Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)

Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016’s Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021’s Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters. Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Episoder(2162)

Matt Houlbrook, “Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook” (U. of Chicago Press 2016)

Matt Houlbrook, “Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook” (U. of Chicago Press 2016)

How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professo...

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Bill V. Mullen, “W.E.B. Du Bois: Revolutionary Across the Color Line,” (Pluto Press, 2016)

Bill V. Mullen, “W.E.B. Du Bois: Revolutionary Across the Color Line,” (Pluto Press, 2016)

Born just five years after the abolition of slavery, W. E. B. Du Bois died the night before Martin Luther King, Jr. delivered his I Have a Dream speech at the March on Washington in 1963. In the many ...

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Paul Benneworth et al., “The Impact and Future of Arts and Humanities Research” (Palgrave, 2016)

Paul Benneworth et al., “The Impact and Future of Arts and Humanities Research” (Palgrave, 2016)

What is the future for Arts and Humanities in Europe? The podcast discusses these questions with Paul Benneworth, one of the authors, along with Magnus Gulbrandsen and Ellen Hazelkorn, of The Impact a...

13 Des 201644min

Banu Bargu, “Starve and Immolate: The Politics of Human Weapons” (Columbia UP, 2016)

Banu Bargu, “Starve and Immolate: The Politics of Human Weapons” (Columbia UP, 2016)

What is the relationship between state power and self-destructive violence as a mode of political resistance? In her book Starve and Immolate: The Politics of Human Weapons (Columbia University Press,...

10 Des 201655min

Sarah Jaffe, “Necessary Trouble: Americans in Revolt” (Nation Books, 2016)

Sarah Jaffe, “Necessary Trouble: Americans in Revolt” (Nation Books, 2016)

Sarah Jaffe has written Necessary Trouble: Americans in Revolt (Nation Books, 2016). Jaffe is a Nation Institute fellow and an independent journalist. Over the last few years, several authors on the p...

7 Des 201622min

Tom Mills, “The BBC: Myth of a Public Service” (Verso, 2016)

Tom Mills, “The BBC: Myth of a Public Service” (Verso, 2016)

The BBC is often thought to be a great, impartial, defender of British values and society. In The BBC: Myth of a Public Service (Verso, 2016), Tom Mills, a lecturer in Sociology at Aston University, r...

2 Des 201642min

Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)

Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, Briti...

19 Nov 201641min

Paul C. Taylor, “Black is Beautiful: A Philosophy of Black Aesthetics” (Wiley Blackwell, 2016)

Paul C. Taylor, “Black is Beautiful: A Philosophy of Black Aesthetics” (Wiley Blackwell, 2016)

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the b...

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