Distraction Pieces Podcast with Scroobius Pip29 Mai

DJ SHADOW (Endtroducing / Quannum Projects) • Friday Rewind

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!

This is your bonus FRIDAY REWIND episode! Today, we catch up with DJ Shadow, originally episode 298 from 2019-11-13.

Original episode intro:

"Guess who’s coming… IT’S… Guess who’s coming… IT’S j-j-j-just your favourite DJ saviour / using and confusing beats that you never heard / since / 1990… Ladies and gentlemen, he’ll put a smile on your face like Ultra Brite - it’s DJ SHADOW!"

(* now that is a solid intro).

Original writeup below:

“…Not every musical moment affects people the same way…”

A great rare treat for Shadow heads and crate digging nerds, and those who appreciate a good old fashioned music chat right here, but not only that - of course Pip and Shadow get to some really interesting ground when not dealing with the musical matters at hand, including his growing up in a remote town with limited access to hip hop which leads nicely onto how he eventually did find his way in, which then leads us into the whole Mo Wax side of things where he met and worked with James Lavelle extensively for a contained period (the foundation for which being laid by discovering NME, Melody Maker and also by the very intro of Nation Of Millions by Public Enemy - “LONDON, ENGLAND…!!!”), the Entroducing / Soldesides / Unkle / Brainfreeze eras, dealing with fan expectations and of course being taken out of context in hilarious style, nutritional value of rap from then and now, the current album ‘Our Pathetic Age’ and a breakdown of lead track ‘Rosie’, conjuring live sets and so much more which is all there for you to discover! Such a good one. You’ll love it.

PIP'S PATREON PAGE if you're of a supporting nature

DJ SHADOW online

DJ SHADOW on INSTAGRAM

OUR PATHETIC AGE

ROSIE

PHILL MOST CHILL - 'On Tempo Jack' (for reference!)

PIP TWITCH • (music stuff)

PIP INSTAGRAM

SPEECH DEVELOPMENT WEBSTORE

PIP TWITTER

PIP IMDB

POD BIBLE

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