or commit 100% to giving ourselves over to the circumstances of the play. It’s an enormous emotional risk because by letting go completely, w...
27 Loka 202014min
The Past in the Present and the Past
This week, Milton touches on a very tenuous aspect of building a character’s past. There is a difference between experiencing a past event from the perspective of the present, and experiencing the pas...
21 Loka 202017min
Greasing the Gears
When building a craft, it’s important that we actively put to use the tools and techniques that we’ve learned. Otherwise we’ll keep “winging it”, hoping and praying that it lands. Also, kicking ass on...
13 Loka 202013min
Events
There are many different aspects of acting technique. One of them is building a character’s past. A helpful way to approach this is to know what the major events are in this person’s life. We ‘build’ ...
6 Loka 202011min
Acting as an Artform
In this episode, Milton talks about the difference between acting as an art form and acting to “get a job,” and how one is much more fulfilling than the other. The Art of Acting is about the pursuit o...
29 Syys 202013min
