Trial and Error
Stanislavsky’s Method of Acting was born out of trial and error. He was not a natural talent. Had he been, we probably would not have been gifted with his discoveries of the craft. By analyzing his st...
2 Helmi 202114min
The Action Changes
As you gain a deeper understanding of the role you’re playing through analysis and rehearsal, it’s important that we give ourselves permission for our actions, or impulses, to change. It’s not somethi...
25 Tammi 202111min
How Do I Know If It’s a Good Choice?
Today we revisit a question that actors never stop asking. The ability to know whether or not you’ve made a good choice is part your talent, and it’s a skill you can hone over time. A choice has to fe...
19 Tammi 202111min
The Impulse to Begin
Stanislavsky never wanted a set vocabulary of acting. The words he used were an outgrowth of the creative work he was doing with actors. They pointed to ideas that brought actors to life, gave them so...
12 Tammi 202113min
What Am I Trying to Say?
Our job, as actors is so much more profound than playing the part and getting applause. As Stella Adler’s father said to her: “We need to make it better for them.” When we understand what the play is ...
5 Tammi 202116min
How Time Period Influences Character
When building a character we can use the facts that are available to us in any way that will help us. Just as this is true for our character’s past, physical life or way of seeing the world, it is als...
29 Joulu 202014min
Be a Snob About Your Process
“If you’re waiting for the director to help you, you’re going to be dead in the water,” says Milton. This episode is about taking ownership of your process, how you work. This builds confidence and in...
22 Joulu 20209min
A Return to Rasbor
This week, we return to the Russian word Rasbor, which means “to dig down” beneath what you’re talking about to get to the big, cosmic idea. This is a new way of thinking in terms of acting, a muscle ...
15 Joulu 202019min
