I Don't Need an Acting Class

I Don't Need an Acting Class

Become a Paid Subscriber: https://podcasters.spotify.com/pod/show/actingclass/subscribe Academy Award winner and celebrated acting teacher Milton Justice invites you into his weekly acting class, based on his years of study with the legendary Stella Adler. I Don’t Need an Acting Class delves deep into the craft of acting, breaks down concepts, tools and techniques, explores endless possibilities and offers you a foundation on which to build a solid, dependable process. Produced by Walker Vreeland.

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Jaksot(246)

Observing Human Behavior

Observing Human Behavior

As actors, it is our job, our responsibility to observe human behavior. We do this to understand what it reveals about people and relationships, because it gives us information that we can use, anothe...

9 Joulu 202011min

Have Relationship with Everything

Have Relationship with Everything

WANT MORE? Become a subscriber for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe This week, Milton reminds us of the importance of having a specific relationship with ev...

1 Joulu 202014min

Staying in the Play

Staying in the Play

In this episode, we re-examine the concept of the given circumstances. Every play has its own set of given circumstances, from which all drama emerges. It’s helpful to look at your work from this pers...

24 Marras 202017min

The 2 Whys

The 2 Whys

Somewhere in the process of creating a character, it’s helpful to step back and ask ourselves: why are we doing this play? Why are the characters we’re playing important? Why bother in the first place...

17 Marras 20208min

The Educated Imagination

The Educated Imagination

Cultivating the imagination was one of Stella Adler's core tenets as an acting teacher. But the idea of the imagination is often misunderstood when actors assume that their imagination is limited to t...

10 Marras 202016min

Know Where You’re Going

Know Where You’re Going

It essential for us to step back and look at our character's timeline in the play, to know where he or she is going. One of the benefits of playing a role is that, unlike in life, we know what the fut...

3 Marras 202016min

Going There, Wherever There Is

Going There, Wherever There Is

This week, Milton talks about what it means to “go there,” or commit 100% to giving ourselves over to the circumstances of the play. It’s an enormous emotional risk because by letting go completely, w...

27 Loka 202014min

The Past in the Present and the Past

The Past in the Present and the Past

This week, Milton touches on a very tenuous aspect of building a character’s past. There is a difference between experiencing a past event from the perspective of the present, and experiencing the pas...

21 Loka 202017min

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