Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Victoria Canning and Steve Tombs, "From Social Harm to Zemiology: A Critical Introduction" (Routledge, 2021)

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16 Jun 202143min

John B. Thompson, "Book Wars: The Digital Revolution in Publishing" (Polity, 2021)

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16 Jun 202146min

François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)

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It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of ortho...

16 Jun 20211h 4min

Manon Garcia, "We Are Not Born Submissive: How Patriarchy Shapes Women's Lives" (Princeton UP, 2021)

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We are here today with Manon Garcia, the author of We Are Not Born Submissive: How Patriarchy Shapes Women’s Lives, published this year, 2021, by Princeton University Press. The book was originally pu...

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Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)

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9 Jun 20211h 3min

Neil Altman, "White Privilege: Psychoanalytic Perspectives" (Routledge, 2020)

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8 Jun 202155min

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